Who is coming

22D Music Group is an inde­pen­dent music pub­lish­er, expert in the man­age­ment of music rights with a spe­cial focus on audio­vi­su­al indus­tries with a world­wide cov­er­age. With branch­es in Paris, Madrid, Lon­don, Berlin and New York, 22D’s cre­ative activ­i­ties include music super­vi­sion and assis­tance with all steps relat­ed to the pro­duc­tion of musi­cal con­tent for audio­vi­su­al projects, from find­ing a com­pos­er to releas­ing a sound­track album, via the 22D label.

3DCLIC pro­vides a ser­vice that help ani­ma­tion pro­duc­ers to bet­ter fol­low their pro­duc­tion from ear­ly designs to final edit­ing. SPI the so called ser­vice, has been espe­cial­ly designed to allow pro­duc­ers to work seam­less­ly with sev­er­al stu­dios and part­ners from dif­fer­ent loca­tions all along the film pro­duc­tion process.

A Con­tra­cor­ri­ente Films is the Span­ish lead­ing dis­tri­b­u­tion com­pa­ny releas­ing on the­atres near 25 fea­ture films per year, in addi­tion to event cin­e­ma (Operas, Bal­lets and Arts Doc­u­men­taries), with a cat­a­logue of more than 1500 titles for all rights. Key titles dis­trib­uted Untouch­ables, Qu’est ce qu’on a Fait au Bön Dieu, The Father, Demain Tout Com­mence, Bal­le­ri­na, Mia and The White Lion , .… upcom­ing the­atri­cal release Loves Gets a Room, Deli­cieux, A Hero, Aline, Chick­en­hare and Dragonkeeper.

actezéro is a French agency that helps video game stu­dios to cre­ate, devel­op and pro­duce nar­ra­tive content.

ADN is a SVOD plat­form ded­i­cat­ed to ani­ma­tion con­tent (pri­mar­i­ly Japan­ese ani­mé con­tent) with more than 10000 episodes avail­able from kids to adult animation.

Aero­films start­ed as a joint project of two biggest art-house cin­e­mas in Prague in 2006. Since then, Aero­films has brought more than 200 care­ful­ly curat­ed films to Czech cin­e­mas. Since 2013, Aero­films has also oper­at­ed the Aerovod VoD platform.

Found­ed in 1999, Ago­ra Films is one of the last dis­tri­b­u­tion com­pa­nies based in French-speak­ing Switzer­land. It dis­trib­utes 12 to 15 films a year, main­ly art­house and euro­pean films.

Ani­mat­ed films dis­trib­uted : KER­I­TY, LA MAI­SON DES COMPTES — UNE VIE DE CHAT — LE TABLEAU — LE JOUR DES CORNEILLES — LOULOU, L’IN­CROY­ABLE SECRET — TANTE HIL­DA — PHAN­TOM BOY — TOUT EN HAUT DU MONDE — LOUISE EN HIV­ER — LE VOY­AGE DU PRINCE — CALAMITY

ALCA, the cul­tur­al agency of Nou­velle-Aquitaine, pro­vides a wide range of back­ing ser­vices for cin­e­ma and TV indus­tries. It sup­ports cre­ation and pro­duc­tion, notably through a 7M€ film fund (which reach­es 11M€ with local gov­ern­ments), active at every step of the cre­ation process (scriptwrit­ing, devel­op­ment, pro­duc­tion) and opened to inter­na­tion­al co-pro­­duc­­tion. Nou­velle-Aquitaine is the largest region in France and hosts the ani­ma­tion clus­ter Mage­lis based in Angoulême.

ALCA, the cul­tur­al agency of Nou­velle-Aquitaine, pro­vides a wide range of back­ing ser­vices for cin­e­ma and TV indus­tries. It sup­ports cre­ation and pro­duc­tion, notably through a 7M€ film fund (which reach­es 11M€ with local gov­ern­ments), active at every step of the cre­ation process (scriptwrit­ing, devel­op­ment, pro­duc­tion) and opened to inter­na­tion­al co-pro­duc­tion. Nou­velle-Aquitaine is the largest region in France and hosts the ani­ma­tion clus­ter Mage­lis based in Angoulême.

ALCA, the cul­tur­al agency of Nou­velle-Aquitaine, pro­vides a wide range of back­ing ser­vices for cin­e­ma and TV indus­tries. It sup­ports cre­ation and pro­duc­tion, notably through a 7M€ film fund (which reach­es 11M€ with local gov­ern­ments), active at every step of the cre­ation process (scriptwrit­ing, devel­op­ment, pro­duc­tion) and opened to inter­na­tion­al co-pro­duc­tion. Nou­velle-Aquitaine is the largest region in France and hosts the ani­ma­tion clus­ter Mage­lis based in Angoulême.

ALCA, the cul­tur­al agency of Nou­velle-Aquitaine, pro­vides a wide range of back­ing ser­vices for cin­e­ma and TV indus­tries. It sup­ports cre­ation and pro­duc­tion, notably through a 7M€ film fund (which reach­es 11M€ with local gov­ern­ments), active at every step of the cre­ation process (scriptwrit­ing, devel­op­ment, pro­duc­tion) and opened to inter­na­tion­al co-pro­duc­tion. Nou­velle-Aquitaine is the largest region in France and hosts the ani­ma­tion clus­ter Mage­lis based in Angoulême.

All Rights Enter­tain­ment is an inter­na­tion­al sales agent estab­lished in 2009 with offices in Hong Kong, Paris, and Los Ange­les, with a wide cat­a­log of films and a focus on high qual­i­ty ani­ma­tion films with an inter­na­tion­al potential. 

Our cur­rent release in 2022 is the ani­mat­ed movie Gul­liv­er Returns, with Tony Bonil­la as the ani­ma­tion director. 

We attend all inter­na­tion­al film fes­ti­vals, film mar­kets, TV mar­kets year round (Cannes, Berlin, Fil­mart, Toron­to, AFM, Mip…).

Andrzej Waj­da Cen­tre for Film Cul­ture was estab­lished in 2018 by the May­or of the City of War­saw. It was designed as a mod­ern, inclu­sive insti­tu­tion that pro­motes art­house film cul­ture, presents, and analy­ses mas­ter­pieces of nation­al and inter­na­tion­al cin­e­ma, and rais­es gen­er­al aware­ness of Euro­pean audio­vi­su­al her­itage. The Cen­tre will offer a wide range of events, work­shops and debates relat­ed to film­mak­ing and mod­ern visu­al cul­ture. we have cre­at­ed a very mod­ern VOD platform.

Arcana is a trans­me­dia com­pa­ny that has aggres­sive­ly pur­sued estab­lish­ing brands through engag­ing sto­ry­telling and com­pelling art. With a strong foothold in the print pub­lish­ing world, Arcana con­tin­ues to be a pre­mier con­tent provider and has now moved into ani­ma­tion and live action production.

Auvergne-Rhône-Alpes Ciné­ma is the region­al film fund in Auvergne-Rhône-Alpes for fea­ture films. The aver­age invest­ment per film is 300,000€. A sig­nif­i­cant part of the ani­ma­tion must be done in Auvergne-Rhône-Alpes and a French pro­duc­er has to be involved in the project. Ani­mat­ed films sup­port­ed: ​“The Sum­mit of Gods”, ​“Azur & Asmar”, ​“Even Mice Belong in Heav­en”, ​“A Cat in Paris”, ​“Le Jour des Corneilles”, ​“Aunt Hil­da!”, ​“Yel­low­bird”, ​“Phan­tom Boy“ and ​“My Life as a Courgette”.

