Québec-Cana­da Land in Europe: A Space for Creation

2026 will celebrate an exciting new chapter in CARTOON's growing partnerships. The launch of the “Québec-Canada Land in Europe: A Space for Creation” Initiative during Cartoon Movie 2026 and Cartoon Forum 2026 will spotlight a renewed commitment to international co-production. A dedicated session will present an outstanding selection of projects, offering creators and industry professionals fresh opportunities to connect, collaborate, and build meaningful partnerships.

At a moment when Europe is navigating economic pressures and Québec-Canada is adapting to a shifting U.S. market, this initiative provides a powerful platform for cross-border cooperation. Together, we are opening new pathways for talent, expanding market potential, and shaping a vibrant future for animation.

Québec and Canadian animated films: world-renowned reputation

Although they arrived late to the scene, Québec and Canadian animated films now enjoy international recognition. Driven by pioneers such as Norman McLaren and Frédéric Back, the industry took off in the 1960s — several decades after the beginning of animation in the United States and Europe — thanks in large part to the National Film Board of Canada (NFB), a true pillar of animated creation. The NFB is the production company based outside the United States that has won the most Oscars, which attests to its influence.

For a long time, Canadian animation was mainly known for its short films. It wasn’t until the early 2000s that animated feature films took off, supported by public institutions such as SODEC and Telefilm Canada, two agencies that contribute to the development and funding of these films. Since then, the quality of Québec and Canadian productions has been recognized worldwide, with animated films regularly selected for major international festivals.

The richness of Québec and Canadian animation lies in its diversity of genres, styles and techniques. Montréal stands out in particular for its cutting-edge technologies, highly skilled workforce and renowned schools, making it a true hub for Canadian and international animation.

The enthusiastic response to Québec and Canadian animation by the international industry is evident by several recent film-festival successes. In 2025 alone, four Canadian feature films were selected for the prestigious Annecy International Animation Film Festival: Death Does Not Exist (also selected for the Directors’ Fortnight at the 2025 Cannes Film Festival); Space Cadet (also selected for Generation Kplus at the Berlinale and the Toronto International Film Festival, both in 2025); Allah is Not Obliged (funded in part by Eurimages and also screened at the CINEMANIA Film Festival and the Festival international du cinéma francophone en Acadie); and Endless Cookie (also selected for the 2025 Sundance Film Festival, International Documentary Film Festival Amsterdam and DOK Leipzig).

Other successful Québec and Canadian films include When Adam Changes, Katak: the Brave Beluga, Felix and the Hidden Treasure, Snowtime!, Night of the Zoopocalypse, Eternal Spring and The Breadwinner. These films have been acquired in over 100 countries, demonstrating the storytelling and creative expertise of Québec and Canadian animation studios.

For the first time, Québec and Canada will present Québec and Canadian animated films at Cartoon Movie. This event provides a valuable opportunity to further strengthen existing ties with European countries, particularly through co-production, and to establish new synergies.

Immerse yourself in a creative universe where imagination knows no bounds. Enjoy the journey!

The six selected projects at Cartoon Movie 2026

Jane, the Fox and Me
2D ani­ma­tion | 90′ | Teenagers | In concept

Pro­duced by Embus­cade Films (QC-CAN)

Jane, the Fox, and Me is a fable about child­hood, friend­ship, and the redemp­tive pow­er of lit­er­a­ture. It fol­lows eleven-year-old Hélène, who is reject­ed by her group of friends at school. Hélène is decid­ed­ly intro­vert­ed and drawn to books. One book in par­tic­u­lar, Jane Eyre, fas­ci­nates her. Hélène uses Jane Eyre as a life­line and a sav­ing escape. After a series of gloomy days steeped in lone­li­ness, fol­lowed by a school trip where the humil­i­a­tion reach­es its peak, Hélène meets a fox who helps her under­stand her­self, then makes a friend, a real one, and the world begins to take on col­or again.

Mar­guerite and the Duke
3D ani­ma­tion | 80′ | Fam­i­ly | In development

Pro­duced by 10ᵗʰ Ave Pro­duc­tions (QC-CAN)

Trou­ble is brew­ing at Grand­stock Cas­tle. The Duke oppos­es his daugh­ter Margaret’s plan to go on a trip with her boyfriend. Weary of ancient tra­di­tions, Mar­garet renounces her inher­i­tance and sets off to dis­cov­er the world. But the jour­ney get com­pli­cat­ed: her drag­on has fol­lowed her! Trav­el­ling in a van with a drag­on brings enough prob­lems, but when the drag­on dis­ap­pears, pan­ic sets in. The chances of sur­vival are slim for a drag­on who was raised on braised ham. Mean­while, the Duke is torn between the coun­sels of his ghost­ly ances­tor and those of Dorothy, the wise gov­erness who advis­es adapt­ing to the 21st Cen­tu­ry. Con­se­quent­ly, the Duke makes some odd choic­es in his effort to rebuild bridges with his daugh­ter. Mar­garet and the Duke is a mod­ern fairy tale, updat­ing old tra­di­tions for today’s world.

