Buy­ers

Aero­films start­ed as a joint project of two biggest art-house cin­e­mas in Prague, in 2006. Since then, Aero­films has brought more than 200 care­ful­ly curat­ed films to Czech cin­e­mas. Since 2013, Aero­films has also oper­at­ed the Aerovod VoD platform.

ALCA, the New Aquitaine Region cul­tur­al agency, pro­vides a wide range of back­ing ser­vices for cin­e­ma and TV indus­tries. It sup­ports cre­ation and pro­duc­tion, notably through a 7M€ film fund (which reach­es 11M€ with local gov­ern­ments), active at every step of the cre­ation process (scriptwrit­ing, devel­op­ment, pro­duc­tion) and opened to inter­na­tion­al co-pro­­duc­­tion. Nou­velle-Aquitaine is the biggest region in France and hosts an impor­tant ani­ma­tion clus­ter, Mage­lis, based in Angoulême.

ALCA, the New Aquitaine Region cul­tur­al agency, pro­vides a wide range of back­ing ser­vices for cin­e­ma and TV indus­tries. It sup­ports cre­ation and pro­duc­tion, notably through a 7M€ film fund (which reach­es 11M€ with local gov­ern­ments), active at every step of the cre­ation process (scriptwrit­ing, devel­op­ment, pro­duc­tion) and opened to inter­na­tion­al co-pro­duc­tion. Nou­velle-Aquitaine is the biggest region in France and hosts an impor­tant ani­ma­tion clus­ter, Mage­lis, based in Angoulême.

ALCA, the New Aquitaine Region cul­tur­al agency, pro­vides a wide range of back­ing ser­vices for cin­e­ma and TV indus­tries. It sup­ports cre­ation and pro­duc­tion, notably through a 7M€ film fund (which reach­es 11M€ with local gov­ern­ments), active at every step of the cre­ation process (scriptwrit­ing, devel­op­ment, pro­duc­tion) and opened to inter­na­tion­al co-pro­duc­tion. Nou­velle-Aquitaine is the biggest region in France and hosts an impor­tant ani­ma­tion clus­ter, Mage­lis, based in Angouleme.

ALCA, the New Aquitaine Region cul­tur­al agency, pro­vides a wide range of back­ing ser­vices for cin­e­ma and TV indus­tries. It sup­ports cre­ation and pro­duc­tion, notably through a 7M€ film fund (which reach­es 11M€ with local gov­ern­ments), active at every step of the cre­ation process (scriptwrit­ing, devel­op­ment, pro­duc­tion) and opened to inter­na­tion­al co-pro­­duc­­tion. Nou­velle-Aquitaine is the biggest region in France and hosts an impor­tant ani­ma­tion clus­ter, Mage­lis, based in Angoulême.

All Rights Enter­tain­ment is an inter­na­tion­al sales agent estab­lished in 2009 with offices in Hong Kong, Paris and Los Ange­les, with a wide cat­a­logue of films and a focus on high-qual­i­ty ani­ma­tion films with an inter­na­tion­al poten­tial. Our cur­rent release in 2024 is the ani­mat­ed movie ​“Lendarys” and ​“Proud Princess” and, in 2025, ​“Fleak” and ​“Kai” and oth­ers. We attend all inter­na­tion­al film fes­ti­vals, film mar­kets, TV mar­kets year round (Cannes, Berlin, Fil­mart, Toron­to, AFM, Mip…).

Andrzej Waj­da Cen­tre for Film Cul­ture was estab­lished in 2018 by the May­or of the City of War­saw. It was designed as a mod­ern, inclu­sive insti­tu­tion that pro­motes art-house film cul­ture, presents, and analy­ses mas­ter­pieces of nation­al and inter­na­tion­al cin­e­ma, and rais­es gen­er­al aware­ness of Euro­pean audio­vi­su­al her­itage. The Cen­tre will offer a wide range of events, work­shops and debates relat­ed to film­mak­ing and mod­ern visu­al cul­ture. we have cre­at­ed a very mod­ern VoD platform.

Dis­tri­b­u­tion and pro­duc­tion com­pa­ny of ani­mat­ed and live-action fea­ture films, estab­lished in 1988. Award­ed ​“Dis­trib­u­tor of the Year” at Car­toon Movie 2017. Founder of the award-win­ning con­cept, Rabalder Bio, that is spe­cialised in the dis­tri­b­u­tion of qual­i­ty films for chil­dren and young adults.

Baden-Würt­tem­berg has been Ger­many’s top loca­tion for ani­ma­tion and visu­al effects for many years. No oth­er fed­er­al state has such a high den­si­ty of ani­ma­tion and VFX stu­dios. The cre­ative pro­fes­sion­als in these stu­dios have received numer­ous inter­na­tion­al­ly renowned prizes - includ­ing Oscars, Emmy Awards, Annie Awards, VES Awards and the Deutsch­er Com­put­er­spiel­preis Award. Behind this remark­able suc­cess is the work of the Ani­ma­tion Media Cre­ators of the Stuttgart Region (AMCRS).

Apol­lo Film is a French the­atri­cal dis­trib­u­tor and co-producer.

Argo is a major Czech pub­lish­er, renowned for its vast list of lit­er­ary fic­tion, non-fic­tion and poet­ry, as well as trade and mass mar­ket fiction.Since 1992, books from Argo have won extra­or­di­nary acclaim, includ­ing numer­ous Czech and inter­na­tion­al awards. Our abil­i­ty to com­bine lit­er­ary excel­lence with com­mer­cial suc­cess brings us to the fore of the Czech Republic’s pub­lish­ing market.

Dis­trib­u­tor in CIS who is releas­ing 12 titles the­atri­cal­ly per year, sells TV, VoD and new media rights. We are look­ing for the acqui­si­tion of Euro­pean ani­ma­tion films. We released the­atri­cal­ly more than 160 titles includ­ing such ani­ma­tion projects as ​“Maya the Bee - Movie”, ​“Maya the Bee 3: the Gold­en Orb”, ​“Song of the Sea”, ​“Pinoc­chio”, ​“Jun­gle Beat: the Movie” and ​“Princess Emmy”.

The film dis­tri­b­u­tion com­pa­ny Art­cam was found­ed in 2000 by Artemio Ben­ki, French pro­duc­er and direc­tor, who lived, worked and cre­at­ed in Prague since the ear­ly 90s. Since its begin­nings, Artcam’s aim was to bring coura­geous, inno­v­a­tive and provoca­tive films that broad­en the hori­zons of Czech dis­tri­b­u­tion. Thus Art­cam has released here films of art­house film icons such as Jim Jar­musch, David Lynch, Michael Haneke, Lars von Tri­er, Arnaud Desplechin, Chan-wook Park, Claire Denis or Pablo Larraín.

Attrac­tion Dis­tri­b­u­tion is a world leader in qual­i­ty fam­i­ly enter­tain­ment and a proud part­ner with Euro­pean film pro­duc­ers for over two decades. We are a Mon­tre­al-based sales agent spe­cial­iz­ing in the co-financ­ing, pro­mo­tion and all rights dis­tri­b­u­tion award-win­ning and uni­ver­sal­ly appeal­ing fam­i­ly films, ani­mat­ed or live action or any­thing in between. Part of Attrac­tion group that is one of Canada’s major pro­duc­tion pow­er­hous­es of motion pic­tures and episod­ic content.

Auvergne-Rhône-Alpes Ciné­ma is the region­al film fund in Auvergne-Rhône-Alpes for fea­ture films. The aver­age invest­ment per film is 300,000€. A sig­nif­i­cant part of the ani­ma­tion must be done in Auvergne-Rhône-Alpes and a French pro­duc­er has to be involved in the project. Ani­mat­ed films sup­port­ed: ​“The Sum­mit of Gods”, ​“Azur & Asmar”, ​“Even Mice Belong in Heav­en”, ​“A Cat in Paris”, ​“The Day of the Crows”, ​“Aunt Hil­da!”, ​“Yel­low­bird”, ​“Phan­tom Boy” and ​“My Life as a Courgette”.

B7 Media is a UK indie pro­duc­er (radio, tele­vi­sion and film) and pub­lish­er (audio­books, com­ic books) telling sto­ries across mul­ti­ple con­tent forms and work­ing with much-loved IP, includ­ing ​“Dan Dare”, Ray Brad­bury’s ​“The Mar­t­ian Chron­i­cles” and Isaac Asi­mov’s ​“I, Robot”. Under its new B7 Comics imprint titles include sci-fi thriller ​“Pil­grim”; graph­ic nov­el ​“Han­cock: The Lad Him­self” chart­ing the rise and fall of leg­endary com­ic Tony Han­cock, and a new com­e­dy-hor­ror ​“The Furnace”.

BAC Films spe­cialis­es in devel­op­ing, financ­ing, pro­duc­ing and releas­ing cut­ting-edge inde­pen­dent films for the French mar­ket and beyond. Since its cre­ation in 1986, BAC Films has main­tained itself as one of the lead­ing Euro­pean dis­trib­u­tors and inter­na­tion­al deal­ers for inde­pen­dent films with over 550 films released, among which 10 Palmes d’Or.

Found­ed by expe­ri­enced film dis­tri­b­u­tion spe­cial­ists Şte­fan Bradea and Mon­i­ca Felea, Bad Uni­corn is an ambi­tious auteur film dis­tri­b­u­tion com­pa­ny, also pro­vid­ing com­plete pro­gram­ming, mar­ket­ing and pub­lic­i­ty ser­vices to Roman­ian fea­tures. The first dis­trib­uted film was the Berli­nale Gold­en Bear win­ner ​“On Body and Soul”, fol­lowed by acclaimed titles such as ​“Close”, ​“After­sun”, ​“Past Lives”. Upcom­ing ani­mat­ed releas­es: ​“The Boy and the Heron”, ​“Digi­mon Adven­ture 02 Begin­ning”, ​“Niko 3”.

Which film just stays in your head despite the world and all oth­er films? Touch­es you in a way that makes you want to show it to as many peo­ple as pos­si­ble? Ban­tam Film choos­es its films care­ful­ly and releas­es them with pas­sion and care. We spe­cial­ize in ani­ma­tion fea­tures for adults and the­atri­cal doc­u­men­taries. Like ​“Blind Wil­low, Sleep­ing Woman” by Pierre Földes, or ​“No Dogs or Ital­ians Allowed” by Alain Ughet­to, which we both released in 2023.

Graph­ic nov­el pub­lish­er based in Milano.

Ben­shi is the first SVoD plat­form ded­i­cat­ed to chil­dren from 2 to 11 years old. We offer more than 200 films (shorts, fea­ture films, pro­grams and a few series). We are only avail­able in France for now.

Ben­shi is the first SVoD plat­form ded­i­cat­ed to chil­dren from 2 to 11 years old. We offer more than 200 films (shorts, fea­ture films, pro­grams and a few series). We are only avail­able in France for now.

Beta Film’s bou­tique label BETA KIDS & FAM­I­LY com­ple­ments its vast and diverse library of con­tent by address­ing younger tar­get groups. Long-last­ing coop­er­a­tions with estab­lished pre­mi­um pro­duc­ers and chan­nels guar­an­tee a broad range of high-qual­i­ty fic­tion­al, ani­mat­ed and real­i­ty con­tent. BETA KIDS & FAM­I­LY has been able to build up inter­na­tion­al brands like SKAM, ANNE WITH AN E, CAP­TAIN NOVA, and ALL-ROUND CHAM­PI­ON, ready-mades and for­mats alike.

Found­ed in 1983, Bim Dis­tribuzione is a leader dis­tri­b­u­tion com­pa­ny in the Ital­ian scenery with more than 500 movies released.