Auvergne-Rhône-Alpes Ciné­ma is the region­al film fund in Auvergne-Rhône-Alpes for fea­ture films. The aver­age invest­ment per film is 300,000€. A sig­nif­i­cant part of the ani­ma­tion must be done in Auvergne-Rhône-Alpes and a French pro­duc­er has to be involved in the project. Ani­mat­ed films sup­port­ed: ​“The Sum­mit of Gods”, ​“Azur & Asmar”, ​“Even Mice Belong in Heav­en”, ​“A Cat in Paris”, ​“Le Jour des Corneilles”, ​“Aunt Hil­da!”, ​“Yel­low­bird”, ​“Phan­tom Boy“ and ​“My Life as a Courgette”.

Found­ed in 1983, Bim Dis­tribuzione is a leader dis­tri­b­u­tion com­pa­ny in the Ital­ian sce­nario with more than 400 movies released.

Canal+ Group is a leader in pre­mi­um and the­mat­ic tele­vi­sion chan­nels, as well as in the dis­tri­b­u­tion of Pay Tele­vi­sion ser­vices. In France, it is also a major play­er in free-to-air tele­vi­sion with 3 nation­al chan­nels, and its relat­ed adver­tis­ing arm. Out­side of France, Canal+ Group has record­ed strong growth with a sig­nif­i­cant pres­ence in Europe, Africa and Asia. In total, Canal+ Group has more than 20 mil­lion sub­scribers world­wide, includ­ing more than 8 mil­lion in main­land France.

CANAL+ pre-pur­chas­es 5 or 6 ani­mat­ed fea­tures a year, which are made in french and (co)produced by France.

CelAc­tion are the devel­op­ers of CelAction2D, the most pow­er­ful 2D ani­ma­tion soft­ware in the world. This soft­ware has been used on shows such as ​“Pep­pa Pig”, ​“Bluey”, ​“Mr Bean The Ani­mat­ed Series” and ​“Love Monster”.

Car­ole Bara­ton, Yohann Comte, Pierre Mazars found­ed Cha­rades in Jan­u­ary 2017, fol­low­ing suc­cess­ful tenures as respec­tive­ly head and VPs of Inter­na­tion­al Sales at Wild Bunch, Gau­mont and Stu­dio Canal, with the finan­cial back­ing of Con­stan­tin Briest.

Cha­rades is based in Paris, but has a glob­al reach; it brings a fresh per­spec­tive and wealth of expe­ri­ence in inter­na­tion­al sales, pack­ag­ing, copro­duc­tion and distribution.

Car­ole Bara­ton, Yohann Comte and Pierre Mazars found­ed Cha­rades in Jan­u­ary 2017, fol­low­ing suc­cess­ful tenures as head and VPs of Inter­na­tion­al Sales at Wild Bunch, Gau­mont and Stu­dio­Canal, respec­tive­ly. Cha­rades offers a fresh per­spec­tive and wealth of expe­ri­ence in inter­na­tion­al sales, pack­ag­ing and dis­tri­b­u­tion. Their cat­a­logue includes an eclec­tic and pres­ti­gious ani­ma­tion movies such as ​“The Queen’s Cor­gi”, ​“I Lost My Body” and Acad­e­my-award nom­i­nat­ed ​“Mirai”.

Car­ole Bara­ton, Yohann Comte and Pierre Mazars found­ed Cha­rades in Jan­u­ary 2017, fol­low­ing suc­cess­ful tenures as head and VPs of Inter­na­tion­al Sales at Wild Bunch, Gau­mont and Stu­dio­Canal, respec­tive­ly. A dynam­ic sales and co-pro­duc­tion com­pa­ny based in Paris with a glob­al reach, Cha­rades offers a fresh per­spec­tive and wealth of expe­ri­ence in inter­na­tion­al sales, pack­ag­ing and dis­tri­b­u­tion. Their cat­a­logue includes an eclec­tic and pres­ti­gious ani­ma­tion movies such as ​“The Queen’s Cor­gi”, ​“I Lost My Body” and acad­e­my-award nom­i­nat­ed ​“Mirai”.

Cine-Regio gath­ers 48 region­al film funds from 12 EU Mem­ber States, plus Nor­way, Switzer­land and UK. The mem­bers sup­port film cul­ture, cre­ate social cohe­sion and fos­ter region­al busi­ness by col­lab­o­rat­ing across bor­ders. For us local sto­ry­telling, cre­ation and decen­tralised deci­sion-mak­ing are essen­tial for a flour­ish­ing cul­ture. At Cannes Film Fes­ti­val 2021, 54% of the Main Com­pe­ti­tion line-up were backed by Cine-Regio members.

Cin­e­ma Man­age­ment Group (CMG) is one of the lead­ing inter­na­tion­al sales com­pa­nies, head­ed by Exec­u­tive Pro­duc­er Edward Noelt­ner. Recent suc­cess­es include ​“Lov­ing Vin­cent” gross­ing over US$ 42 mil­lion world­wide; Metacube’s ​“Salma’s Big Wish” (+1,3 mil­lion admis­sions in Mex­i­co); and Annecy Con­trechamp Award-win­ner ​“Away”. Just com­plet­ed is ​“Ain­bo: Spir­it of the Ama­zon” pre-sold to over 30 inter­na­tion­al dis­trib­u­tors with the­atri­cal releas­es through­out 2021. In post-pro­duc­tion is South African-based Trig­ger­fish Stu­dios’ ​“Seal Team” with VIP voic­es J.K. Sim­mons, Dolph Lund­gren, Patrick War­bur­ton, and Kris­ten Schaal for release sec­ond half of 2021. CMG’s slate also includes Katu­ni and A‑Film’s ​“Pan­da Bear in Africa”; ​“Kayara”, a Tunche Film – Toonz Ani­ma­tion Spain co-pro­duc­tion set in the Incan Empire; the Gul­lane Films and Sym­bio­sis Tech­nolo­gies co-pro­duc­tion ​“Noah’s Ark”, and Oscar Wilde’s clas­sic tale ​“The Can­ter­ville Ghost” with Stephen Fry, a Mel­moth Films – Toonz Media Group co-pro­duc­tion. Since 2005, CMG licensed ani­mat­ed fea­tures have grossed over US 400 mil­lion$ at the world­wide box-office.

The CNC par­tic­i­pates in the devel­op­ment of the ani­ma­tion indus­try through sev­er­al sup­port systems.These aim to:• rein­force French cre­ativ­i­ty by pro­vid­ing sup­port for scriptwrit­ing and devel­op­ment for audio­vi­su­al and film projects,• sup­port French ani­ma­tion pro­duc­ers through selec­tive and auto­mat­ic fund­ing sys­tems for TV series, short films and fea­tures,• con­tribute to the pro­mo­tion of French ani­ma­tion in the inter­na­tion­al mar­ket through pro­mo­tion and dis­tri­b­u­tion fund systems.

The CNC par­tic­i­pates in the devel­op­ment of the ani­ma­tion indus­try through sev­er­al sup­port sys­tems. These aim to:

• rein­force French cre­ativ­i­ty by pro­vid­ing sup­port for scriptwrit­ing and devel­op­ment for audio­vi­su­al and film projects,

• sup­port French ani­ma­tion pro­duc­ers through selec­tive and auto­mat­ic fund­ing sys­tems for TV series, short films and features,

• con­tribute to the pro­mo­tion of French ani­ma­tion in the inter­na­tion­al mar­ket through pro­mo­tion and dis­tri­b­u­tion fund systems.

