2026 will celebrate an exciting new chapter in CARTOON's growing partnerships. The launch of the “Québec-Canada Land in Europe: A Space for Creation” Initiative during Cartoon Movie 2026 and Cartoon Forum 2026 will spotlight a renewed commitment to international co-production. A dedicated session will present an outstanding selection of projects, offering creators and industry professionals fresh opportunities to connect, collaborate, and build meaningful partnerships.
At a moment when Europe is navigating economic pressures and Québec-Canada is adapting to a shifting U.S. market, this initiative provides a powerful platform for cross-border cooperation. Together, we are opening new pathways for talent, expanding market potential, and shaping a vibrant future for animation.
Québec and Canadian animated films: world-renowned reputation
Although they arrived late to the scene, Québec and Canadian animated films now enjoy international recognition. Driven by pioneers such as Norman McLaren and Frédéric Back, the industry took off in the 1960s — several decades after the beginning of animation in the United States and Europe — thanks in large part to the National Film Board of Canada (NFB), a true pillar of animated creation. The NFB is the production company based outside the United States that has won the most Oscars, which attests to its influence.
For a long time, Canadian animation was mainly known for its short films. It wasn’t until the early 2000s that animated feature films took off, supported by public institutions such as SODEC and Telefilm Canada, two agencies that contribute to the development and funding of these films. Since then, the quality of Québec and Canadian productions has been recognized worldwide, with animated films regularly selected for major international festivals.
The richness of Québec and Canadian animation lies in its diversity of genres, styles and techniques. Montréal stands out in particular for its cutting-edge technologies, highly skilled workforce and renowned schools, making it a true hub for Canadian and international animation.
The enthusiastic response to Québec and Canadian animation by the international industry is evident by several recent film-festival successes. In 2025 alone, four Canadian feature films were selected for the prestigious Annecy International Animation Film Festival: Death Does Not Exist (also selected for the Directors’ Fortnight at the 2025 Cannes Film Festival); Space Cadet (also selected for Generation Kplus at the Berlinale and the Toronto International Film Festival, both in 2025); Allah is Not Obliged (funded in part by Eurimages and also screened at the CINEMANIA Film Festival and the Festival international du cinéma francophone en Acadie); and Endless Cookie (also selected for the 2025 Sundance Film Festival, International Documentary Film Festival Amsterdam and DOK Leipzig).
Other successful Québec and Canadian films include When Adam Changes, Katak: the Brave Beluga, Felix and the Hidden Treasure, Snowtime!, Night of the Zoopocalypse, Eternal Spring and The Breadwinner. These films have been acquired in over 100 countries, demonstrating the storytelling and creative expertise of Québec and Canadian animation studios.
For the first time, Québec and Canada will present Québec and Canadian animated films at Cartoon Movie. This event provides a valuable opportunity to further strengthen existing ties with European countries, particularly through co-production, and to establish new synergies.
Immerse yourself in a creative universe where imagination knows no bounds. Enjoy the journey!
The six selected projects at Cartoon Movie 2026

Jane, the Fox and Me
2D animation | 90′ | Teenagers | In concept
Produced by Embuscade Films (QC-CAN)
Jane, the Fox, and Me is a fable about childhood, friendship, and the redemptive power of literature. It follows eleven-year-old Hélène, who is rejected by her group of friends at school. Hélène is decidedly introverted and drawn to books. One book in particular, Jane Eyre, fascinates her. Hélène uses Jane Eyre as a lifeline and a saving escape. After a series of gloomy days steeped in loneliness, followed by a school trip where the humiliation reaches its peak, Hélène meets a fox who helps her understand herself, then makes a friend, a real one, and the world begins to take on color again.

Marguerite and the Duke
3D animation | 80′ | Family | In development
Produced by 10ᵗʰ Ave Productions (QC-CAN)
Trouble is brewing at Grandstock Castle. The Duke opposes his daughter Margaret’s plan to go on a trip with her boyfriend. Weary of ancient traditions, Margaret renounces her inheritance and sets off to discover the world. But the journey get complicated: her dragon has followed her! Travelling in a van with a dragon brings enough problems, but when the dragon disappears, panic sets in. The chances of survival are slim for a dragon who was raised on braised ham. Meanwhile, the Duke is torn between the counsels of his ghostly ancestor and those of Dorothy, the wise governess who advises adapting to the 21st Century. Consequently, the Duke makes some odd choices in his effort to rebuild bridges with his daughter. Margaret and the Duke is a modern fairy tale, updating old traditions for today’s world.

Puddle Jumpers
2D animation | 80′ | Teenagers | In concept
Produced by Flying Kraken Creative Studios (CAN)
When 14-year-old outlier Bryn drops her self-drawn graphic novel into a dark puddle, her fantasy world literally comes to life - unleashing her heroic alter ego, Princess Sian, and a demonic shadow, Night Mare, born from despair, that she never meant to create. Bryn escapes adolescent madness through Dragonhold, her graphic novel set in a Hieronymus Bosch like world where Sian is the hero, her family and friends are guardians, and her real-life nemeses are putrid Bog Walkers! In her novel, Bryn controls the narrative. In real life, not so much - school, social media, and the gnawing feeling she’ll never measure up. But when Sian and her army come to life and step out of the pages, things get worse. Sian is confident, fearless, adored, everything Bryn created Sian to be, and achingly wishes she was.

Shanghai Ballade
2D & 3D animation | 90′ | Young Adults/Adults | In development
Produced by Lofty Sky Pictures (CAN)
Shanghai Ballade is an animated historical drama tracing pianist Gu Zhen’s life through three tumultuous decades in mid-20th-century China, using shifting animation styles, from the team behind Eternal Spring (Canada’s 2023 Oscar® entry) and inspired by real Cultural Revolution artists. Born in 1930s Shanghai, Gu Zhen’s passion for piano ignites at five. At Shanghai’s conservatory, prodigies Yan Cheng and Lu Song vie for her affections. Her career falters when her father is jailed, forcing her to fight for survival. Amid escalating turmoil, art styles evolve to depict fractured timelines. The film honours forgotten artists, the Revolution’s toll, and music’s redemptive force.

The Mountain of Dreams
3D animation | 82′ | Children | In concept
Produced by Carpediem Film & TV (QC-CAN)
Since her father’s death, 12-year-old Lili has spent her time in the world of the comic books she draws. She protects herself from the outside world and pretends that she doesn’t need friends. However, the arrival of a drilling company that wants to expropriate all the inhabitants of the surrounding area shatters her fragile equilibrium and propels her into a fantastical universe. Disoriented, Lili learns to trust others again and rediscovers the value of friendship and solidarity. With The mountain of dreams, Carpe Diem Film & TV presents a fantastical and ecological tale full of humour, encouraging the youngsters to take up the torch of environmental activism.

The President’s Daughter
2D animation | 95′ | Family | In concept
Produced by Quarterlife Crisis Productions (CAN)
During the birth of Africa’s independence in the 1950’s, The President’s Daughter tells the true story of Samia Nkrumah, the young daughter of Ghana’s first president, Dr. Kwame Nkrumah. What starts as a classic fairytale in a presidential palace, unfolds into a violent rebellion as the country is used as a pawn by the CIA and KGB – ultimately exiling her father to Guinea, and Samia to Egypt. Samia struggles deeply without her father and doesn’t understand why the world has turned on him. Armed with his diary, Samia evades the CIA and KGB and makes the journey home to Ghana with the fanciful childhood logic that the diary will prove her father’s virtue and heal the country and her family.