Broad­vi­sion Rights is an investor in ani­mat­ed TV series and fea­ture films, with a port­fo­lio of USD. 19.5 Mil­lion span­ning pre­mi­um Euro­pean pro­duc­tions such as ​“Mia and Me” (the movie), ​“Mia and Me” (TV series) and ​“100% Wolf” (TV series). Studio56 Ani­ma­tion is the 2021 Tel­ly Gold Win­ner in ani­ma­tion, with 250 full-time artists and expe­ri­ence across 36 pro­duc­tions includ­ing the #1 Shows of Ger­many (“Mia”), Italy (“Sis­si”), Aus­tralia (“100% Wolf”), France (“Hei­di”) and USA (“Jun­gle Book”). Recent movie cred­its include ​“Mia & Me” and ​“Vic the Viking”.

CANAL+ Group is a leader in pre­mi­um and the­mat­ic tele­vi­sion chan­nels, as well as in the dis­tri­b­u­tion of pay tele­vi­sion ser­vices. In France, it is also a major play­er in free-to-air tele­vi­sion with 3 nation­al chan­nels, and its relat­ed adver­tis­ing arm. Out­side of France, CANAL+ Group has record­ed strong growth with a sig­nif­i­cant pres­ence in Europe, Africa and Asia. In total, CANAL+ Group has more than 20 mil­lion sub­scribers world­wide, includ­ing more than 8 mil­lion in main­land France.

CANAL+ Group is a leader in pre­mi­um and the­mat­ic tele­vi­sion chan­nels, as well as in the dis­tri­b­u­tion of pay tele­vi­sion ser­vices. In France, it is also a major play­er in free-to-air tele­vi­sion with 3 nation­al chan­nels, and its relat­ed adver­tis­ing arm. Out­side of France, CANAL+ Group has record­ed strong growth with a sig­nif­i­cant pres­ence in Europe, Africa and Asia. In total, CANAL+ Group has more than 20 mil­lion sub­scribers world­wide, includ­ing more than 8 mil­lion in main­land France.

Car­ole Bara­ton, Yohann Comte and Pierre Mazars found­ed Cha­rades in Jan­u­ary 2017, fol­low­ing suc­cess­ful tenures as head and VPs of inter­na­tion­al sales at Wild Bunch, Gau­mont and Stu­dio­Canal, respec­tive­ly. Cha­rades offers a fresh per­spec­tive and wealth of expe­ri­ence in inter­na­tion­al sales, pack­ag­ing and dis­tri­b­u­tion. Their cat­a­logue includes an eclec­tic and pres­ti­gious ani­ma­tion movies such as ​“The Queen’s Cor­gi”, ​“I Lost My Body” and Acad­e­my award-nom­i­nat­ed ​“Mirai”.

Ciclic is the Cen­tre-Val de Loire region­al agency for cin­e­ma, audio­vi­su­al, book and dig­i­tal cul­ture. We offer a cul­tur­al pub­lic ser­vice which results from the col­lab­o­ra­tion between the Cen­tre-Val de Loire Region and the French gov­ern­ment. The mis­sions it car­ries out and the actions it devel­ops are based on coop­er­a­tion, research, inno­va­tion, sup­port for pro­fes­sion­als and audi­ences, spa­tial plan­ning and cul­tur­al economy.

CINE+, part of French CANAL+ group, is a bunch of 6 pay TV chan­nels with SVoD ser­vice, each spe­cial­ized in a movie genre. In 2022 CINE+ pre-pur­chased 15.9M€ in 116 French fea­ture films, of which the fol­low­ing ani­ma­tions: 1st Pay TV win­dows ​“In waves” , and 2nd pay: ​“Dans la foret som­bre et mys­térieuse”, ​“La plus pré­cieuse des marchan­dis­es”, ​“Les as de la jun­gle 2”, ​“Sauvages”. In addi­tion, the fam­i­ly chan­nel CINE+ Famiz devotes 15% sched­ule for ani­mat­ed films, tar­get­ing chil­dren and families.

Cin­e­ma Del­i­catessen is a dis­trib­u­tor of doc­u­men­taries for the Dutch cin­e­ma mar­ket. Recent titles include ​“Col­lec­tive”, ​“The Mole Agent”, ​“I am not Your Negro”, ​“Kedi”, IDFA-win­ners ​“A Strange Love Affair with Ego” and ​“Now Some­thing is Slow­ly Chang­ing”, and con­tem­po­rary clas­sics such as Joshua Oppen­heimer’s ​“The Act of Killing”, ​“The Look of Silence” and Sergei Loznit­sa’s ​“Maid­an and the Event”. Next to its reg­u­lar releas­es each year, Cin­e­ma Del­i­catessen dis­trib­utes The Best of IDFA on tour around the Netherlands.

Edward Noelt­ner is a sea­soned and well-respect­ed exec­u­tive in the field of inter­na­tion­al motion pic­ture licens­ing, dis­tri­b­u­tion, and sales with over 30 years of expe­ri­ence in this indus­try. Pri­or to found­ing Cin­e­ma Man­age­ment Group in 2003, Mr. Noelt­ner held the fol­low­ing posi­tions: Pres­i­dent, Sen­a­tor Inter­na­tion­al, Head of Tele­vi­sion at Pan­do­ra Cin­e­ma, Sr. Vice Pres­i­dent Int’l Dis­tri­b­u­tion at AB Sven­sk Fil­min­dus­tri, Sr. Vice Pres­i­dent and Head of Sales at Mira­max International.

Cin­e­ma Mon­do (est. 1990) is the lead­ing art-house and world cin­e­ma dis­trib­u­tor in Fin­land. We release about 15 titles the­atri­cal­ly per year, and oper­ate in all win­dows. Recent releas­es Un beau matin, First Slam Dunk, Les enfants des Autres, Mon crime, The Last Bus, Demon Slay­er, Truf­fle Hunters, Yak in a Class­room, Belle, Panahi: No Bears … Our ani­ma­tion crown jew­els: all Stu­dio Ghi­b­li productions.

Since 1989, Ciné­ma Pub­lic Films is a spe­cialised inde­pen­dent dis­tri­b­u­tion com­pa­ny ful­ly com­mit­ted to pro­mote and dis­trib­ute to cin­e­mas high-qual­i­ty ani­mat­ed films (all for­mats) towards the young audience.

One of the two lead­ing French finan­cial insti­tu­tions only ded­i­cat­ed to mak­ing loans to cash­flow films and TV pro­grammes pro­duc­tion expen­di­ture. Grants on an annu­al basis around €0,7 bil­lion loans to French and non-French pro­duc­ers, a team of 30 pro­fes­sion­als spe­cialised in film financ­ing in Europe and oth­er Anglo-Sax­on coun­tries (Cana­da, Unit­ed States and Aus­tralia). A 50 year track record and a reli­able com­pa­ny with strong share­hold­ers: BNP Paribas.

One of the two lead­ing French finan­cial insti­tu­tions only ded­i­cat­ed to mak­ing loans to cash­flow films and TV pro­grammes pro­duc­tion expen­di­ture. Grants on an annu­al basis around €0,7 bil­lion loans to French and non-French pro­duc­ers, a team of 30 pro­fes­sion­als spe­cialised in film financ­ing in Europe and oth­er Anglo-Sax­on coun­tries (Cana­da, Unit­ed States and Aus­tralia). A 50 year track record and a reli­able com­pa­ny with strong share­hold­ers: BNP Paribas.

The Czech Film Fund sup­ports all stages of film pro­duc­tion, as well as pro­mo­tion, dis­tri­b­u­tion and oth­er film-relat­ed areas. The Fund also admin­is­ters pro­duc­tion incen­tives for audio­vi­su­al projects made in the Czech Repub­lic. The Czech Film Cen­ter divi­sion of the fund pro­motes and mar­kets Czech films and the local film indus­try world­wide. The Czech Film Com­mis­sion divi­sion pro­motes the coun­try with its film infra­struc­ture as one of the world’s top des­ti­na­tions for audio­vi­su­al production.

Fresh­ly announced Dan­de­looo Ciné­ma is not a new­com­er to the French and Inter­na­tion­al mar­ket and will enlarge its activ­i­ties by acquir­ing, devel­op­ing, pro­duc­ing and sell­ing ani­mat­ed films for chil­dren. Expert in the kids ani­ma­tion indus­try, Dan­de­looo has helped launch in cin­e­mas around the world beau­ti­ful ani­mat­ed films such as ​“Shooom’s Odyssey”, ​“Mum is Pour­ing Rain”, ​“Ernest and Celestine’s Win­ter­tales”, ​“Stinky Dog”, ​“Pom­pon Bear”, ​“Dou­nia”, ​“Hun­gry Bears to the Pole” and more.

Eurim­ages is the cul­tur­al sup­port fund of the Coun­cil of Europe. Estab­lished in 1989, it cur­rent­ly num­bers 38 of the 46 mem­ber states of the Stras­bourg-based organ­i­sa­tion, plus Cana­da. Eurim­ages pro­motes inde­pen­dent film­mak­ing by pro­vid­ing finan­cial sup­port to fea­ture-length films, ani­ma­tion and doc­u­men­tary films. In doing so, it encour­ages co-oper­a­tion between pro­fes­sion­als estab­lished in dif­fer­ent coun­tries. Eurim­ages has a total annu­al bud­get of approx­i­mate­ly 27.5M€.

Eurim­ages is the cul­tur­al sup­port fund of the Coun­cil of Europe. Estab­lished in 1989, it cur­rent­ly num­bers 38 of the 46 mem­ber states of the Stras­bourg-based organ­i­sa­tion, plus Cana­da. Eurim­ages pro­motes inde­pen­dent film­mak­ing by pro­vid­ing finan­cial sup­port to fea­ture-length films, ani­ma­tion and doc­u­men­tary films. In doing so, it encour­ages co-oper­a­tion between pro­fes­sion­als estab­lished in dif­fer­ent coun­tries. Eurim­ages has a total annu­al bud­get of approx­i­mate­ly 27.5M€.

Eurim­ages is the cul­tur­al sup­port fund of the Coun­cil of Europe. Estab­lished in 1989, it cur­rent­ly num­bers 38 of the 46 mem­ber states of the Stras­bourg-based organ­i­sa­tion, plus Cana­da. Eurim­ages pro­motes inde­pen­dent film­mak­ing by pro­vid­ing finan­cial sup­port to fea­ture-length films, ani­ma­tion and doc­u­men­tary films. In doing so, it encour­ages co-oper­a­tion between pro­fes­sion­als estab­lished in dif­fer­ent coun­tries. Eurim­ages has a total annu­al bud­get of approx­i­mate­ly 27.5M€.

Europa Dis­tri­b­u­tion is the asso­ci­a­tion of inde­pen­dent film pub­lish­ers and dis­trib­u­tors, cre­at­ed in 2006. With more than 115 lead­ing inde­pen­dent dis­trib­u­tors rep­re­sent­ing 31 coun­tries in Europe and beyond, it acts as a net­work, a think tank and serves as the voice of the sec­tor. The network’s aim is to strength­en the exchange and col­lab­o­ra­tion process between its mem­bers, to improve their skills and the con­tent cura­tion, pro­mo­tion and dis­tri­b­u­tion of inde­pen­dent films, includ­ing animation.

Europa Dis­tri­b­u­tion is the asso­ci­a­tion of inde­pen­dent film pub­lish­ers and dis­trib­u­tors, cre­at­ed in 2006. With more than 115 lead­ing inde­pen­dent dis­trib­u­tors rep­re­sent­ing 31 coun­tries in Europe and beyond, it acts as a net­work, a think tank and serves as the voice of the sec­tor. The network’s aim is to strength­en the exchange and col­lab­o­ra­tion process between its mem­bers, to improve their skills and the con­tent cura­tion, pro­mo­tion and dis­tri­b­u­tion of inde­pen­dent films, includ­ing animation.