The CNC par­tic­i­pates in the devel­op­ment of the ani­ma­tion indus­try through sev­er­al sup­port systems.These aim to:• rein­force French cre­ativ­i­ty by pro­vid­ing sup­port for scriptwrit­ing and devel­op­ment for audio­vi­su­al and film projects,• sup­port French ani­ma­tion pro­duc­ers through selec­tive and auto­mat­ic fund­ing sys­tems for TV series, short films and fea­tures,• con­tribute to the pro­mo­tion of French ani­ma­tion in the inter­na­tion­al mar­ket through pro­mo­tion and dis­tri­b­u­tion fund systems.

Estab­lished in 1928, Coficiné spe­cialis­es in lend­ing to the media and enter­tain­ment indus­tries. We have par­tic­u­lar exper­tise in film and tele­vi­sion pro­duc­tion finance. Orig­i­nal­ly focused on the French mar­ket, Coficiné has long since diver­si­fied to include the rest of Europe, as well as Cana­da, Aus­tralia, South Africa and the Unit­ed States, with local experts in the Unit­ed King­dom, Italy, Spain, Ger­many and Scandinavia.

Estab­lished in 1928, Coficiné spe­cialis­es in lend­ing to the media and enter­tain­ment indus­tries. We have par­tic­u­lar exper­tise in film and tele­vi­sion pro­duc­tion finance. Orig­i­nal­ly focused on the French mar­ket, Coficiné has long since diver­si­fied to include the rest of Europe, as well as Cana­da, Aus­tralia, South Africa and the Unit­ed States, with local experts in the Unit­ed King­dom, Italy, Spain, Ger­many and Scandinavia.

Com­pa­ny L is a dis­tri­b­u­tion and acqui­si­tion com­pa­ny in Korea since 2008. The com­pa­ny used to release fea­ture films. Recent­ly it start­ed to release sev­er­al ani­ma­tions includ­ing ​‘Ooops!2’ and Japan­ese ani­ma­tions. We keep look­ing for all kinds of com­mer­cial films includ­ing animation.

The Madrid region­al Min­istry of Cul­ture, Tourism and Sport has the mis­sion to pro­mote the region as a loca­tion for audio­vi­su­al pro­duc­tions. Its main objec­tive is to pro­vide sup­port to the audio­vi­su­al industry.

Cul­ture Con­nect is an Agency spe­cial­ized in bring­ing Japan­ese IP for glob­al mar­ket, glob­al ani­ma­tion con­tent dis­tri­b­u­tion for Japan­ese mar­ket, and coor­di­nate Japan and over­seas ani­ma­tion co-pro­duc­tion. Regard­ing Japan­ese IP, Cul­ture Con­nect works on some select­ed beau­ti­ful projects. For glob­al ani­ma­tion con­tent dis­tri­b­u­tion in Japan­ese mar­ket and/​or co-pro­duc­tion with Japan, Cul­ture Con­nect bridges to Major Japan­ese broad­cast­ers, Aggre­ga­tors, Japan­ese Ani­ma­tion Stu­dios, and top toy companies.

The sev­en tele­vi­sion chan­nels of the Czech Tele­vi­sion meet the objec­tives of the pub­lic ser­vice by inform­ing and by con­sis­tent­ly cre­at­ing and broad­cast­ing orig­i­nal pro­grammes for all age groups in the Czech Repub­lic. Cul­ti­vat­ing and draw­ing on its more than six­ty years of expe­ri­ence, the Czech TV pro­duces pro­grammes of superb qual­i­ty and in a rich vari­ety of gen­res. CT:D is kids´channel for chil­dren aged between 4 and 12 offer­ing a vari­ety of orig­i­nal and for­eign content.

EFI is a nation­al foun­da­tion financed main­ly by the Min­istry of Cul­ture and divid­ed in 3 depart­ments: pro­duc­tion, mar­ket­ing and her­itage. EFI is also respon­si­ble of an incen­tive sup­port scheme Film Esto­nia, for pro­duc­tion com­pa­nies for receiv­ing a cash rebate of up to 30% on local pro­duc­tion spend. The main incen­tive of the EFI is to remain approach­able to all film­mak­ers, make Eston­ian film the pride of Eston­ian cul­ture and more com­pet­i­tive on the inter­na­tion­al arena.

Europa Dis­tri­b­u­tion is the asso­ci­a­tion of inde­pen­dent film pub­lish­ers and dis­trib­u­tors, cre­at­ed in 2006. With about 115 lead­ing inde­pen­dent dis­trib­u­tors rep­re­sent­ing 30 coun­tries in Europe and beyond, it acts as a net­work, a think tank and serves as the voice of the sec­tor. The network’s aim is to strength­en the exchange and col­lab­o­ra­tion process between its mem­bers, to improve their skills and the cura­tion, pro­mo­tion and dis­tri­b­u­tion of inde­pen­dent films, includ­ing animation.

Europa Dis­tri­b­u­tion is the asso­ci­a­tion of inde­pen­dent film pub­lish­ers and dis­trib­u­tors, cre­at­ed in 2006. With about 115 lead­ing inde­pen­dent dis­trib­u­tors rep­re­sent­ing 30 coun­tries in Europe and beyond, it acts as a net­work, a think tank and serves as the voice of the sec­tor. The network’s aim is to strength­en the exchange and col­lab­o­ra­tion process between its mem­bers, to improve their skills and the cura­tion, pro­mo­tion and dis­tri­b­u­tion of inde­pen­dent films, includ­ing animation.

Exi­in is an indie game com­pa­ny based in Brus­sels, Strong from its diver­si­ty our team loves telling com­pelling sto­ries with amaz­ing ani­ma­tions and appar­ent light­heart­ed tones but deep meaning.

We’re expe­ri­enced at releas­ing games on phys­i­cal sup­ports and dig­i­tal, man­ag­ing a project over a mil­lion euros and pro­duc­ing hours of voiced cutscenes. We cur­rent­ly devel­op our new IP and at the same time we’re also want to increase our reach into the ani­ma­tion industry.

FairSquare Comics was cre­at­ed in June 2019 to devel­op, pub­lish and dis­trib­ute orig­i­nal com­ic books and graph­ic nov­els. FairSquare Comics‘ mis­sion state­ment is to pro­mote and give more expo­sure to immi­grants, minori­ties and under-rep­re­sent­ed cre­ators of the world; an objec­tive empha­sized in our company’s mantra:

“Comics from the rest of us”

Fam­i­ly Films is a sales, pro­duc­tion and dis­tri­b­u­tion com­pa­ny for fea­ture films, TV movies, TV series and doc­u­men­taries in France and abroad, and has been present at mar­kets and fes­ti­vals such as MIP TV, MIP Com, AFM, EFM and the Cannes Fes­ti­val since 1994.

Film con­stel­la­tion is a pro­duc­tion, finance and sales com­pa­ny head­quar­tered in Lon­don. The com­pa­ny builds on a track record for grow­ing award-win­ning film­mak­er brands work­ing with new and estab­lished tal­ent, fos­ter­ing strong pro­duc­er ties across both sides of the Atlantic. Since incep­tion in 2016, the com­pa­ny has pack­aged, pro­duced and sold over 30 com­mer­cial­ly and crit­i­cal­ly acclaimed films and doc­u­men­taries, pre­mier­ing at A class fes­ti­vals includ­ing Cannes, Venice, Toron­to, Sun­dance and Berlin.

FIL­MAR­TI is one of the major inde­pen­dent dis­trib­u­tor for pre­mi­um ani­ma­tion con­tents for the­atri­cal and VOD releases.