Pud­dle Jumpers
2D ani­ma­tion | 80′ | Teenagers | In concept

Pro­duced by Fly­ing Krak­en Cre­ative Stu­dios (CAN)

When 14-year-old out­lier Bryn drops her self-drawn graph­ic nov­el into a dark pud­dle, her fan­ta­sy world lit­er­al­ly comes to life - unleash­ing her hero­ic alter ego, Princess Sian, and a demon­ic shad­ow, Night Mare, born from despair, that she nev­er meant to cre­ate. Bryn escapes ado­les­cent mad­ness through Drag­onhold, her graph­ic nov­el set in a Hierony­mus Bosch like world where Sian is the hero, her fam­i­ly and friends are guardians, and her real-life neme­ses are putrid Bog Walk­ers! In her nov­el, Bryn con­trols the nar­ra­tive. In real life, not so much - school, social media, and the gnaw­ing feel­ing she’ll nev­er mea­sure up. But when Sian and her army come to life and step out of the pages, things get worse. Sian is con­fi­dent, fear­less, adored, every­thing Bryn cre­at­ed Sian to be, and aching­ly wish­es she was.

Shang­hai Bal­lade
2D & 3D ani­ma­tion | 90′ | Young Adults/​Adults | In development

Pro­duced by Lofty Sky Pic­tures (CAN)

Shang­hai Bal­lade is an ani­mat­ed his­tor­i­cal dra­ma trac­ing pianist Gu Zhen’s life through three tumul­tuous decades in mid-20th-cen­tu­ry Chi­na, using shift­ing ani­ma­tion styles, from the team behind Eter­nal Spring (Canada’s 2023 Oscar® entry) and inspired by real Cul­tur­al Rev­o­lu­tion artists. Born in 1930s Shang­hai, Gu Zhen’s pas­sion for piano ignites at five. At Shanghai’s con­ser­va­to­ry, prodi­gies Yan Cheng and Lu Song vie for her affec­tions. Her career fal­ters when her father is jailed, forc­ing her to fight for sur­vival. Amid esca­lat­ing tur­moil, art styles evolve to depict frac­tured time­lines. The film hon­ours for­got­ten artists, the Rev­o­lu­tion’s toll, and music’s redemp­tive force.

The Moun­tain of Dreams
3D ani­ma­tion | 82′ | Chil­dren | In concept

Pro­duced by Car­pediem Film & TV (QC-CAN)

Since her father’s death, 12-year-old Lili has spent her time in the world of the com­ic books she draws. She pro­tects her­self from the out­side world and pre­tends that she does­n’t need friends. How­ev­er, the arrival of a drilling com­pa­ny that wants to expro­pri­ate all the inhab­i­tants of the sur­round­ing area shat­ters her frag­ile equi­lib­ri­um and pro­pels her into a fan­tas­ti­cal uni­verse. Dis­ori­ent­ed, Lili learns to trust oth­ers again and redis­cov­ers the val­ue of friend­ship and sol­i­dar­i­ty. With The moun­tain of dreams, Carpe Diem Film & TV presents a fan­tas­ti­cal and eco­log­i­cal tale full of humour, encour­ag­ing the young­sters to take up the torch of envi­ron­men­tal activism.

The Pres­i­den­t’s Daugh­ter
2D ani­ma­tion | 95′ | Fam­i­ly | In concept

Pro­duced by Quar­ter­life Cri­sis Pro­duc­tions (CAN)

Dur­ing the birth of Africa’s inde­pen­dence in the 1950’s, The President’s Daugh­ter tells the true sto­ry of Samia Nkrumah, the young daugh­ter of Ghana’s first pres­i­dent, Dr. Kwame Nkrumah. What starts as a clas­sic fairy­tale in a pres­i­den­tial palace, unfolds into a vio­lent rebel­lion as the coun­try is used as a pawn by the CIA and KGB – ulti­mate­ly exil­ing her father to Guinea, and Samia to Egypt. Samia strug­gles deeply with­out her father and doesn’t under­stand why the world has turned on him. Armed with his diary, Samia evades the CIA and KGB and makes the jour­ney home to Ghana with the fan­ci­ful child­hood log­ic that the diary will prove her father’s virtue and heal the coun­try and her family.