Europa Inter­na­tion­al is the Euro­pean organ­i­sa­tion for sales agents, cre­at­ed 10 years ago. The main tar­get of the asso­ci­a­tion is to rep­re­sent and defend the inter­ests of the exporters, essen­tial play­ers regard­ing the financ­ing and dis­tri­b­u­tion of Euro­pean cin­e­ma. Euro­pean sales agents have decid­ed to join forces to face the impor­tant chal­lenges of the actu­al mar­ket, in par­tic­u­lar the tran­si­tion to the dig­i­tal world and the emer­gence of new media and busi­ness models.

Ffilm Cym­ru Wales is the devel­op­ment agency for Welsh film. We are ded­i­cat­ed to advanc­ing and sus­tain­ing a strong film indus­try for Wales; one that we can all be proud to call our own. We do this by pro­vid­ing fund­ing and train­ing to emerg­ing and estab­lished Welsh film­mak­ers, offer­ing excit­ing cin­e­mat­ic expe­ri­ences to audi­ences across Wales, engag­ing peo­ple of all ages and abil­i­ties in cre­ative learn­ing, and devel­op­ing new skills and career paths through a range of train­ing programmes.

Film Con­stel­la­tion is an inte­grat­ed pro­duc­tion, finance and sales com­pa­ny head­quar­tered in Lon­don and Paris. The com­pa­ny builds on a track record for grow­ing award-win­ning film­mak­er brands work­ing with new and estab­lished tal­ent, fos­ter­ing strong pro­duc­er ties across both sides of the Atlantic. Since incep­tion, the com­pa­ny has pack­aged, pro­duced and sold over 50 com­mer­cial­ly and crit­i­cal­ly acclaimed films, pre­mier­ing at A-class fes­ti­vals includ­ing Cannes, Venice, Toron­to, Sun­dance and Berlin.

The Film Fund Lux­em­bourg exists pri­mar­i­ly to pro­mote and fos­ter an envi­ron­ment in which the country’s film pro­duc­tion indus­try can devel­op and flour­ish. Par­tic­u­lar­ly, it man­ages the pro­gram through which the Lux­em­bourg gov­ern­ment pro­vides finan­cial sup­port to audio­vi­su­al pro­duc­tions (nation­al and international).

We work to sus­tain, pro­mote and devel­op Lon­don as a glob­al con­tent pro­duc­tion hub. We sup­port the devel­op­ment of the city’s new and emerg­ing film­mak­ing tal­ent. And we invest in diverse and rich film cul­ture. Our aim is to ensure the cap­i­tal is a thriv­ing cen­tre for a cre­ative indus­tries sec­tor that enrich­es the city’s busi­ness­es and its people.

Fil­mar­ti is one of the major inde­pen­dent dis­trib­u­tor for pre­mi­um ani­ma­tion con­tents for the­atri­cal and VoD releas­es. Some of our ani­ma­tion titles include, ​“Nut Job 2”, ​“Norm of the North” sequels, ​“Yakari”, ​“Around the World”, ​“Ooops”, ​“Ain­bo”, ​“Dream­builders” and many more. We have a cre­ative, dynam­ic and inno­v­a­tive team who seeks to bring the audi­ence togeth­er with the most qual­i­fied prod­ucts of the ani­ma­tion world.

Film­Fo­cus inde­pen­dent and Gen­tofte Kino, deales in dis­tri­b­u­tion, sales, acqui­si­tion, even­tiz­ing, mar­ket­ing, and launch­ing of films. The com­pa­ny also owns a major Dan­ish Cinema.

Filmin is a VoD plat­form based in Spain focused on inde­pen­dent and art-house cin­e­ma. Cre­at­ed in 2007 by Juan Car­los Tous, Jaume Ripoll and José Anto­nio de Luna, Filmin offers more than 10,000 fea­ture films and tele­vi­sion series plus 1,100 short films, the largest VoD cat­a­logue of any Euro­pean com­pa­ny. It is also one of the found­ing asso­ciates of EuroVoD, the first Euro­pean asso­ci­a­tion for online cinema.

We are a pro­duc­tion and dis­tri­b­u­tion com­pa­ny focus­ing on ani­ma­tion. We pro­duce both series and fea­tures and we dis­trib­ute only a few hand­picked Euro­pean ani­ma­tion annu­al­ly. Last titles we have had in the­atri­cal dis­tri­b­u­tions are: ​“Titi­na” (Norway/​Belgium), ​“Lotte and the Lost Drag­ons” (Estonia/​Latvia), ​“Ploey” (Iceland/​Belgium) and ​“Ter­net Nin­ja” (Den­mark).

Films4you is a Por­tuguese dis­tri­b­u­tion com­pa­ny act­ing is the­atri­cal dis­tri­b­u­tion , TVoD and SVoD dis­tri­b­u­tions Pay and free TV.

The Flan­ders Audio­vi­su­al Fund (VAF) is a pub­lic fund­ing body that sup­ports audio­vi­su­al and games pro­duc­tion in, and inter­na­tion­al co-pro­duc­tions with Flan­ders (Bel­gium). VAF sup­ports films, series and games, from idea to expe­ri­ence and a part of the fund’s annu­al bud­get is allo­cat­ed for pro­fes­sion­al training.

Flan­ders Image is in charge of the pro­mo­tion of audio­vi­su­al cre­ations made in Flan­ders and Brus­sels. It is the sole offi­cial rep­re­sen­ta­tive of Flan­ders’ con­tent and tal­ent at all key inter­na­tion­al fes­ti­vals and markets.

Flins y Pinícu­las was cre­at­ed in 2000, as an inde­pen­dent movie dis­tri­b­u­tion com­pa­ny for every movie we think that it has something.We do cinema/​DVD/​platforms and all broad­cast media dis­tri­b­u­tion for fam­i­ly and ani­ma­tion movies.

We are an award-win­ning inde­pen­dent pub­lish­er of graph­ic nov­els, comics and chil­dren’s pic­ture books. Based in Lon­don, we dis­trib­ute our books in all world Eng­lish mar­kets and sell licens­es to for­eign lan­guage pub­lish­ers all over the world. We have many titles under option with the likes of Dream­works, Dis­ney and Ama­zon whilst series 3 of the mul­ti-award-win­ning ani­mat­ed TV show ​“Hil­da” is in col­lab­o­ra­tion with Net­flix and Sony Kids.

Folkets Bio is an art-house dis­trib­u­tor in Swe­den that have been in busi­ness since 1973. With­in the art-house and inde­pen­dent scene, we look for films in all gen­res, for all ages, and also to find and stim­u­late new tal­ent. Every year we release around 25 fea­ture films and 15-20 short films the­atri­cal­ly. Our lat­est ani­ma­tion releas­es are ​“Lat­te Igel and the Mag­ic Water­stone”, ​“Shooom’s Odyssey”, ​“Wolfwalk­ers” and ​“The Breadwinner”.

France Télévi­sions is the first com­mis­sion­er of ani­ma­tion in Europe with more than 15 ani­mat­ed series and 3 ani­mat­ed movies pro­duced every year with French inde­pen­dent stu­dios. Pre-school­ers, kids, tweens, young adults and fam­i­lies can enjoy a wide vari­ety of ani­mat­ed shows from clas­sics to new uni­vers­es or new­com­ers. France Télévi­sions offers 6600 hours of chil­dren and youth pro­grams on lin­ear France Télévi­sions chan­nels, the plat­form kids Okoo and the plat­form France​.tv Slash for young adults.

France TV Dis­tri­b­u­tion works with pro­duc­ers and licen­sors to max­imise pro­grammes across all media plat­forms encom­pass­ing video, VoD and music pub­lish­ing, mer­chan­dis­ing, mag­a­zine and book pub­lish­ing, plus French and inter­na­tion­al dis­tri­b­u­tion and fund-rais­ing. Since Jan­u­ary 2017, France TV Dis­tri­b­u­tion has gone hand in hand with dis­trib­ut­ing films abroad. As a major play­er on the dis­tri­b­u­tion of rights in France and in for­eign mar­kets, this new activ­i­ty is added to its savoir faire.

Gebe­ka Films is a dis­tri­b­u­tion com­pa­ny found­ed in 1997 by Marc Bon­ny and is Hildegarde’s prop­er­ty (Regi­nald de Guille­bon) since 2018. Our main goal: releas­ing long and short movies on French ter­ri­to­ry - the­atri­cal, video/​DVD and TV rights. Pol­i­cy: high-qual­i­ty films, main­ly for a young audi­ence (ani­ma­tion or fic­tion). Gebe­ka Films has also devel­oped a co-pro­duc­tion activ­i­ty with ​“Princes and Princess­es” (M. Ocelot) in the first place, and with well-award­ed ​“My Life as a Zuc­chi­ni” (C. Barras).

Wild Bunch Inter­na­tion­al is a world-renowned inde­pen­dent film sales com­pa­ny. Char­ac­terised by its diverse edi­to­r­i­al pol­i­cy, the com­pa­ny offers an inno­v­a­tive slate of films from all over the world - direc­tor-dri­ven, art-house, genre or com­mer­cial - which have won count­less awards and enjoyed box office suc­cess both inter­na­tion­al­ly and domes­ti­cal­ly (such as ​“The Artist”, ​“March of the Pen­guins”, ​“City of God”, ​“Spir­it­ed Away”). The com­pa­ny is also renowned for dis­cov­er­ing new talents.

Ger­man Films Ser­vice + Mar­ket­ing is the nation­al infor­ma­tion and advi­so­ry cen­ter for the pro­mo­tion of Ger­man films and tal­ents world­wide. Ani­ma­tion Ger­many as part of Ger­man Films, is the first per­son­al point of con­tact for inter­na­tion­al part­ners seek­ing infor­ma­tion about Ger­many as a busi­ness loca­tion regard­ing pro­duc­tion and tech­ni­cal ser­vices in the Ger­man ani­ma­tion mar­ket. Ani­ma­tion Ger­many con­nects, pre­pares rel­e­vant data and pro­vides infor­ma­tion about eco­nom­ic facts of the industry.

GKIDS is a US-based pro­duc­er and dis­trib­u­tor enter­tain­ment spe­cial­is­ing in ani­ma­tion for both adults (most­ly) and fam­i­ly audi­ences. The com­pa­ny has scored twelve Acad­e­my Award nom­i­na­tions for Best Ani­mat­ed Fea­ture, for films from Europe, Japan and South Amer­i­ca. GKIDS han­dles the films of Stu­dio Ghi­b­li and top Japan­ese direc­tors and stu­dios. We exec­u­tive pro­duced Acad­e­my Award-nom­i­nat­ed ​“The Bread­win­ner” and ​“Wolfwalk­ers” and cur­rent­ly have a slate of ani­mat­ed projects in devel­op­ment and production.

Glob­al Screen is the world sales unit of TELE­POOL, a lead­ing enter­tain­ment com­pa­ny with over 55 years of expe­ri­ence in licens­ing, dis­trib­ut­ing and co-pro­duc­ing films and tele­vi­sion. With a strong focus on ani­mat­ed fea­tures, Glob­al Screen has suc­cess­ful­ly brought inde­pen­dent, high-qual­i­ty ani­ma­tion to the big screen world­wide. Among the lat­est releas­es are ​“The Amaz­ing Mau­rice”, ​“My Fairy Trou­ble­mak­er” and upcom­ing ​“The Last Whale Singer”.

Grupo Plan­e­ta is the lead­ing Span­ish com­mu­ni­ca­tion group with whol­ly fam­i­ly-owned cap­i­tal, a pro­duc­er and dis­trib­u­tor of edi­to­r­i­al, news, edu­ca­tion­al and enter­tain­ment con­tents for Span­ish mar­kets. Found­ed in 1949, it is now the lead­ing pub­lish­ing group in Spain and Latin Amer­i­ca, and it fig­ures among the main lead­ers in pub­lish­ing in Europe. It has con­sol­i­dat­ed its pres­ence in over twen­ty coun­tries, adapt­ing to the needs of a poten­tial pub­lic of over 700M people.