Some of our ani­ma­tion titles include, NUT JOB2, NORM OF THE NORTH sequels, YAKARI, AROUND THE WORLD, OOOPS, AIN­BO, DREAM­BUILDERS and many more. We have a cre­ative, dynam­ic and inno­v­a­tive team who seeks to bring the audi­ence togeth­er with the most qual­i­fied prod­ucts of the ani­ma­tion world.

Film­Fo­cus inde­pen­dent and Gen­tofte Kino, deales in dis­tri­b­u­tion, sales, acqui­si­tion, even­tiz­ing, mar­ket­ing, and launch­ing of films. The Com­pa­ny also owns a major Dan­ish Cinema.

Filmin­vest is a Nor­we­gian region­al film fund that sup­ports and invests in devel­op­ment and pro­duc­tion of fea­ture films, tele­vi­sion dra­ma and games asso­ci­at­ed with the regions Trøn­de­lag and Inn­lan­det. For­eign pro­duc­ers must have a co-pro­duc­tion agree­ment with a region­al pro­duc­er to be eli­gi­ble for sup­port and invest­ments. Appli­ca­tions must be sub­mit­ted by the region­al co-producer.

YLE is the #1 mul­ti-plat­form des­ti­na­tion for Finnish kids. It trans­mits annu­al­ly over 1200 hours of children’s con­tent for a 0- to 12-year-olds audi­ence on lin­ear TV, FVoD ser­vice YLE Areena and YLE’s add-free YouTube Chan­nels. I am look­ing for con­tent that rep­re­sents the diverse and mod­ern world which we live in. The con­cepts should be dri­ven social-emo­tion­al­ly and fea­ture aspi­ra­tional and relat­able char­ac­ters. Above all the con­tent should endorse the kids to enjoy life in a big and small ways.

The Finnish Film Foun­da­tion sup­ports and pro­motes the Finnish film indus­try. We give fund­ing to pro­fes­sion­al film pro­duc­tion and the exhi­bi­tion and dis­tri­b­u­tion of films. We are also respon­si­ble for the cul­tur­al export of Finnish films and pro­vide sup­port for their inter­na­tion­al promotion.

Flins y Pinícu­las was cre­ate in 2000, as an inde­pen­dent movie dis­tri­b­u­tion com­pa­ny for every movie we think that it has something.

We do cinema/​DVD/​platforms and all broad­cast media dis­tri­b­u­tion for fam­i­ly and ani­ma­tion movies.

Focus is a lead­ing VideoGame Pub­lish­er of inno­v­a­tive and unique games, with a diver­si­fied port­fo­lio of orig­i­nal titles like A Plague Tale: Inno­cence, Call of Cthul­hu, SnowRun­ner, Greed­Fall, Curse of the Dead God, Hard­space Ship­break­er, Shady Part of Me, Dordogne, …

Look­ing for inno­v­a­tive games and IP, with very unique takes, on game­play, Art Direc­tion, inten­tions and team.

No VR, no Mobile, No Ser­vice, Out­sourc­ing, Codev, etc.

The Sardeg­na Film Com­mis­sion Foun­da­tion is the non-prof­it organ­i­sa­tion estab­lished by the Sar­din­ian Region to attract nation­al and inter­na­tion­al film and TV pro­duc­tions, to pro­mote Sar­dinia with its tal­ents, its spec­tac­u­lar loca­tions, its unique cul­tur­al her­itage and his­to­ry. From 2014, the Foun­da­tion has devel­oped a green pol­i­cy for all audio­vi­su­al pro­duc­tion shot in the island, includ­ing incen­tives for green set pro­to­col appli­ca­tion and grants for sus­tain­able practices.

The Sardeg­na Film Com­mis­sion Foun­da­tion is the non-prof­it organ­i­sa­tion estab­lished by the Sar­din­ian Region to attract nation­al and inter­na­tion­al film and TV pro­duc­tions, to pro­mote Sar­dinia with its tal­ents, its spec­tac­u­lar loca­tions, its unique cul­tur­al her­itage and his­to­ry. From 2014, the Foun­da­tion has devel­oped a green pol­i­cy for all audio­vi­su­al pro­duc­tion shot in the island, includ­ing incen­tives for green set pro­to­col appli­ca­tion and grants for sus­tain­able practices.

As part of its pol­i­cy of inno­va­tion and diver­si­fi­ca­tion, France Télévi­sions co-pro­duces one-off ani­mat­ed films for chil­dren and fam­i­lies. These spe­cials imag­i­na­tive­ly designed and with par­tic­u­lar atten­tion paid to the writ­ing are main­ly come­dies. France Télévi­sions also par­tic­i­pates in fea­ture film pro­duc­tion via its sub­sidiaries France 2 and France 3 Cinéma.

As part of its pol­i­cy of inno­va­tion and diver­si­fi­ca­tion, France Télévi­sions co-pro­duces one-off ani­mat­ed films for chil­dren and fam­i­lies. These spe­cials imag­i­na­tive­ly designed and with par­tic­u­lar atten­tion paid to the writ­ing are main­ly come­dies. France Télévi­sions also par­tic­i­pates in fea­ture film pro­duc­tion via its sub­sidiaries France 2 and France 3 Cinéma.

As part of its pol­i­cy of inno­va­tion and diver­si­fi­ca­tion, France Télévi­sions co-pro­duces one-off ani­mat­ed films for chil­dren and fam­i­lies. These spe­cials imag­i­na­tive­ly designed and with par­tic­u­lar atten­tion paid to the writ­ing are main­ly come­dies. France Télévi­sions also par­tic­i­pates in fea­ture film pro­duc­tion via its sub­sidiaries France 2 and France 3 Cinéma.

Cre­at­ed in 1974, Futur­opo­lis joined the Madri­gall Group in 1988. It pub­lish­es about 40 graphic

nov­els a year and has now more than 500 titles in its cat­a­logue. Sev­er­al graph­ic nov­els from

its cat­a­logue have been optionned late­ly both for TV and fea­ture film adap­ta­tions both in France

and in the U.S.

G4F Group is one of the lead­ing com­pa­nies in sound pro­duc­tion for games in Europe, but we also work on ani­ma­tion series! 

We offer sound & music pro­duc­tion ser­vices, voice record­ing & local­iza­tion (cov­er­ing 30 lan­guages), OST pub­lish­ing, World­wide dis­tri­b­u­tion, and PR.

The dis­tri­b­u­tion com­pa­ny was found­ed in Sep­tem­ber 1997 by Marc Bon­ny and is Hildegarde’s prop­er­ty (Regi­nal de Guille­bon) since 2018. With a main goal, releas­ing long and short movies on French ter­ri­to­ry: the­atri­cal, video/​DVD and TV rights. 

Pol­i­cy : High qual­i­ty films, main­ly for young audi­ence (ani­ma­tion or fic­tion). Gebe­ka Films has also devel­oped a co-pro­duc­tion activ­i­ty with Princes et princess­es (M. Ocelot) in the 1^st place, and late­ly with well-award­ed My Life As a Zuc­chi­ni (C. Barras).

GKIDS is a US-based inde­pen­dent dis­trib­u­tor and pro­duc­er of award-win­ning enter­tain­ment spe­cial­iz­ing in fea­ture ani­ma­tion for both adult and fam­i­ly audi­ences. The com­pa­ny has scored twelve Acad­e­my Award nom­i­na­tions for Best Ani­mat­ed Fea­ture, and served as Exec­u­tive Pro­duc­ers on the Acad­e­my Award-nom­i­nat­ed films The Bread­win­ner and Wolfwalk­ers. They cur­rent­ly have sev­er­al projects in development.