Haut et Court is a French inde­pen­dent pro­duc­tion and dis­tri­b­u­tion com­pa­ny. Our line-up usu­al­ly con­sists of eight to ten films per year, among which at least one ani­ma­tion film. We released ​“Wolfwalk­ers” by Tomm Moore and Ross Stu­art, ​“Flee” by Jonas Poher Ras­mussen and ​“Siroc­co” by Benoît Chieux. We are co-pro­duc­ing ​“Sauvages!” by Claude Bar­ras and will dis­trib­ute ​“Silex” by Jul and Amelie by Liane Cho Han and Maylis Vallade.

Haut et Court is a French inde­pen­dent pro­duc­tion and dis­tri­b­u­tion com­pa­ny. Our line-up usu­al­ly con­sists of eight to ten films per year, among which at least one ani­ma­tion film. We released ​“Wolfwalk­ers” by Tomm Moore and Ross Stu­art, ​“Flee” by Jonas Poher Ras­mussen and ​“Siroc­co” by Benoît Chieux. We are co-pro­duc­ing ​“Sauvages!” by Claude Bar­ras and will dis­trib­ute ​“Silex” by Jul and Amelie by Liane Cho Han and Maylis Vallade.

I Won­der Pic­tures, with the the­atri­cal pres­ence, the online plat­form iwon​der​full​.it and the IWON­DER­FULL Prime Video chan­nel, dis­trib­utes some of the most com­pelling and excit­ing life sto­ries and ani­ma­tion mas­ter­pieces from all over the world, such as ​“Robot Dreams”, ​“Uni­corn Wars”, ​“My love affair with Mar­riage”, ​“Chick­en for Lin­da!”, ​“Flee”, ​“Anoth­er Day of Life”, ​“Lit­tle Nicholas: Hap­py As Can Be”, ​“Ernest and Celes­tine: A Trip to Gibberitia”.

Cre­at­ed in 2002, Imag­ine is a total­ly inde­pen­dent com­pa­ny releas­ing art-house films in the Benelux. Our line-up includes films from all around the world, made by direc­tors with a per­son­al vision, be it dra­mat­ic, humoris­tic, off-beat or fan­tas­tic. For each film, we apply the most suit­able release plan, match­ing its com­mer­cial poten­tial. Recent ani­ma­tion acqui­si­tions are ​“Swal­lows of Kab­ul”, ​“Blind Wil­low”, ​“Sleep­ing Woman” and ​“Win­ter­reise”.

We offer high-qual­i­ty enter­tain­ment for chil­dren of all ages. Focus and pas­sion are the mag­ic ingre­di­ents to make sure our projects get the extra atten­tion they deserve. We work togeth­er with inde­pen­dent­ly oper­at­ing spe­cial­ists. In this way, we cre­ate the most opti­mal exploita­tion plan and reach for each spe­cif­ic film or series. Reli­able, acces­si­ble, aim­ing for opti­mum coop­er­a­tion with all our cus­tomers and con­tacts; that’s who we are!

Indie Sales is an inde­pen­dent inter­na­tion­al film sales com­pa­ny based in Paris. Our line-up includes A-list fes­ti­val ani­mat­ed films, such as ​“My Life as a Cour­gette” by Claude Bar­ras and ​“Anoth­er Day of Life” by Raoul de la Fuente & Damien Nenow, recent acquis­tions include ​“Richard the Stork 2”. Our films sell world­wide to all audi­ences. Best Friend For­ev­er, our sis­ter com­pa­ny in Brus­sels, also rep­re­sents ani­mat­ed films, includ­ing Anca Damien’s musi­cal ​“The Island” and Alé Abreu’s ​“Per­limps”.

Script con­sult­ing and film val­ue opti­mis­ing is the core busi­ness of Inter­na­tion­al Script & Sales Co. We help to devel­op, eval­u­ate and opti­mize films and series for suc­cess­ful domes­tic and inter­na­tion­al dis­tri­b­u­tion. In addi­tion to script, sales and mar­ket­ing ser­vices, ISSC aims to become a pro­duc­er-dis­trib­u­tor for qual­i­ty fea­ture and ani­ma­tion films with a strong human factor.

Jour2Fête is a Paris-based com­pa­ny set up in 2006 by Sarah Chazelle and Eti­enne Ollagnier, start­ed as a nation­al dis­trib­u­tor of fic­tions and fea­ture length doc­u­men­taries and has since then released 130 films the­atri­cal­ly, and in video/​VoD/​TV/​SVoD. In 2012, Jour2Fête opened an inter­na­tion­al sales depart­ment. In 2020 Jour2Fête is rebrand­ing the merged sales oper­a­tions of its recent acqui­si­tion Doc & Film Inter­na­tion­al and in-house sales team under the ban­ner of The Par­ty Film Sales.

Just4Kids is a dis­tri­b­u­tion com­pa­ny in the Benelux. The com­pa­ny has dis­trib­uted hun­dreds of kids movies in the Nether­lands and Bel­gium on all dif­fer­ent platforms.The last years ani­ma­tion is get­ting more impor­tant. We dis­trib­uted ​‘The Snow Queen’, ​‘Cat­tle Hill’, ​‘Ploey’, ​‘Richard the Stork’, ​‘Check­ered Nin­ja’, ​‘Ooops 2’ and ​‘Amaz­ing Mau­rice’. Just4Kids pro­duces also books, boardgames and cre­at­ed the ​‘Very Hun­gry Cater­pil­lar’ the­ater show. Just4Kids has also a youtube chan­nel with 110.000 subs.

Just4Kids is a dis­tri­b­u­tion com­pa­ny in the Benelux. The com­pa­ny has dis­trib­uted hun­dreds of kids movies in the Nether­lands and Bel­gium on all dif­fer­ent platforms.The last years ani­ma­tion is get­ting more impor­tant. We dis­trib­uted ​‘The Snow Queen’, ​‘Cat­tle Hill’, ​‘Ploey’, ​‘Richard the Stork’, ​‘Check­ered Nin­ja’, ​‘Ooops 2’ and ​‘Amaz­ing Mau­rice’. Just4Kids pro­duces also books, boardgames and cre­at­ed the ​‘Very Hun­gry Cater­pil­lar’ the­ater show. Just4Kids has also a youtube chan­nel with 110.000 subs.

Since 2017 Kalank has been co-devel­op­ing qual­i­ty video games with a con­stant growth of its part­ners and its team, now com­posed of 15 peo­ple. Based in Angoulême, we recruit the best tal­ents of the region­al ecosys­tem: in par­tic­u­lar from Ecole 42 or Cnam-Enjmin schools, which for 20 years have pro­vid­ed tal­ent for Ubisoft, Dontn­od, Arkane…We’re expert in pro­gram­ming with 3D engines and setup­ing ren­der­ing process­es, using Unre­al Engine 5 or Uni­ty & Blender.

A Paris-based world sales and (co-)production enti­ty rep­re­sent­ing some of the most ambi­tious and inno­v­a­tive Euro­pean fea­ture films star­ring inter­na­tion­al tal­ents such as Leos Carax’s ​“Annette”, ​“Mus­tang”, ​“Spring Break­ers”, Cro­nen­berg’s ​“Cos­mopo­lis”, Amirpour’s ​“A Girl Walks Home Alone At Night” and ​“Buried”. Kinol­o­gy recent­ly pro­duced the $25M heist action lin­go ​“Over­drive”, Ter­ry Gilliam’s long-await­ed ​“The Man Who Killed Don Quixote” and the Sony romance fan­ta­sy release ​“A Mer­maid in Paris”.

KMBO is a dis­tri­b­u­tion and pro­duc­tion com­pa­ny based in Paris. A sig­nif­i­cant part of our the­atri­cal releas­es are ded­i­cat­ed to ani­ma­tion fea­ture films. Ani­ma­tion fea­ture films for the fam­i­ly and the young audi­ence, also ani­ma­tion genre films. Our recent ani­ma­tion releas­es : ​“The Insep­a­ra­bles”, ​“The Inven­tor (Leo)”, ​“Nina and the hedge­hog’s secret”, ​“Le Roy­aume des Abysses (Deep Sea)”, ​“Sky Dome 2123 (White plas­tic Sky)”, ​“Le Roy­aume de Naya (Mav­ka)”, ​“The Amaz­ing Mau­rice” & ​“Moon­bound”.

KMBO is a dis­tri­b­u­tion and pro­duc­tion com­pa­ny based in Paris. A sig­nif­i­cant part of our the­atri­cal releas­es are ded­i­cat­ed to ani­ma­tion fea­ture films. Ani­ma­tion fea­ture films for the fam­i­ly and the young audi­ence, also ani­ma­tion genre films. Our recent ani­ma­tion releas­es : ​‘The Insep­a­ra­bles’, ​‘The Inven­tor (Leo)’, ​‘Nina and the hedge­hog’s secret’, ​‘Le Roy­aume des Abysses (Deep Sea)’, ​‘Sky Dome 2123 (White plas­tic Sky)’, ​‘Le Roy­aume de Naya (Mav­ka)’, ​‘The Amaz­ing Mau­rice’, ​‘Moon­bound’.

KMBO is a dis­tri­b­u­tion and pro­duc­tion com­pa­ny based in Paris. A sig­nif­i­cant part of our the­atri­cal releas­es are ded­i­cat­ed to ani­ma­tion fea­ture films. Our recent ani­ma­tion releas­es are the fol­low­ing ones : ​“The Amaz­ing Mau­rice”, ​“Moon­bound”, ​“Rab­bit Acad­e­my 2”, ​“White Snake” and ​“The Elfkins”.

Le Pacte, cre­at­ed in Decem­ber 2007, is an inde­pen­dent dis­tri­b­u­tion, inter­na­tion­al sales and video pub­lish­ing com­pa­ny that pro­motes an eclec­tic pro­gram of French and inter­na­tion­al films of all genres.

Le Pacte, cre­at­ed in Decem­ber 2007, is an inde­pen­dent dis­tri­b­u­tion, inter­na­tion­al sales and video pub­lish­ing com­pa­ny that pro­motes an eclec­tic pro­gram of French and inter­na­tion­al films of all genres.

Le Pacte is a French dis­tri­b­u­tion, pro­duc­tion and sales com­pa­ny found­ed in 2008 by Jean Labadie which dis­trib­utes 15 to 20 films a year and is one of France’s lead­ing inde­pen­dent dis­tri­b­u­tion com­pa­nies. Le Pacte has won 3 Palmes d’or and many oth­er prizes and distinctions.

Le Parc Dis­tri­b­u­tion is the dis­tri­b­u­tion activ­i­ty of Les Grig­noux, a cul­tur­al cen­ter locat­ed in the city cen­ter of Liège, in French speak­ing Bel­gium. Les Grig­noux owns four the­aters (three in Liège, one in Namur), two restau­rants and one café. As for the dis­tri­b­u­tion, we release around 12 films a year, main­ly ani­mat­ed films for tod­dlers and a young audi­ence. We recent­ly released ​“Yuku et la fleur de l’Hi­malaya”, ​“My Father’s Secrets”, ​“La Tra­ver­sée”, ​“My Moth­er is a Gorilla”

Found­ed in 1962 by Bar­bet Schroed­er and Eric Rohmer, Les Films du Losange has always sup­port­ed film­mak­ers world­wide. As of July 2021, suc­ceed­ing Mar­garet Mene­goz, Charles Gillib­ert and Alex­is Dan­tec have tak­en over. With pas­sion, the com­pa­ny has grown and diver­si­fied from pro­duc­tion to dis­tri­b­u­tion and inter­na­tion­al sales. Our cat­a­logue com­pris­es over 150 films by pres­ti­gious direc­tors, such as Eric Rohmer, Michael Haneke, Mia Hansen-Løve, Bar­bet Schroed­er and Alain Guiraudie.

Les Films du Préau is a French dis­tri­b­u­tion com­pa­ny spe­cialised in kids audi­ence for 24 years. We are look­ing for ani­ma­tion films (fea­tures and shorts), TV spe­cials, live-action fea­ture films or doc­u­men­taries, and our main goal is to pro­pose high-qual­i­ty films from Europe or all over the world to young peo­ple and family.

Lev­elK is han­dling inter­na­tion­al sales and aggre­ga­tion. We are work­ing with edgy, orig­i­nal films that we can mar­ket world­wide and that will res­onate with inter­na­tion­al audi­ences. Our pro­file includes high-qual­i­ty pro­duc­tions across all gen­res, work­ing with estab­lished and emerg­ing inter­na­tion­al tal­ents in both Eng­lish and for­eign lan­guage. Films must have strong fes­ti­val poten­tial, inter­na­tion­al mar­ketabil­i­ty and dig­i­tal pos­si­bil­i­ties as we work across all areas.

Loco Films is a Paris-based world sales and pro­duc­tion com­pa­ny cre­at­ed by Lau­rent Daniélou and Enrique Gon­za­lez Kuhn, cin­e­ma lovers and vet­er­ans in the Euro­pean film indus­try who are join­ing forces in order to find and reveal the finest of inde­pen­dent filmmaking.

Luftkind’s mis­sion is to engage young audi­ences in cin­e­ma, art, and cul­ture by pro­vid­ing them with access to sto­ries that are both age-appro­pri­ate and chal­leng­ing through ani­mat­ed films – in all their diverse and cre­ative forms.

Lumière Group start­ed its activ­i­ties in 1996 with the cre­ation of an art-house cin­e­ma in Bruges, now owns four city cin­e­mas. In 2003, the dis­tri­b­u­tion divi­sion of Lumière was cre­at­ed (all rights Benelux, + MyLum plat­form). In 2008, Lunanime - pro­duc­tion - start­ed and is now part of the Lumière Group com­prised of dis­tri­b­u­tion, cin­e­mas and pro­duc­tion and Lumin­vest, an inter­me­di­ate for Taxshel­ter incen­tives. The Lumière group dis­trib­utes and pro­duces fic­tion & ani­ma­tion, series, fea­tures & shorts.

Lumi­nes­cence is an inter­na­tion­al sales and pro­duc­tion com­pa­ny focused on high-pro­file the­atri­cal­ly-dri­ven ani­mat­ed fea­ture films.

M2 Films is an all-rights dis­tri­b­u­tion com­pa­ny encom­pass­ing releas­es of wide spec­trum of titles rang­ing from fam­i­ly ani­ma­tion to award-win­ning dramas.

Gul­li (M6 Group) is the No. 1 TV broad­cast­er for kids! It is the children’s favourite chan­nel and the one in which par­ents have the most con­fi­dence in. All day long, chil­dren find their favourite heroes in ani­mat­ed series based on com­e­dy or action, live action, cin­e­ma, games and doc­u­men­taries. More than just enter­tain­ment, Gul­li is a ref­er­en­tial, engaged and reas­sur­ing brand. Through its pro­grams, it offers ways of think­ing about tol­er­ance, open-mind­ed­ness and know­ing how to live together.

Mag­ic Fair is a world­wide bou­tique sales com­pa­ny based in the USA and Europe with the head­quar­ters in Mia­mi and Paris. Our spe­cial­ists have more than 17 years of oper­a­tional expe­ri­ence in the glob­al film mar­ket­place. Mag­ic Fair spe­cialis­es in high-qual­i­ty com­mer­cial titles, animation/​family enter­tain­ment as well as some cher­ry-picked genre and female-dri­ven titles.

Medi­a­toon Audio­vi­su­al Rights rep­re­sents the audio­vi­su­al rights for all pub­lish­ers of the Media-Par­tic­i­pa­tions Group and few oth­ers. With his­tor­i­cal graph­ic nov­els pub­lish­ers such as Dar­gaud, Dupuis, Le Lom­bard… and tra­di­tion­al lit­er­ary pow­er­hous­es like Le Seuil/​La Mar­tinière, as well as inde­pen­dent pub­lish­ers, it is more than 100,000 nov­els and 4,000 comics IPs wait­ing for you to be adapted.

Medi­a­toon Audio­vi­su­al Rights rep­re­sents the audio­vi­su­al rights for all pub­lish­ers of the Media-Par­tic­i­pa­tions Group and few oth­ers. With his­tor­i­cal graph­ic nov­els pub­lish­ers such as Dar­gaud, Dupuis, Le Lom­bard… and tra­di­tion­al lit­er­ary pow­er­hous­es like Le Seuil/​La Mar­tinière, as well as inde­pen­dent pub­lish­ers, it is more than 100,000 nov­els and 4,000 comics IPs wait­ing for you to be adapted.

Memen­to Inter­na­tion­al is a bou­tique sales com­pa­ny that spe­cial­izes in direc­tor-dri­ven inde­pen­dent films. With a selec­tive line­up of up to 12 films a year, we offer tai­lor-made strate­gies and pro­vide busi­ness exper­tise through pro­duc­tion, financ­ing and inter­na­tion­al sales. Our cat­a­logue includes high-pro­file and award-win­ning film­mak­ers such as Asghar Farha­di, Luca Guadagni­no, Dominik Moll, Joachim Tri­er, Cate Short­land, Nuri Bilge Cey­lan, Kel­ly Reichardt, Philippe Lacôte, Mal­go­rza­ta Szumowska…

Medi­en- und Filmge­sellschaft Baden-Würt­tem­berg (MFG)’s film fund­ing depart­ment reflects the organization’s com­mit­ment to pro­mot­ing the south­ern Ger­man state’s film sec­tor. The annu­al bud­get of approx. 15M€ sub­si­dizes cin­e­ma and TV pro­duc­tions, script devel­op­ment, and dis­tri­b­u­tion of games, doc­u­men­taries, and ani­mat­ed films. With­in the scope of its mul­ti­pronged fund­ing pol­i­cy, MFG aims espe­cial­ly to pro­mote the ani­ma­tion and VFX industry.

Every year, mk2 films co-pro­duces, sells and dis­trib­utes a dozen new films by estab­lished or promis­ing direc­tors such as ​“Por­trait of a Lady on Fire”, ​“Atlantics”, ​“Cold War” and ​“Ash is Purest White”. mk2 films dis­trib­utes a unique library of 800 films in France and around the world, includ­ing both fic­tions and doc­u­men­taries. A rich col­lec­tion which includes films from Charles Chap­lin, François Truf­faut, Abbas Kiarosta­mi, Agnès Var­da, Jacques Demy, Claude Chabrol, Krzysztof Kieślowski…

Lead­ing Hun­gar­i­an dis­trib­u­tor of com­pa­ny of art-house titles. Ani­ma­tion titles includ­ed ​“Ruben Brandt, Col­lec­tor”, ​“Lit­tle Nicholas: Hap­py As Can Be”, ​“Belle”, ​“Mirai”, ​“The Boy and the Beast”, ​“Ear­ly Man”, ​“A Shaun the Sheep Movie: Far­maged­don”, ​“Red Tur­tle”, ​“The Tragedy of Man” & ​“Tol­di”.

Edi­tions Nathan, pub­lish­er of chil­dren’s books for 130 years. A fam­i­ly busi­ness that has become one of the ref­er­ence hous­es of the Edi­tis Group, Edi­tions Nathan offers a very large range of books: books for tod­dlers, from birth to first steps, chil­dren’s pic­ture books and tales, non fic­tion titles and lit­er­a­ture in all its forms in paper­back or large-for­mat nov­els, from ear­ly read­ers to teenagers and young adults.

New Cin­e­ma was found­ed in 1981 and was unit­ed into a firm in 1983. The company’s main focus is man­ag­ing cin­e­ma the­atres across Israel and dis­trib­ut­ing Euro­pean based art movies. The recent acts of the com­pa­ny are the dis­tri­b­u­tion of the ani­ma­tion ​“Even Mice Belong in Heav­en”. The com­pa­ny New Cin­e­ma is based in Tel Aviv.

War­saw-based bou­tique world sales com­pa­ny. Cat­a­logue includes ​“The Peas­ants” (Sony Pic­tures Clas­sics) from the mak­ers of ​“Lov­ing Vin­cent”, ​“Cat­tle Hill” series (Qvis­ten), ​“Gor­don & Pad­dy”, ​“Yuku & Himalayan Flower” (Artemis/​Les Films du Nord, Vive­ment Lun­di), ​“Lamb” (Cannes, A24), ​“Cor­pus Christi” (Oscar nom 2020), ​“Some­times I Think about Dying” (Sun­dance 2023). New Europe picks up 1-2 ani­ma­tions and ca. 5 shorts a year. We are also active in devel­op­ment and financing.

Young Hori­zons is one of the key branch­es of the New Hori­zons Asso­ci­a­tion. It is respon­si­ble for dis­trib­ut­ing and sup­port­ing high-qual­i­ty films and series for young audi­ences. The Young Hori­zons brand includes sev­er­al com­ple­men­tary areas: int. film fes­ti­val, indus­try, edu­ca­tion. As dis­trib­u­tor we release about 20 titles/​year - from artis­tic titles to fam­i­ly films. Our cat­a­logue includes ani­ma­tion titles like ​“Belle”, ​“The Bears’ Famous Inva­sion of Sici­ly”, ​“Argonuts” or ​“The Boy and the Heron”.

Young Hori­zons is one of the key branch­es of the New Hori­zons Asso­ci­a­tion. It is respon­si­ble for dis­trib­ut­ing and sup­port­ing high-qual­i­ty films and series for young audi­ences. The Young Hori­zons brand includes sev­er­al com­ple­men­tary areas: int. film fes­ti­val, indus­try, edu­ca­tion. As dis­trib­u­tor we release about 20 titles/​year - from artis­tic titles to fam­i­ly films. Our cat­a­logue includes ani­ma­tion titles like ​“Belle”, ​“The Bears’ Famous Inva­sion of Sici­ly”, ​“Argonuts” or ​“The Boy and the Heron”.

Nordisk Film & TV Fond (NFTF) is a pan-Nordic fund whose objec­tive is to pro­mote the Nordic audio­vi­su­al indus­try by sup­port­ing schemes and ini­tia­tives. The Fund pro­motes Nordic audio­vi­su­al pro­duc­tions (fea­ture films, cre­ative doc­u­men­taries and dra­ma series) of high qual­i­ty by pro­vid­ing fund­ing in the form of top financ­ing, in the five Nordic coun­tries (Den­mark, Fin­land, Ice­land, Nor­way and Sweden).

Nordisk Film & TV Fond (NFTF) is a pan-Nordic fund whose objec­tive is to pro­mote the Nordic audio­vi­su­al indus­try by sup­port­ing schemes and ini­tia­tives. The Fund pro­motes Nordic audio­vi­su­al pro­duc­tions (fea­ture films, cre­ative doc­u­men­taries and dra­ma series) of high-qual­i­ty by pro­vid­ing fund­ing in the form of top financ­ing, in the five Nordic coun­tries (Den­mark, Fin­land, Ice­land, Nor­way and Sweden).

Fund­ing - net­work­ing - devel­op­ing! These terms essen­tial­ly sum up the core activ­i­ties of nord­me­dia. In its role as the cen­tral media fund­ing organ­i­sa­tion for Low­er Sax­ony and Bre­men, nord­me­dia has shaped the con­sol­i­da­tion and devel­op­ment of the media branch in both of these North Ger­man states since 2001. With regard to film and media fund­ing, this is struc­tured, organ­ised and super­vised accord­ing to cul­tur­al-eco­nom­ic criteria.

With over 40 years of his­to­ry, Nor­ma Edi­to­r­i­al is an inde­pen­dent pub­lish­er spe­cial­is­ing in comics and illus­trat­ed books, locat­ed in Barcelona. Found­ed in 1977, the com­pa­ny has a team of more than 30 indi­vid­u­als engaged in var­i­ous aspects of pub­lish­ing, dis­tri­b­u­tion and rep­re­sen­ta­tion. Over the years, Nor­ma has served as the home for some of the most promi­nent fig­ures in the inter­na­tion­al and Span­ish com­ic scenes, solid­i­fy­ing its posi­tion as a lead­ing name in the field of com­ic book publishing.