Glob­al Screen is the world sales unit of TELE­POOL, a lead­ing enter­tain­ment com­pa­ny with more than 55 years of expe­ri­ence in licens­ing, dis­trib­ut­ing and co-pro­duc­ing film and tele­vi­sion. In June 2018, actor and pro­duc­er, Will Smith and Swiss invest­ment com­pa­ny, Elysian Fields AG, joint­ly acquired TELE­POOL, which has since become strate­gi­cal­ly aligned with Will and Jada Pin­kett Smith’s cross-plat­form media enter­prise, WEST­BROOK Inc.

Haut et Court is an inde­pen­dent pro­duc­tion and dis­tri­b­u­tion com­pa­ny based in Paris, France.
Our line up usu­al­ly con­sists of 8 to 10 films per year, among which at least one ani­ma­tion film : we recent­ly released Wolfwalk­ers by Tomm Moore and Ross Stu­ar­tand are co pro­duc­ing Sauvages ! by Claude Barras.

Hiventy’s head office is locat­ed in Paris (France) and the firm has become a major inter­na­tion­al play­er in audio­vi­su­al tech­ni­cal ser­vices. It offers a full range of high-end solu­tions in all areas of the audio­vi­su­al and cin­e­ma indus­tries: post-pro­duc­tion & restora­tion; sub­ti­tling, dub­bing & acces­si­bil­i­ty; dis­tri­b­u­tion in all for­mats. With over 35 years of expe­ri­ence in France, Hiven­ty now has an inter­na­tion­al net­work with loca­tions in Africa, Asia and Poland.

I Won­der Pic­tures, with the the­atri­cal pres­ence, the online plat­form IWON​DER​FULL​.it and the IWON­DER­FULL Prime Video Chan­nel, dis­trib­utes some of the most com­pelling and excit­ing life sto­ries and ani­ma­tion mas­ter­pieces from all over the world, such as the win­ner of EFA 2018 and 33^rd Goya Awards ANOTH­ER DAY OF LIFE, LOUISE EN HIV­ER by Jean-François Laguion­ie, and the Oscar Nom­i­nat­ed FLEE by Jonas Poher Rasmussen.

Our mis­sion is to pro­mote the inter­na­tion­al­iza­tion of Span­ish com­pa­nies and to encour­age for­eign invest­ments in Spain.

Ill­mat­ic Film Group is a new­ly estab­lished pro­duc­tion com­pa­ny and sales agency based in Rome. Our focus is on high qual­i­ty films with broad inter­na­tion­al appeal.

Script con­sult­ing and film val­ue opti­mis­ing is the core busi­ness of Inter­na­tion­al Script & Sales. ISSC helps to cre­ate fea­ture films for inter­na­tion­al dis­tri­b­u­tion. In addi­tion to script, sales and mar­ket­ing ser­vices, ISSC aims to become a pro­duc­er-dis­trib­u­tor for qual­i­ty fea­ture and ani­ma­tion films with a strong human and emo­tion­al impact.

Sup­port­ed by local Gov­ern­ment, Invest in Bor­deaux sup­ports com­pa­nies set­ting up, expand­ing and relo­cat­ing in the Bor­deaux Region. Our ser­vices include:

• Project analy­sis & strate­gic advice.

• Infor­ma­tion & eco­nom­ic data.

• Iden­ti­fi­ca­tion of prop­er­ty solutions.

• Reg­u­la­tions, tax­a­tion & assis­tance in find­ing financ­ing solutions.

• Sup­port for recruit­ment, train­ing ini­tia­tives & mobil­i­ty of employees.

• Busi­ness & local integration.

New com­pa­ny J&J Films focussing on art-house prod­uct and consulting/​sales for M&N Media Group in Hilversum

Jour2Fête is a Paris based com­pa­ny set up in 2006 by Sarah Chazelle and Eti­enne Ollagnier, start­ed as a nation­al dis­trib­u­tor of fic­tions and fea­ture length doc­u­men­taries and has since then released 130 films the­atri­cal­ly, and in video/​vod/​tv/​svod. In 2012, Jour2Fête opened an inter­na­tion­al sales depart­ment. In 2020 Jour2Fête is rebrand­ing the merged sales oper­a­tions of its recent acqui­si­tion Doc & Film Inter­na­tion­al and in-house sales team under the ban­ner of The Par­ty Film Sales.

Just4Kids is a dis­tri­b­u­tion com­pa­ny in the Benelux. And has dis­trib­uted hun­dreds of kids movies in the Nether­lands and Bel­gium on all dif­fer­ent platforms.

The last years ani­ma­tion is get­ting more impor­tant. We dis­trib­uted The Snow Queen, Cat­tle Hill, Ploey, Richard the stork, Check­ered Nin­ja and Ooops 2.

Just4Kids pro­duces also books, boardgames and cre­at­ed the Very Hun­gry cater­pil­lar theatershow.

Kid­jo is a kid­safe cer­ti­fied SVoD plat­form designed for chil­dren 2 to 7. Kid­jo was cre­at­ed by & for busy par­ents who want their kids to spend qual­i­ty screen time. 

Main fea­tures include a very intu­itive UI, +2500 videos (songs, tuto­ri­als, car­toons…), many parental con­trols & an ad-free environment.

Kino Świat has been no. 1 inde­pen­dent dis­trib­u­tor for the last 13 years, and the largest dis­trib­u­tor on the Pol­ish mar­ket for 4 years. Our main inter­est is: stu­dio-like, com­mer­cial, high-qual­i­ty fam­i­ly ani­ma­tion, stereo­scop­ic 3D ani­ma­tion. Recent releas­es: ​“Ain­bo: Spir­it of the Ama­zon”, ​“The Wish­mas Tree”, ​“Red Shoes & the 7 Dwarfs”, ​“The Lit­tle Prince”, ​“Play­mo­bil: the Movie”, ​“Minus­cule”, ​“Aster­ix: Secret of the Mag­ic Potion”, ​“White Fang”, ​“Charm­ing”, ​“Manou the Swift”, ​“Rock Dog”.

KissKiss­BankBank is Europe’s lead­ing crowd­fund­ing plat­form ded­i­cat­ed to inter­na­tion­al, inno­v­a­tive & cre­ative projects.KissKissBankBank allows cre­ators to gen­er­ate funds via pub­lic par­tic­i­pa­tion in order to finance the projects they believe in, with a tool that allows them to main­tain 100% intel­lec­tu­al prop­er­ty rights.

With +11 mil­lion € already col­lect­ed for 2 050 movies (short and fea­ture-length films): KissKiss­BankBank is an opti­mism generator!

KMBO is a dis­tri­b­u­tion and pro­duc­tion com­pa­ny based in Paris (France). Our last releas­es in cin­e­ma are : 

- The Elfkins

- Star­dog and Turbocat

- Stinky dog

- Dream­builders

- Lat­te and the mag­ic waterstone

Le Pacte, cre­at­ed in Decem­ber 2007, is an inde­pen­dent dis­tri­b­u­tion, inter­na­tion­al sales and video pub­lish­ing com­pa­ny that pro­motes an eclec­tic pro­gram of French and inter­na­tion­al films of all genres.

Le Pacte, cre­at­ed in Decem­ber 2007, is an inde­pen­dent dis­tri­b­u­tion, inter­na­tion­al sales and video pub­lish­ing com­pa­ny that pro­motes an eclec­tic pro­gram of French and inter­na­tion­al films of all genres.