O’Brother Dis­tri­b­u­tion est une société de dis­tri­b­u­tion ciné­matographique active au Benelux dont l’ambition est de pro­pos­er une offre dif­férente en dif­fu­sant des œuvres de qual­ité belges et étrangères, tout en se don­nant les moyens de les défendre avec l’enthousiasme nécessaire.

ODMe­dia pro­vides a one-stop solu­tion which makes sure your con­tent is in the right for­mat, in the right place, at the right time. We con­nect con­tent own­ers & plat­forms to deliv­er con­tent to view­ers on any screen around the world. We take care of all tech­ni­cal require­ments, which allows you to focus on your core activ­i­ties. We offer ser­vices cov­er­ing the entire con­tent life­cy­cle; from cre­ation of a Dig­i­tal Cin­e­ma Pack­age to tech­ni­cal deliv­ery to OTT plat­forms and broadcasters.

Option Media is a full-ser­vice provider for all video & audio post-pro­duc­tion. We’re a leader in local­i­sa­tion of audio­vi­su­al con­tent for years. We pro­vide trans­la­tion, subs and dub­bing for (inter)national film dis­trib­u­tors, tele­vi­sion chan­nels & pro­duc­tion com­pa­nies. We can offer full PM. In order to achieve opti­mal dis­tri­b­u­tion, we can deliv­er your con­tent on all pos­si­ble phys­i­cal medi­ums and dig­i­tal for­mats. Eli­gi­ble for co-financ­ing by Screen Flan­ders, the Flan­ders Audio­vi­su­al Fund & Tax Shelter.

Option Media is a full-ser­vice provider for all video & audio post-pro­duc­tion. We’re a leader in local­i­sa­tion of audio­vi­su­al con­tent for years. We pro­vide trans­la­tion, subs and dub­bing for (inter)national film dis­trib­u­tors, tele­vi­sion chan­nels & pro­duc­tion com­pa­nies. We can offer full PM. In order to achieve opti­mal dis­tri­b­u­tion, we can deliv­er your con­tent on all pos­si­ble phys­i­cal medi­ums and dig­i­tal for­mats. Eli­gi­ble for co-financ­ing by Screen Flan­ders, the Flan­ders Audio­vi­su­al Fund & Tax Shelter.

OCS is a french pay tv play­er. As such, OCS finance and buy arount 1000 movies a year includ­ing ani­ma­tion movies.

Born in 1989, Out­sider Dif­fu­sion was one of the first inde­pen­dent com­pa­nies to release Japan­ese ani­me in France. Over the years, Out­sider has devel­oped activ­i­ties in con­sult­ing, acqui­si­tion and book­ing of movie theaters.

Out­sider Films is a films dis­trib­u­tor cre­at­ed by three pro­fes­sion­als in the Por­tuguese mar­ket, based in Lis­bon. It oper­ates in the seg­ment of inde­pen­dent movies. Out­sider Films is now releas­ing 14 to 16 films per year with a spe­cial focus on ani­ma­tion. Last ani­mat­ed movies released in the last 4 years: ​“Lov­ing Vin­cent”, ​“Duck Duck Goose”, ​“Mirai”, ​“Mary & the Witch´s Flower”, ​“Bread­win­ner”, ​“Cats and Peach­topia”, ​“Ear­wig and the Witch” , ​“Check­ered Nin­ja 1” and ​“Lat­te and the Mag­ic Waterstone”.

Par­adis Films is the French dis­trib­u­tor of such ani­mat­ed fea­ture films as ​“Ooops! Noah is Gone…”, ​“Richard the Stork”, ​“Ooops! The Adven­ture Con­tin­ues…” and ​“Koati”.

Paul Thilt­ges Dis­tri­b­u­tions is a Lux­em­bourg-based film pro­duc­tion and world sales com­pa­ny found­ed in 1993 by Paul Thilt­ges and joint­ly run with Adrien Chef. Col­lab­o­rat­ing with a large range of inter­na­tion­al part­ners, the PTD team has built up a con­sid­er­able net­work, allow­ing it to ini­ti­ate projects or par­tic­i­pate in ven­tures on a world­wide scale as pro­duc­er, co-pro­duc­er or sales agent.

Region­al cen­tre of excel­lence in charge of imple­ment­ing the film and audio­vi­su­al pol­i­cy of the Hauts-de-France region, Pic­tano­vo sup­ports the cre­ation and pro­duc­tion of over 200 works per year.

Pink Par­rot Media is an inter­na­tion­al sales com­pa­ny set up in 2018 by Marie Claude Beauchamp and Tania Pin­to Da Cun­ha. We spe­cialise in ani­ma­tion and live-action fam­i­ly enter­tain­ment. The com­pa­ny is active in dis­tri­b­u­tion, acqui­si­tions, pack­ag­ing and financ­ing projects as well as co-pro­duc­tion oppor­tu­ni­ties. We want to give pro­duc­ers the best place for their projects, pro­mot­ed with pas­sion and always on a per­son­al basis. We can say we are a bou­tique in the fam­i­ly enter­tain­ment business.

Pink Par­rot Media is an inter­na­tion­al sales com­pa­ny set up in 2018 by Marie-Claude Beauchamp and Tania Pin­to Da Cun­ha. We spe­cialise in ani­ma­tion and live-action fam­i­ly enter­tain­ment. The com­pa­ny is active in dis­tri­b­u­tion, acqui­si­tions, pack­ag­ing and financ­ing projects as well as co-pro­duc­tion oppor­tu­ni­ties. We want to give pro­duc­ers the best place for their projects, pro­mot­ed with pas­sion and always on a per­son­al basis. We can say we are a bou­tique in the fam­i­ly enter­tain­ment business.

Pix­el-Nexus aims to become your tech­ni­cal hub to pro­vide solu­tions tai­lor-made to your needs, leav­ing you to cre­ate your vision with­out tech­ni­cal has­sle and focus on your core business.

Play­time is a Paris-based inter­na­tion­al sales com­pa­ny active since 1997, also active in pro­duc­tion of fea­ture films and series. Each year, Play­time launch­es approx­i­mate­ly 10 new films in the most pres­ti­gious fes­ti­vals. Play­time is known for the qual­i­ty of its artis­tic choic­es and world­wide suc­cess­es such as ​“Son of Saul”, ​“BPM”, ​“By the Grace of God” or the lat­est ​“Paris 13th Dis­trict”, includ­ing ani­ma­tion titles like ​“A Cat in Paris” or ​“The Black Pharaoh, the Sav­age and the Princess” by Michel Ocelot.

With some more than 200 spe­cialised com­pa­nies, includ­ing 50 ani­ma­tion-VFX and video game stu­dios, more than 250 car­toon authors, 15 col­leges of inter­na­tion­al renown and 2,000 stu­dents, Mage­lis has built a strong ecosys­tem ded­i­cat­ed to cre­ation and inno­va­tion in the sec­tors of the image and has estab­lished itself in a dom­i­nant posi­tion in the inter­na­tion­al environment.

With some more than 200 spe­cialised com­pa­nies, includ­ing 50 ani­ma­tion-VFX and video game stu­dios, more than 250 car­toon authors, 15 col­leges of inter­na­tion­al renown and 2,000 stu­dents, Mage­lis has built a strong ecosys­tem ded­i­cat­ed to cre­ation and inno­va­tion in the sec­tors of the image and has estab­lished itself in a dom­i­nant posi­tion in the inter­na­tion­al environment.

With some more than 200 spe­cialised com­pa­nies, includ­ing 50 ani­ma­tion-VFX and video game stu­dios, more than 250 car­toon authors, 15 col­leges of inter­na­tion­al renown and 2,000 stu­dents, Mage­lis has built a strong ecosys­tem ded­i­cat­ed to cre­ation and inno­va­tion in the sec­tors of the image and has estab­lished itself in a dom­i­nant posi­tion in the inter­na­tion­al environment.

Poly­film is an Aus­tri­an-based dis­tri­b­u­tion com­pa­ny, in the busi­ness since the 1980s. Focused on art-house films, doc­umetaries and ani­ma­tion. The com­pa­ny also runs two art-house the­atres in Vien­na, the Film­casi­no and Filmhaus Kino.

The Por­tu­gal Film Commission’s mis­sion is to pro­mote the inter­na­tion­al­i­sa­tion of Por­tu­gal as a film­ing des­ti­na­tion and to stream­line the pro­ce­dures regard­ing film­ing requests by Por­tuguese and for­eign pro­duc­ers, in Portugal.

Prax­i­nos is a French coop­er­a­tive com­pa­ny found­ed in late 2018, made of skilled mem­bers unit­ed under one ban­ner: their pas­sion for ani­ma­tion and for mak­ing great tools to con­tribute to its artis­tic enhance­ment. Thanks to the sup­port of Epic Games, they could devel­op free plu­g­ins for Unre­al Engine, before releas­ing a 2D ani­ma­tion soft­ware named Odyssey. Odyssey is the per­fect tool for ambi­tious pro­duc­tions that want to cre­ate high-qual­i­ty ani­ma­tions mix­ing 2D & 3D.

Pro Films was estab­lished in 2005 as a dis­trib­u­tor of Euro­pean films for Bul­gar­ia. Since then, we had dis­trib­uted over a hun­dred films the­atri­cal­ly, most of them ani­ma­tion fea­tures. In the last 7 years, Pro Films is the lead­ing inde­pen­dent dis­trib­u­tor of ani­mat­ed fea­tures and TV series in Bulgaria. 

Pro Films was estab­lished in 2005 as a dis­trib­u­tor of Euro­pean films for Bul­gar­ia. Since then, we dis­trib­uted over a hun­dred films the­atri­cal­ly, most of them ani­ma­tion fea­tures. For the last 7 years, Pro Films is the lead­ing inde­pen­dent dis­trib­u­tor of ani­mat­ed fea­tures and TV series in Bulgaria.

Pul­sar Con­tent is an inter­na­tion­al sales and co-pro­duc­tion com­pa­ny pro­mot­ing a vari­ety of sin­gu­lar films. With a lim­it­ed num­ber of titles per year, we ded­i­cate our full atten­tion and exper­tise to all of them, enhanc­ing fes­ti­val expo­sure and devel­op­ing a strong focus on inno­v­a­tive mar­ket­ing, to facil­i­tate the work of dis­trib­u­tors. As part of the Log­i­cal Pic­tures fam­i­ly, we are cre­at­ing a ​‘home for tal­ent’, and bring­ing solu­tions to each step of the cre­ation and dis­tri­b­u­tion processes.

Rai Kids is a depart­ment of Radiotele­vi­sione Ital­iana (RAI), the Ital­ian pub­lic broad­cast­er, the lead­ing TV and Radio com­pa­ny in Italy. The offer for chil­dren and kids com­pre­hends two free TV Chan­nels, RAI Yoyo (pre-school and chil­dren) and RAI Gulp (kids). Chil­dren con­tent is also dis­trib­uted on RAI Play, RAI’s free VoD ser­vice, and specif­i­cal­ly on RAI Play Yoyo, as well as on RAI Radio Kids. RAI Ragazzi is one of the main Euro­pean investors in the pro­duc­tion of ani­ma­tion and kids’ drama.

The Occ­i­tanie Region aims to strength­en the film indus­try and the cul­tur­al dynam­ics on its ter­ri­to­ry. The Region sup­ports fil­mak­ers by pro­vid­ing finan­cial assis­tance for devel­op­ment and pro­duc­tion and offers sup­ports to film fes­ti­val and film mar­kets. This approach also includes a film edu­ca­tion pro­gram, as well as a sup­port to film her­itage through the Ciné­math­èque de Toulouse and the Jean Vigo Institute.