Le Parc Dis­tri­b­u­tion is the dis­tri­b­u­tion activ­i­ty of Les Grig­noux asbl, a cul­tur­al cen­ter locat­ed in the city cen­ter of Liège, in French speak­ing Bel­gium. Les Grig­noux owns four the­aters (three in Liège, one in Namur), two restau­rants and one café. As for the dis­tri­b­u­tion, we release around 12 films a year, main­ly ani­mat­ed films for tod­dlers and a young audi­ence. We recent­ly realesed Wolfwalk­ers, Grandir c’est chou­ette !, Le Noël de Petit Lièvre brun, La Baleine et l’Escar­gote, Calami­ty, etc.

Les Films du Préau is a French Dis­tri­b­u­tion com­pa­ny spe­cialised in kids audi­ence for more than 20 years. Fea­ture films, ani­ma­tion films, pro­grammes of shorts…, we want to pro­pose to young peo­ple high qual­i­ty films from Europe or all over the word.

Lion Forge strives to pub­lish comics for every­one to enjoy, regard­less of gen­der iden­ti­ty, eth­nic­i­ty, or cul­tur­al back­ground. Across mul­ti­ple imprints and for­mats that include licensed prop­er­ties like Dream­Works Voltron Leg­endary Defend­er, orig­i­nal works from top inde­pen­dent cre­ators, and the orig­i­nal and all-inclu­sive Cat­a­lyst Prime super­hero uni­verse, Lion Forge pub­lish­es some­thing for every lev­el of com­ic book fan, young and old. Lion Forge — Comics for Everyone.

LOOPS Cre­ative Stu­dio is a young 3^d com­pa­ny, based in Angouleme in France, using real time and open source tech­nolo­gies, aim­ing to improve cre­ativ­i­ty , pro­duc­tiv­i­ty and reduc­ing our eco­log­i­cal footprint.

LOOPS Cre­ative Stu­dio is a young 3^d com­pa­ny, based in Angouleme in France, using real time and open source tech­nolo­gies, aim­ing to improve cre­ativ­i­ty , pro­duc­tiv­i­ty and reduc­ing our eco­log­i­cal footprint.

Luftkind’s mis­sion is to engage young audi­ences in

cin­e­ma, art, and cul­ture by pro­vid­ing them with access

to sto­ries that are both age-appro­pri­ate and challenging

through ani­mat­ed films – in all their diverse and creative

forms.

Pro­duc­tion Post pro­duc­tion Dub­bing Sub­ti­tling facil­i­ties based in France.

We Are A Lead­ing Provider Of Local­iza­tion And Dig­i­tal Dis­tri­b­u­tion Ser­vices To The Tele­vi­sion And Film Indus­tries. Lylo Is A One Stop Shop Solu­tion Whether You Need Dub­bing, Voice Over, Sub­ti­tling, Audio-Descrip­tion Or HOH. We Pro­vide These Ser­vices In A Rapid­ly Grow­ing Num­ber Of Lan­guages. Thanks To Our Cloud-Based Dis­trib­ut­ing Plat­form And Our Inno­v­a­tive And Pro­pri­etary Tools, Lylo Ensures That Your Con­tent Is In A High­ly Secure Envi­ron­ment Sur­pass­ing MPAA Standards

MAG­IC FAIR is an inter­na­tion­al sales/​production com­pa­ny that spe­cial­izes in high-qual­i­ty fam­i­ly enter­tain­ment, female-dri­ven movies and inspi­ra­tional stories.

The pur­pose of our com­pa­ny is to give pro­duc­ers an oppor­tu­ni­ty to explore the inter­na­tion­al poten­tial of their project at the full extent and to be grant­ed with a deserved com­pre­hen­sive and ful­ly ded­i­cat­ed approach where their film will be pro­mot­ed inter­na­tion­al­ly in a cus­tomised way, with our max­i­mum atten­tion and per­son­al care.

Cre­at­ed in 2001, Metaboli is a pio­neer in dig­i­tal dis­tri­b­u­tion, and is at the ori­gin of the first dema­te­ri­alised video game ser­vices in the world.

With Game​s​plan​et​.com, a site present in France, Ger­many, Eng­land and the Unit­ed States, Metaboli offers an expe­ri­enced and inde­pen­dent ser­vice for down­load­ing video games from the Internet.

The plat­form offers a very exten­sive cat­a­logue of PC games, result­ing from offi­cial agree­ments with the largest inter­na­tion­al stu­dios and publishers.

Edi­tions Nathan, pub­lish­er of chil­dren’s books for 130 years.

A fam­i­ly busi­ness that has become one of the ref­er­ence hous­es of the Edi­tis Group, Edi­tions Nathan offers a very large range of books: books for tod­dlers, from birth to first steps, chil­dren’s pic­ture books and tales, non fic­tion titles and lit­er­a­ture in all its forms in paper­back or large-for­mat nov­els, from ear­ly read­ers to teenagers and YA.

The Nether­lands Film Fund sup­ports film pro­duc­tion and film relat­ed activ­i­ties. The Fund offers selec­tive sup­port schemes on pro­duc­tion & dis­tri­b­u­tion for minor­i­ty co-pro­duc­tions and runs the incen­tive, offer­ing up to 35% cash rebate on pro­duc­tion costs spent in Netherlands.

Fund­ing — net­work­ing — devel­op­ing! These terms essen­tial­ly sum up the core activ­i­ties of nord­me­dia. In its role as the cen­tral media fund­ing organ­i­sa­tion for Low­er Sax­ony and Bre­men, nord­me­dia has shaped the con­sol­i­da­tion and devel­op­ment of the media branch in both of these North Ger­man states since 2001. With regard to film and media fund­ing, this is struc­tured, organ­ised and super­vised accord­ing to cul­tur­al-eco­nom­ic criteria.

Norsk filmdis­tribusjon (NFD) is Nor­ways largest and old­est inde­pen­dent dis­trib­u­tor of Nor­we­gian film.

Norsk filmdis­tribusjon (NFD) is Nor­ways largest and old­est inde­pen­dent dis­trib­u­tor of Nor­we­gian film.

We oper­ate under the author­i­ty of the Min­istry of Cul­ture as their exec­u­tive body in the film sec­tor and advi­sor on film pol­i­cy issues.

Our annu­al bud­get amounts to NOK 625 mil­lion (EUR 66 mil­lion) avail­able for film devel­op­ment, pro­duc­tion, pro­mo­tion and dis­tri­b­u­tion sup­port. NFI employs 87 peo­ple and have offices in Oslo and Bergen.

OCS is a french pay tv play­er. As such, OCS finance and buy arount 1000 movies a year includ­ing ani­ma­tion movies.

Odin’s Eye Enter­tain­ment (OEE) is a ver­ti­cal­ly inte­grat­ed Pro­duc­tion, Dis­tri­b­u­tion and Inter­na­tion­al Sales Agency that spe­cial­izes in work­ing with emerg­ing and estab­lished film­mak­ers across a wide vari­ety of gen­res. Com­menc­ing in 2012, sis­ter com­pa­ny Odin’s Eye Ani­ma­tion (OEA) cre­ates and sources orig­i­nal and exist­ing IP for devel­op­ing and pro­duc­ing the­atri­cal qual­i­ty ani­ma­tion con­tent for inter­na­tion­al sale.

Born in 1989, Out­sider Dif­fu­sion was one of the first indépen­dant com­pa­nies to release japan­ese ani­mé in France. Over the years, Out­sider has devel­oped activ­i­ties in con­sult­ing, acqui­si­tion and book­ing of movie theaters.

Out­sider Films Ltd, is a films dis­trib­u­tor cre­at­ed by three long stand­ing pro­fes­sion­als in the Por­tuguese mar­ket, based in Lis­bon. It oper­ates in the seg­ment of inde­pen­dent movies. Out­sider Films is now releas­ing 14 to 16 films per year with a spe­cial focus on ani­ma­tion. Last ani­mat­ed movies released in the last 4 years. The Nut Job 2, Lov­ing Vin­cent, Duck Duck Goose, Mirai, Mary & the Witch´s Flower,Breadwinner, Cats and Peach­topia, Ear­wig & the Witch and Check­ered Nin­ja 1

Paul Thilt­ges Dis­tri­b­u­tions (PTD) is a Lux­em­bourg based film pro­duc­tion and world sales com­pa­ny found­ed in 1993 by Paul Thilt­ges and joint­ly run with Adrien Chef. Col­lab­o­rat­ing with a large range of inter­na­tion­al part­ners, the PTD team has built up a con­sid­er­able net­work, allow­ing it to ini­ti­ate projects or par­tic­i­pate in ven­tures on a world­wide scale as pro­duc­er, co-pro­duc­er or sales agent.

Pic­ture Tree Inter­na­tion­al (PTI) is an ener­getic and fast-grow­ing world sales com­pa­ny with its head­quar­ters in Berlin. The core busi­ness is world­wide licens­ing across all plat­forms, with the com­pa­ny main­tain­ing a pres­ence at all the major film and tele­vi­sion markets.

Pink Par­rot Media is an inter­na­tion­al sales com­pa­ny that spe­cial­izes in ani­ma­tion and live-action fam­i­ly enter­tain­ment. The com­pa­ny is active in dis­tri­b­u­tion, acqui­si­tions, pack­ag­ing and financ­ing projects as well as co-pro­duc­tion oppor­tu­ni­ties. Our main focus is high qual­i­ty CGI ani­ma­tion fea­ture films with a strong sto­ry telling ele­ment, but we are also very keen on good and high qual­i­ty 2D ani­ma­tion fea­ture length projects, as well as ani­mat­ed TV series.

Play­time is a Paris-based inter­na­tion­al sales com­pa­ny active since 1997, also active in pro­duc­tion of fea­ture films and series.

Each year, Play­time launch­es approx­i­mate­ly 15 new films in the most pres­ti­gious fes­ti­vals. Play­time is known for the qual­i­ty of its artis­tic choic­es and world­wide suc­cess­es such as MER­RY CHRIST­MAS, C.R.A.Z.Y., COCO BEFORE CHANEL, SON OF SAUL, FRANTZ, BPM or the lat­est PARIS 13TH DIS­TRICT, includ­ing ani­ma­tion titles like LOUISE BY THE SHORE or A CAT IN PARIS.

Poly­film is an Aus­tri­an based dis­tri­b­u­tion com­pa­ny, in the busi­ness since 1980s. Focused on art­house films, doc­umetarys and ani­ma­tion. The com­pa­ny also runs two art­house the­atres in Vien­na, the Film­casi­no and Filmhaus Kino.

Pul­sar con­tent is an inter­na­tion­al sales and co-pro­duc­tion com­pa­ny pro­mot­ing a vari­ety of sin­gu­lar films. With a lim­it­ed num­ber of titles per year, we ded­i­cate our full atten­tion and exper­tise to all of them, enhanc­ing fes­ti­val expo­sure and devel­op­ing a strong focus on inno­v­a­tive mar­ket­ing, to facil­i­tate the work of dis­trib­u­tors. As part of the Log­i­cal Pic­tures fam­i­ly, we are cre­at­ing a « home for tal­ent », and bring­ing solu­tions to each step of the cre­ation and dis­tri­b­u­tion processes.

Pul­sar con­tent is an inter­na­tion­al sales and co-pro­duc­tion com­pa­ny pro­mot­ing a vari­ety of sin­gu­lar films. With a lim­it­ed num­ber of titles per year, we ded­i­cate our full atten­tion and exper­tise to all of them, enhanc­ing fes­ti­val expo­sure and devel­op­ing a strong focus on inno­v­a­tive mar­ket­ing, to facil­i­tate the work of dis­trib­u­tors. As part of the Log­i­cal Pic­tures fam­i­ly, we are cre­at­ing a « home for tal­ent », and bring­ing solu­tions to each step of the cre­ation and dis­tri­b­u­tion processes.

Tele­visión Españo­la is the nation­al state-owned pub­lic-ser­vice tele­vi­sion broad­cast­er in Spain.

The Nou­velle-Aquitaine Region, first cin­e­ma sup­port fund for ani­ma­tion films with more than 3 mil­lions € per year. Along with Mage­lis, the lead­ing Euro­pean image cen­ter with more than 16 schools spe­cial­iz­ing in ani­ma­tion, the Nou­velle-Aquitaine region iden­ti­fies and accom­pa­nies each year the new ani­ma­tion tal­ents. Proof are the 5 Césars award­ed the last 5 years.

The Nou­velle-Aquitaine Region, first cin­e­ma sup­port fund for ani­ma­tion films with more than 3 mil­lions € per year. Along with Mage­lis, the lead­ing Euro­pean image cen­ter with more than 16 schools spe­cial­iz­ing in ani­ma­tion, the Nou­velle-Aquitaine region iden­ti­fies and accom­pa­nies each year the new ani­ma­tion tal­ents. Proof are the 5 Césars award­ed the last 5 years.

The Nou­velle-Aquitaine Region, first cin­e­ma sup­port fund for ani­ma­tion films with more than 3 mil­lions € per year. Along with Mage­lis, the lead­ing Euro­pean image cen­ter with more than 16 schools spe­cial­iz­ing in ani­ma­tion, the Nou­velle-Aquitaine region iden­ti­fies and accom­pa­nies each year the new ani­ma­tion tal­ents. Proof are the 5 Césars award­ed the last 5 years.

The Occ­i­tanie Region aims to max­i­mize the cul­tur­al, edu­ca­tion­al and eco­nom­ic ben­e­fits of the cin­e­ma and audio­vi­su­al indus­try on its ter­ri­to­ry. The Occ­i­tanie Region sup­ports screen­writ­ers and pro­duc­ers with finan­cial aid for devel­op­ment and pro­duc­tion and pro­motes the audio­vi­su­al sec­tor, in par­tic­u­lar through the Occ­i­tanie Films agency, in order to strength­en poles of activ­i­ty reflect­ing its artis­tic and eco­nom­ic diver­si­ty. This approach also includes rais­ing pub­lic aware­ness through a film edu­ca­tion and film con­ser­va­tion pro­gram with the sup­port of the Toulouse Ciné­math­èque and the Jean Vigo Institute.

The Provence-Alpes-Côte d’Azur Region has been sup­port­ing ani­ma­tion since 2010. We pro­vide grants for fea­ture films, short films and films or series for tele­vi­sion at the writ­ing, devel­op­ment and pro­duc­tion stages.

Now with a bud­get of one mil­lion euros, the region­al sup­port fund for ani­ma­tion has fund­ed 77 projects over the past 11 years.

Pro­duced in one of the 13 region­al stu­dios or by com­pa­nies that have cho­sen to set­tle in the region, these projects have cre­at­ed a dynam­ic ecosystem.

It pro­motes Roma and Lazio region’s resources for the audio­vi­su­al sec­tor, assists nation­al and inter­na­tion­al pro­duc­tions, offers loca­tion scout­ing sup­port. It sup­ports copro­duc­tion devel­op­ment and offers guid­ance on Lazio region’s funds. It is a mem­ber of the net­works IFC, EUFCN Film­ing Europe, AFCI and CineRegio.