The Occ­i­tanie Region aims to strength­en the film indus­try and the cul­tur­al dynam­ics on its ter­ri­to­ry. The Region sup­ports fil­mak­ers by pro­vid­ing finan­cial assis­tance for devel­op­ment and pro­duc­tion and offers sup­ports to film fes­ti­val and film mar­kets. This approach also includes a film edu­ca­tion pro­gram, as well as a sup­port to film her­itage through the Ciné­math­èque de Toulouse and the Jean Vigo Institute.

The Provence-Alpes-Côte d’Azur Region has been sup­port­ing ani­ma­tion since 2010. We pro­vide sup­port for fea­ture films, short films and films or series for tele­vi­sion at the writ­ing, devel­op­ment and pro­duc­tion stages. Now with a bud­get of 1M€, the region­al sup­port fund for ani­ma­tion has financed more than 80 projects over the past 11 years. Pro­duced in one of the 13 region­al stu­dios or by com­pa­nies that have cho­sen to set­tle in the region, these projects have cre­at­ed a dynam­ic ecosystem.

Rita&Luca Films is a chil­dren’s film dis­tri­b­u­tion com­pa­ny focused on inde­pen­dent Euro­pean movies, fea­ture films and shorts. Although we do the­atri­cal releas­es of our movies, our strength is the non-the­atri­cal and edu­ca­tion­al mar­ket. Our cat­a­logue is a guar­an­tee of qual­i­ty and artis­tic films with strong val­ues behind.

Rosebud.21 was found­ed in 2013 as a con­tin­u­a­tion of the 21 years old Rose­bud, with a new share­hold­er struc­ture but with the same pas­sion for good films. Rosebud.21 trav­els the world on all the impor­tant film mar­kets aim­ing to acquire movies that stand out as wants to be estab­lished as a bou­tique art dis­tri­b­u­tion com­pa­ny with around 10 titles per year, avail­able Theatrical–DVD–TV.

Rosebud.21 was found­ed in 2013 as a con­tin­u­a­tion of the 21 years old Rose­bud, with a new share­hold­er struc­ture but with the same pas­sion for good films. Rosebud.21 trav­els the world on all the impor­tant film mar­kets aim­ing to acquire movies that stand out as wants to be estab­lished as a bou­tique art dis­tri­b­u­tion com­pa­ny with around 10 titles per year, avail­able The­atri­cal – DVD – TV.

RTBF co-pro­duces ani­mat­ed series and indi­vid­ual pro­grammes root­ed in Belgium’s art and lit­er­a­ture; it also pays par­tic­u­lar atten­tion to projects that stand out for their aes­thet­ic char­ac­ter. These pro­grammes must be pro­duced or co-pro­duced by inde­pen­dent Bel­gian com­pa­nies. In terms of acqui­si­tions, RTBF con­cen­trates on inno­v­a­tive con­tem­po­rary Euro­pean ani­mat­ed series for chil­dren aged 8 to 10. RTBF also intends to explore Euro­pean and inter­na­tion­al fic­tion aimed at 10-15 and at 15-18-year-olds.

RTBF co-pro­duces ani­mat­ed series and indi­vid­ual pro­grammes root­ed in Belgium’s art and lit­er­a­ture; it also pays par­tic­u­lar atten­tion to projects that stand out for their aes­thet­ic char­ac­ter. These pro­grammes must be pro­duced or co-pro­duced by inde­pen­dent Bel­gian com­pa­nies. In terms of acqui­si­tions, RTBF con­cen­trates on inno­v­a­tive con­tem­po­rary Euro­pean ani­mat­ed series for chil­dren aged 8 to 10. RTBF also intends to explore Euro­pean and inter­na­tion­al fic­tion aimed at 10-15 and at 15-18-year-olds.

SC Films Inter­na­tion­al was found­ed by Simon Crowe and financier Matthew Joynes in Lon­don in 2008. SC Films is a sales, finance and dis­tri­b­u­tion com­pa­ny spe­cial­is­ing in ani­ma­tion fea­tures includ­ing such titles as ​“Yel­low­bird” aka ​“Gus”, ​“Mon­key King”, ​“White Fang”, ​“Gnome Alone”, ​“Charm­ing and Pachama­ma”. Simon is cur­rent­ly pro­duc­ing ani­ma­tion fea­tures ​“Girl in the clouds” and ​“Drag­onkeep­er”. Cur­rent slate also includes live action films, the award-win­ning ​“Lit­tle Bone Lodge”, ​“On fire and ​“Orang Ikan”.

Screen Flan­ders is your first stop for audio­vi­su­al activ­i­ties in the Flan­ders Region, pro­vid­ing finan­cial sup­port through its Eco­nom­ic Fund, infor­ma­tion and ser­vices via its Film Com­mis­sion. Via the Screen Flan­ders Eco­nom­ic Fund, Bel­gian (co-) pro­duc­ers can apply to receive up to 400,000€ refund­able advances by way of eco­nom­ic sup­port to cov­er their audio­vi­su­al expens­es in the Flan­ders Region.

screen.brussels offers finan­cial sup­port to audio­vi­su­al pro­duc­tions which spend (part of) their bud­get with­in the Brus­sels-Cap­i­tal Region. Some of our last projects in ani­ma­tion: ​“Opéra­tion Med­i­na” (Panique), ​“Upside Down Riv­er” (Vivi Films), ​“Mar­cel et Mon­sieur Pag­nol” (Walk­ing the Dog), ​“Vale­mon”, ​“The Polar Bear King (Vivi Films), ​“Sauvages” (Panique), ​“The Insep­a­ra­bles” (nWwave), ​“No Dogs or Ital­ians Allowed” (Lux Fugit Film), ​“Titi­na” (Vivi Films), ​“Siroc­co and the King­dom of Winds” (Take Five).

Selmer Media is a film dis­tri­b­u­tion com­pa­ny that dis­trib­utes fea­ture films to the Nordic mar­ket. The com­pa­ny invests in movie rights and releas­es films the­atri­cal­ly and via TV and VoD, in col­lab­o­ra­tion with var­i­ous part­ners in the Nordic coun­tries. Selmer Media holds the right to a wide range of films, from art-house dra­mas to broad enter­tain­ment. Our foun­da­tion is our pas­sion for film and love of cin­e­ma, com­bined with a clear focus on run­ning a prof­itable and inter­na­tion­al­ly com­pet­i­tive company.

Silk­Way­Films was found­ed in 2016 and is spe­cial­ized in acqui­si­tion, sales, financ­ing and devel­op­ing projects and films. Silk­Way­Films is per­ma­nent­ly scout­ing for ani­mat­ed fea­ture projects for dis­tri­b­u­tion in Germany.

As a top telecom­mu­ni­ca­tion com­pa­ny in Korea, SK Broad­band pro­vides broad­band inter­net, IPTV broad­cast­ing and VoD plat­form ser­vice (includ­ing mobile TV). We pro­ceed with invest­ment, acqui­si­tion, plan­ning and mar­ket­ing in ani­ma­tion. Our ani­ma­tion projects are ​“Poro­ro”, ​“Robo­car Poli”, ​“Vroomiz”, ​“Lar­va”, ​“Time Trav­el­er Luke”, ​“Botos Fam­i­ly” and ​“Mirac­u­lous Lady­bug”. As ICT con­ver­gence leader, SK Broad­band is mak­ing hap­pi­ness in com­mu­ni­ca­tion beyond the technology.

Smor­gas­bord Pic­ture House is a dis­tri­b­u­tion com­pa­ny based in Swe­den. We spe­cialise in fam­i­ly, chil­dren’s and youth films, and we acquire and dis­trib­ute films from all over the world, ani­ma­tions, live-action fea­ture films and doc­u­men­taries, for the Swedish and Scan­di­na­vian mar­kets. We release films for the­atri­cal screen­ings, fes­ti­vals, VoD, non-the­atri­cal and TV. Some of the ani­ma­tions we have acquired includes ​“Yuku and the Himalayan Flower”, ​“The Pond”, ​“Sweet Night” and ​“Hel­lo World!”.

SND is the film dis­tri­b­u­tion sub­sidiary of the M6 Group, one of the lead­ing TV net­works in Europe. SND han­dles film dis­tri­b­u­tion, video pub­lish­ing, inter­na­tion­al sales and film pro­duc­tion. Ani­ma­tion high­lights include ​“Aster­ix, Land of the Gods”, ​“The Jun­gle Bunch”, ​“Aster­ix and The Secret of the Mag­ic Potion” and recent­ly ​“The Extinct” and ​“Pil”.

SND is the film dis­tri­b­u­tion sub­sidiary of the M6 Group, one of the lead­ing TV net­works in Europe. SND han­dles film dis­tri­b­u­tion, video pub­lish­ing, inter­na­tion­al sales and film pro­duc­tion. Ani­ma­tion high­lights include ​“Aster­ix, Land of the Gods”, ​“The Jun­gle Bunch”, ​“Aster­ix and The Secret of the Mag­ic Potion” and recent­ly ​“The Extinct” and ​“Pil”.

SO·Games is born from the merge of Angoulême Video Games and Bor­deaux Games, cre­at­ing the main gath­er­ing of the video game sec­tor in Nouvelle-Aquitaine.The asso­ci­a­tion gath­ers 1000 full time jobs, 100M€ worth of busi­ness in 100 stu­dios. Among the famous mem­bers: Asobo Stu­dio, Ubisoft Bor­deaux, Shi­ro Games, Motion Twin, Nova-Box, Head­bang Club, Black Flag, La Poule Noire, Evil Empire, Game­s­plan­et, G4F, and many more.

SO·Games is born from the merge of Angoulême Video Games and Bor­deaux Games, cre­at­ing the main gath­er­ing of the video game sec­tor in Nouvelle-Aquitaine.The asso­ci­a­tion gath­ers 1000 full time jobs, 100M€ worth of busi­ness in 100 stu­dios. Among the famous mem­bers: Asobo Stu­dio, Ubisoft Bor­deaux, Shi­ro Games, Motion Twin, Nova-Box, Head­bang Club, Black Flag, La Poule Noire, Evil Empire, Game­s­plan­et, G4F, and many more.

One of the lead­ing inter­na­tion­al Sales Agent, Sola Media has since 2004 brought some of the most beloved chil­dren and fam­i­ly films to a glob­al mar­ket­place. The pas­sion­ate and expe­ri­enced team devote a lot of indi­vid­ual atten­tion to our films; devel­op­ing cus­tomised strate­gies and pre­sent­ing them promi­nent­ly at mar­kets and fes­ti­vals. Releas­es and mar­ket­ing strate­gies are coor­di­nat­ed on a pan-Euro­pean and glob­al lev­el. Since August 2020, Sola Media is a part of Plaion Films, but remains independent.

One of the lead­ing inter­na­tion­al Sales Agent, Sola Media has since 2004 brought some of the most beloved chil­dren and fam­i­ly films to a glob­al mar­ket­place. The pas­sion­ate and expe­ri­enced team devote a lot of indi­vid­ual atten­tion to our films; devel­op­ing cus­tomised strate­gies and pre­sent­ing them promi­nent­ly at mar­kets and fes­ti­vals. Releas­es and mar­ket­ing strate­gies are coor­di­nat­ed on a pan-Euro­pean and glob­al lev­el. Since August 2020, Sola Media is a part of Plaion Films, but remains independent.

Spire Media is a Bei­jing-based pro­duc­tion and acqui­si­tion company.

Stu­dio 100 Film is an inter­na­tion­al, inde­pen­dent sales agency for excep­tion­al fam­i­ly movies. Based in Munich, the com­pa­ny is a sub­sidiary of Stu­dio 100 Media. With more than 10 years of expe­ri­ence, Stu­dio 100 Film has suc­cess­ful­ly mar­ket­ed and sold ani­ma­tion fea­ture films such as ​“Giants of La Man­cha”, the ​“Maya the Bee” tril­o­gy, ​“Mia and me – The Hero of Cen­topia” and oth­er Stu­dio 100 Media titles. In addi­tion, it also acts as a sales agency for select­ed third-par­ty films.