RTBF co-pro­duces ani­mat­ed series and indi­vid­ual pro­grammes root­ed in Belgium’s art and lit­er­a­ture; it also pays par­tic­u­lar atten­tion to projects that stand out for their aes­thet­ic char­ac­ter. These pro­grammes must be pro­duced or co-pro­duced by inde­pen­dent Bel­gian com­pa­nies. In terms of acqui­si­tions, RTBF con­cen­trates on inno­v­a­tive con­tem­po­rary Euro­pean ani­mat­ed series for chil­dren aged 8 to 10. RTBF also intends to explore Euro­pean and inter­na­tion­al fic­tion aimed at 10 – 15 and at 15 – 18-year-olds.

Russ­ian Report is an inde­pen­dent theatrical,TV and VOD dis­trib­u­tor in Rus­sia, the CIS and Baltics, we’ve been on the mar­ket for 30 years. Work­ing with the lead­ing inter­na­tion­al com­pa­nies such as Wild Bunch, The Match Fac­to­ry, Stu­dio Canal, Embanke­ment, Fil­max, Glob­al Screen, we have a film cat­a­logue which con­tains more than 300 films and ani­ma­tion titles.

As the nation­al agency for the Irish film, tele­vi­sion dra­ma, ani­ma­tion and doc­u­men­tary indus­try, Screen Ire­land is the cre­ative part­ner to the sec­tor, invest­ing in tal­ent, cre­ativ­i­ty and enterprise.

IPTV lin­ear chan­nel and VOD service

SND is the film dis­tri­b­u­tion sub­sidiary of the M6 Group, one of the lead­ing TV net­works in Europe. SND han­dles film dis­tri­b­u­tion, video pub­lish­ing, inter­na­tion­al sales and film pro­duc­tion. Ani­ma­tion high­lights include ​“Aster­ix, Land of the Gods”, ​“The Jun­gle Bunch”, ​“Aster­ix and The Secret of the Mag­ic Potion”, and recent­ly ​“The Extinct” and ​“Pil”.

SO Games is born from the merge of Angoulême Video Games and Bor­deaux Games, cre­at­ing the main gath­er­ing of the video game sec­tor in Nouvelle-Aquitaine.

The asso­ci­a­tion gath­ers 1000 full time jobs, 100M€ worth of busi­ness in 100 stu­dios. Among the famous mem­bers: Asobo Stu­dio, Ubisoft Bor­deaux, Shi­ro Games, Motion Twin, Nova-Box, Head­bang Club, Black Flag, La Poule Noire, Evil Empire, Game­s­plan­et, G4F, and many more.

Bor­deaux Games is a clus­ter ded­i­cat­ed to inde­pen­dent video games com­pa­nies from Bor­deaux and its area (South West of France).

• Strength­en net­work­ing and mutu­al­ize R&D efforts for mem­bers companies.

• Pro­mote Aquitaine’s stu­dios vis­i­bil­i­ty nation­al­ly and internationally.

• Com­ple­men­tary know-how inde­pen­dent stu­dios, edi­tors, ser­vices, mid­dle­wares and freelancers.

• Wide range of activ­i­ties consoles/​pc/​online/​mobile videogames.

Soar­ing Pen­guin Press is an Eis­ner & Ignatz Award-nom­i­nat­ed graph­ic nov­el pub­lish­er, pub­lish­ing renowned cre­ators from across the world (includ­ing UK, Cana­da, France, Swe­den, Ukraine & Israel) for near­ly 25 years. Titles include Breaks 1 & 2 by Emma Vieceli & Malin Ryden, Notes by Boulet, The Bad Bad Place by David Hine & Mark Stafford, The Glass Wall by William Robert­son & Yulia Lupako, the anthol­o­gy Break­through: Our Time, Ilana Zeffren’s Urban Tails & the acclaimed anthol­o­gy Meanwhile…

One of the lead­ing inter­na­tion­al Sales Agent, Sola Media has since 2004 brought some of the most beloved chil­dren and fam­i­ly films to a glob­al mar­ket­place. The pas­sion­ate and expe­ri­enced team devote a lot of indi­vid­ual atten­tion to our films; devel­op­ing cus­tomised strate­gies and pre­sent­ing them promi­nent­ly at mar­kets and fes­ti­vals. Releas­es and mar­ket­ing strate­gies are coor­di­nat­ed on a pan-Euro­pean and glob­al lev­el. Since August 2020, Sola Media is apart of Koch Films, but remains independent.

Sol­i­dAn­im is a 3D ani­ma­tion stu­dio based in Angouleme and Bor­deaux, we are a movie pro­duc­er and provider of motion cap­ture, VFX and 3D ani­ma­tion ser­vices. The com­pa­ny oper­ates in var­i­ous mar­kets: TV series, fea­ture films in ani­ma­tion and games. Our lat­est projects were: ​“White­fang”, an ani­ma­tion movie pro­duced by Super­prod, ​“TaraDun­can”, A 52-episodes ani­mat­ed-TV serie of pro­duced by Princess­SAM pro­duc­tion, ​“Notre Dame à l’Epreuve des Siè­cles”, a ani­mat­ed doc­u­men­tary pro­duced by Program33.

Sol­i­dAn­im is a 3D ani­ma­tion stu­dio based in Angouleme and Bor­deaux, we are a movie pro­duc­er and provider of motion cap­ture, VFX and 3D ani­ma­tion ser­vices. The com­pa­ny oper­ates in var­i­ous mar­kets: TV series, fea­ture films in ani­ma­tion and games. Our lat­est projects were: ​“White­fang”, an ani­ma­tion movie pro­duced by Super­prod, ​“TaraDun­can”, A 52-episodes ani­mat­ed-TV serie of pro­duced by Princess­SAM pro­duc­tion, ​“Notre Dame à l’Epreuve des Siè­cles”, a ani­mat­ed doc­u­men­tary pro­duced by Program33.

Stu­dio 100 Film is an inter­na­tion­al, inde­pen­dent sales agency for upmar­ket children’s and fam­i­ly movies. The Munich-based com­pa­ny is sub­sidiary of Stu­dio 100 Media and dis­trib­utes Stu­dio 100 Media’s ani­ma­tion fea­ture films such as ​“Maya the Bee – First Flight”. Besides it acts as sales agency for select­ed third par­ty films. Stu­dio 100 Film’s focus is to rep­re­sent a well-cho­sen port­fo­lio of films inter­na­tion­al­ly with the due attentiveness

SUPER RTL is the lead­ing TV chan­nel and con­tent provider for kids in Ger­many and part of RTL Deutsch­land with near­ly 27 years of kids exper­tise. Under its two umbrel­la brands Tog­goli­no and Tog­go, the chan­nel is aimed at chil­dren aged 2 to 13 dur­ing day­time. SUPER RTL pur­sues a broad mul­ti­me­dia strat­e­gy and oper­ates two Free to air chan­nels, SVOD and AVOD offer­ings, web­sites, games & apps, a radio chan­nel (Tog­go Radio), a year­ly live road show and its own CP agency,

Tele­pool dis­trib­utes and mar­kets inter­na­tion­al cin­e­ma films, fea­ture films and series and cov­ers the entire spec­trum of the film mar­ket­ing and exploita­tion chain. In addi­tion to devel­op­ment, co-financ­ing and co-pro­duc­tion Tele­pool oper­ates also Glob­al Screen, one of Europe’s lead­ing glob­al dis­trib­u­tors. In June 2018, actor and pro­duc­er Will Smith and direc­tor Marc Forster joint­ly acquired Telepool.

Telewiz­ja Pol­sat is the lead­ing pri­vate tv sta­tion, part of the media group Pol­sat Plus.