Stu­dio 100 Film is an inter­na­tion­al, inde­pen­dent sales agency for excep­tion­al fam­i­ly movies. Based in Munich, the com­pa­ny is a sub­sidiary of Stu­dio 100 Media. With more than 10 years of expe­ri­ence, Stu­dio 100 Film has suc­cess­ful­ly mar­ket­ed and sold ani­ma­tion fea­ture films such as ​“Giants of La Man­cha”, the ​“Maya the Bee” tril­o­gy, ​“Mia and me – The Hero of Cen­topia” and oth­er Stu­dio 100 Media titles. In addi­tion, it also acts as a sales agency for select­ed third-par­ty films.

Stu­dio Canal is Europe’s leader in pro­duc­tion, dis­tri­b­u­tion and inter­na­tion­al sales of fea­ture films and TV series.

Stu­dio Elon has been a dis­tri­b­u­tion and acqui­si­tion com­pa­ny in Korea since 2018. The com­pa­ny used to release fea­ture films and recent­ly start­ed to release sev­er­al ani­ma­tions includ­ing ​‘Ooops!2’ and Japan­ese ani­ma­tions. We keep look­ing for all kinds of com­mer­cial films includ­ing animations.

Surt­sey Films was found­ed 12 years ago by Miguel Ángel Pérez, who has more than 30 years of expe­ri­ence in film dis­tri­b­u­tion, in com­pa­nies such as TriPic­tures and Ver­ti­go, as well as cre­at­ing the dis­tri­b­u­tion com­pa­ny Kar­ma Films, found­ed in 2003, in Spain. One of the main con­cerns has been to choose films that address sen­si­tive issues to view­ers, both for the cin­e­mat­ic qual­i­ty, as for its proximity.

Tele­visió de Catalun­ya is the gen­er­al­ist pub­lic TV broad­cast­er of Cat­alo­nia. TV3 is com­mit­ted to offer its view­ers a social­ly rel­e­vant, qual­i­ty pro­gram­ming, while sup­port­ing and pro­mot­ing Cata­lan cul­ture and lan­guage, as well as encour­ag­ing inno­va­tion and cre­ativ­i­ty. TVC pro­mot­ed from its out­set the suc­cess­ful ani­mat­ed series ​“The Triplets”. It has tak­en part since then in a vari­ety of pro­duc­tions with inter­na­tion­al impact: ​“Chico&Rita”, ​“Lucky&Fred”, ​“Saari”, ​“Ask Lara” or ​“Pump­kyn Reports”.

The sev­en tele­vi­sion chan­nels of the Czech Tele­vi­sion meet the objec­tives of the pub­lic ser­vice by inform­ing and con­sis­tent­ly cre­at­ing and broad­cast­ing orig­i­nal pro­grammes for all age groups in the Czech Repub­lic. Cul­ti­vat­ing and draw­ing on its more than six­ty years of expe­ri­ence, the Czech TV pro­duces pro­grammes of superb qual­i­ty and a rich vari­ety of gen­res. ​‘ČT Déčko’ is a kids´channel for chil­dren aged between 4 and 12 offer­ing a vari­ety of orig­i­nal and for­eign content.

The Play­mak­er is a high­ly enthu­si­as­tic, open and deter­mined inter­na­tion­al sales agent with­in the moth­er com­pa­ny SL Group. Since many years we are spe­cial­ized on Fam­i­ly Enter­tain­ment, our ani­ma­tion slate includes inter­na­tion­al box-office hits such as ​“Ploey”, ​“The Ogglies” and the upcom­ing ​“Pirate Mo”. With­in our com­pa­ny hold­ing we are also able to offer through our sis­ter com­pa­nies cofi­nanc­ing as well as ser­vic­ing (cam­era & light­ing equip­ment, post-pro­duc­tion, deliv­er­ies and VFX).

The Yel­low Affair is a World Sales Agent and Exec­u­tive Pro­duc­er for films & TV series from around the world. Formed in 2010„ The Yel­low Affair boasts a proven track record and has a grow­ing rep­u­ta­tion in areas of devel­op­ment, financ­ing, mar­ket­ing and sell­ing films and TV series of all types and gen­res. The Yel­low Affair is one of the most promi­nent inter­na­tion­al sales com­pa­nies based in Helsin­ki, New York and London.

Found­ed in 1933, TITRAFILM is France’s old­est dub­bing and sub­ti­tling com­pa­ny and is still very active in these fields, as well as for fes­ti­vals, tele­vi­sion and all exist­ing media (DVD, Blu-ray, VoD, etc.). The com­pa­ny has also devel­oped its skills in sub­ti­tling for the deaf and hard of hear­ing and audio descrip­tion, and con­tributes to the digi­ti­sa­tion and restora­tion of film heritage.

Found­ed in 1933, TITRAFILM is France’s old­est dub­bing and sub­ti­tling com­pa­ny and is still very active in these fields, as well as for fes­ti­vals, tele­vi­sion and all exist­ing media (DVD, Blu-ray, VoD, etc.). The com­pa­ny has also devel­oped its skills in sub­ti­tling for the deaf and hard of hear­ing and audio descrip­tion, and con­tributes to the digi­ti­sa­tion and restora­tion of film heritage.

Tones prod is a visu­al music pro­duc­tion stu­dio spe­cial­is­ing in video games and cin­e­ma: artis­tic direc­tion, com­po­si­tion, arrange­ments, mix­ing & mastering.

True Colours is a fresh and emerg­ing inter­na­tion­al sales out­fit based in Rome. The com­pa­ny estab­lished in 2015, in a part­ner­ship between Ital­ian pow­er­hous­es Lucky Red Dis­tri­b­u­tion and Indi­go Film Pro­duc­tion, whose cred­its include Pao­lo Sorrentino’s Oscar-win­ning ​“The Great Beau­ty”, with the aim of bring­ing the best of Ital­ian and inter­na­tion­al art-house cin­e­ma worldwide.

Based in Den­mark, Trust­Nordisk is one of the lead­ing sales agents in Europe with a diverse cat­a­logue and decades of expe­ri­ence and close famil­iar­i­ty with the film busi­ness, includ­ing some of the most sem­i­nal Scan­di­na­vian auteurs and film makers.

Under the Milky Way is an inter­na­tion­al aggre­ga­tor and dis­trib­u­tor of films on VoD plat­forms (iTunes, Google, Microsoft, Ama­zon, Rakuten…). It ensures the oper­a­tional, edi­to­r­i­al, mar­ket­ing and finan­cial inter­faces between the rights-hold­ers and the plat­forms, and facil­i­tates the process of exploit­ing features.

Unifrance is the organ­i­sa­tion respon­si­ble for pro­mot­ing French cin­e­ma and TV con­tent world­wide. Locat­ed in Paris, Unifrance employs around 50 staff mem­bers, as well as rep­re­sen­ta­tives based in the U.S., in Chi­na and soon in Japan. The organ­i­sa­tion cur­rent­ly brings togeth­er more than 1,000 French cin­e­ma and TV con­tent pro­fes­sion­als (pro­duc­ers, tal­ents, agents, sales com­pa­nies, etc.) work­ing togeth­er to pro­mote French films and TV pro­grammes among for­eign audi­ences, indus­try exec­u­tives and media.

Viva Pic­tures is a film pro­duc­tion stu­dio and all-rights dis­trib­u­tor based in Los Ange­les. Viva has a suc­cess­ful track record releas­ing films the­atri­cal­ly and through major dig­i­tal plat­forms, includ­ing direct TV, Hulu, Dish, Ama­zon Prime, IMDb TV, Red­box and more. Viva’s movies have grossed over 500M$ at the glob­al box office and have gar­nered over 600M impres­sions on social media.

VJC Media is a suc­cess­ful cre­ative and busi­ness strat­e­gy agency, work­ing with inter­na­tion­al ani­ma­tion & media com­pa­nies, broad­cast­ers, cre­ators, brands & Investors, focus­ing on Chil­dren’s, Fam­i­ly and Young Adult Con­tent. Led By Vanes­sa Chap­man, an inter­na­tion­al­ly well-known and respect­ed media pro­fes­sion­al, whose career has spanned all plat­forms. For­mer­ly com­mis­sion­er at Chil­dren’s ITV & Man­ag­ing Direc­tor of LEGO’s Glob­al TV & Film Company.

Ket­net is the trans­me­dia chil­dren’s brand of VRT. The approach of Ket­net con­tains a ded­i­cat­ed lin­ear chan­nel, blocs on the main chan­nels, sev­er­al apps, a web­site and more than 130 live events a year. The key ele­ments are inno­va­tion, par­tic­i­pa­tion, inter­ac­tion, play­ing, watch­ing and lis­ten­ing. Ket­net co-pro­duces and acquires con­tent that is high-qual­i­ty, inno­v­a­tive, refresh­ing and match the channel’s val­ues con­nect­ing, stim­u­lat­ing, fas­ci­nat­ing, pos­i­tiv­i­ty, relax­ing, dar­ing and engaging.

Since 2001, Wal­lim­age aims to devel­op the audio­vi­su­al sec­tor in Wal­lo­nia by financ­ing in audio­vi­su­al projects (live and ani­ma­tion) of Bel­gian or inter­na­tion­al ini­tia­tive (co-pro­duced in Bel­gium), name­ly: series, fea­ture films, doc­u­men­taries and VR/AR projects. Addi­tion­al­ly, since 2007, the Fund sup­ports audio­vi­su­al & gam­ing indus­tries in Wal­lo­nia by financ­ing in audio­vi­su­al com­pa­nies (film indus­try, gam­ing, Musictech…). Since 2022, the Fund finances also video games projects.

Since 2001, Wal­lim­age aims to devel­op the audio­vi­su­al sec­tor in Wal­lo­nia by financ­ing in audio­vi­su­al projects (live and ani­ma­tion) of Bel­gian or inter­na­tion­al ini­tia­tive (co-pro­duced in Bel­gium), name­ly: series, fea­ture films, doc­u­men­taries and VR/AR projects. Addi­tion­al­ly, since 2007, the Fund sup­ports audio­vi­su­al & gam­ing indus­tries in Wal­lo­nia by financ­ing in audio­vi­su­al com­pa­nies (film indus­try, gam­ing, Musictech…). Since 2022, the Fund finances also video games projects.

Estab­lished in 1984, WBIm­ages is the offi­cial inter­na­tion­al pro­mo­tion agency for the audio­vi­su­al arts and indus­try of the Wal­loon-Brus­sels Com­mu­ni­ty. WBIm­ages is co-financed and co-man­aged by the Cen­tre du Ciné­ma et de l’Audiovisuel and Wal­lonie Brux­elles International.

Estab­lished in 1984, WBIm­ages is the offi­cial inter­na­tion­al pro­mo­tion agency for the audio­vi­su­al arts and indus­try of the Wal­loon-Brus­sels Com­mu­ni­ty. WBIm­ages is co-financed and co-man­aged by the Cen­tre du Ciné­ma et de l’Audiovisuel and Wal­lonie Brux­elles International.

X Ver­leih is a Berlin-based film dis­tri­b­u­tion com­pa­ny. Found­ed in 2000 as a dis­tri­b­u­tion divi­sion of X-Filme Cre­ative Pool (“Good Bye Lenin!”, ​“Run Lola Run”, ​“The White Rib­bon”, ​“Amour”, ​“Cloud Atlas”, ​“The Kan­ga­roo Chron­i­cles”), it has become one of Ger­many’s lead­ing inde­pen­dent dis­trib­u­tors also for exter­nal pro­duc­tions (e.g. ​“The Lost King”, ​“The Inspec­tion”, ​“The Forg­er”, ​“Presque”, ​“Wan­da, My Won­der”, ​“Baby­teeth”, etc.).