Who is coming

For­mer art direc­tor at Days of Wonder/​Asmodee Dig­i­tal, San­drine Dubois is cur­rent­ly the senior UI/UX design­er and lead artist at Light­bulb Crew. She is com­ing to the event with Uman­i­ma­tion after her par­tic­i­pa­tion as a UI/UX con­cep­tor on the video game ​“Dor­dogne”.

ALCA, the New Aquitaine Region cul­tur­al agency, pro­vides a wide range of back­ing ser­vices for cin­e­ma and TV indus­tries. It sup­ports cre­ation and pro­duc­tion, notably through a 7M€ film fund (which reach­es 11M€ with local gov­ern­ments), active at every step of the cre­ation process (scriptwrit­ing, devel­op­ment and pro­duc­tion) and opened to inter­na­tion­al co-pro­duc­tions. Nou­velle-Aquitaine is the biggest region in France and hosts an impor­tant ani­ma­tion clus­ter, Mage­lis, based in Angoulême.

ALCA, the New Aquitaine Region cul­tur­al agency, pro­vides a wide range of back­ing ser­vices for cin­e­ma and TV indus­tries. It sup­ports cre­ation and pro­duc­tion, notably through a 7M€ film fund (which reach­es 11M€ with local gov­ern­ments), active at every step of the cre­ation process (scriptwrit­ing, devel­op­ment and pro­duc­tion) and opened to inter­na­tion­al co-pro­duc­tions. Nou­velle-Aquitaine is the biggest region in France and hosts an impor­tant ani­ma­tion clus­ter, Mage­lis, based in Angoulême.

ALCA, the New Aquitaine Region cul­tur­al agency, pro­vides a wide range of back­ing ser­vices for cin­e­ma and TV indus­tries. It sup­ports cre­ation and pro­duc­tion, notably through a 7M€ film fund (which reach­es 11M€ with local gov­ern­ments), active at every step of the cre­ation process (scriptwrit­ing, devel­op­ment and pro­duc­tion) and opened to inter­na­tion­al co-pro­duc­tions. Nou­velle-Aquitaine is the biggest region in France and hosts an impor­tant ani­ma­tion clus­ter, Mage­lis, based in Angoulême.

All Rights Enter­tain­ment is an inter­na­tion­al sales agent estab­lished in 2009 with offices in Hong Kong, Paris and Los Ange­les, with a wide cat­a­logue of films and a focus on high-qual­i­ty ani­ma­tion films with an inter­na­tion­al poten­tial. Our cur­rent release in 2022 is the ani­mat­ed movie ​“Gul­liv­er Returns”, with Tony Bonil­la as the ani­ma­tion direc­tor. We attend all inter­na­tion­al film fes­ti­vals, film mar­kets, TV mar­kets year round (Cannes, Berlin, Fil­mart, Toron­to, AFM, Mip…).

All Rights Enter­tain­ment is an inter­na­tion­al sales agent estab­lished in 2009 with offices in Hong Kong, Paris and Los Ange­les, with a wide cat­a­logue of films and a focus on high-qual­i­ty ani­ma­tion films with an inter­na­tion­al poten­tial. Our cur­rent release in 2022 is the ani­mat­ed movie ​“Gul­liv­er Returns”, with Tony Bonil­la as the ani­ma­tion direc­tor. We attend all inter­na­tion­al film fes­ti­vals, film mar­kets, TV mar­kets year round (Cannes, Berlin, Fil­mart, Toron­to, AFM, Mip…).

All Rights Enter­tain­ment is an inter­na­tion­al sales agent estab­lished in 2009 with offices in Hong Kong, Paris and Los Ange­les, with a wide cat­a­logue of films and a focus on high-qual­i­ty ani­ma­tion films with an inter­na­tion­al poten­tial. Our cur­rent release in 2022 is the ani­mat­ed movie ​“Gul­liv­er Returns”, with Tony Bonil­la as the ani­ma­tion direc­tor. We attend all inter­na­tion­al film fes­ti­vals, film mar­kets, TV mar­kets year round (Cannes, Berlin, Fil­mart, Toron­to, AFM, Mip…).

Altered Gene is an omni-chan­nel video game stu­dio, focused on cre­at­ing high-qual­i­ty sto­ries and fea­tur­ing com­plex char­ac­ters with diverse emo­tions and motives.

Andrzej Waj­da Cen­tre for Film Cul­ture was estab­lished in 2018 by the may­or of the city of War­saw. It was designed as a mod­ern, inclu­sive insti­tu­tion that pro­motes art-house film cul­ture, presents and analy­ses mas­ter­pieces of nation­al and inter­na­tion­al cin­e­ma, and rais­es gen­er­al aware­ness of Euro­pean audio­vi­su­al her­itage. The Cen­tre will offer a wide range of events, work­shops and debates relat­ed to film­mak­ing and mod­ern visu­al cul­ture. we have cre­at­ed a very mod­ern VoD platform.

Dis­tri­b­u­tion and pro­duc­tion com­pa­ny of ani­mat­ed and live-action fea­ture films, estab­lished in 1988. Award­ed Dis­trib­u­tor of the Year at Car­toon Movie 2017. Founder of the award-win­ning con­cept, Rabalder Bio, that is spe­cialised in the dis­tri­b­u­tion of qual­i­ty films for chil­dren and young adults. Fur­ther­more, launched the stream­ing site Film­per­ler in 2018 – a site which curates niche films for both chil­dren and adults.

Arse­nal Filmver­leih, found­ed in 1974, is one of the old­est inde­pen­dent dis­tri­b­u­tion com­pa­nies in Ger­many. Buy­ing the­atri­cal, TV, Video-DVD and VoD rights world­wide with focus on Euro­pean cin­e­ma, Arse­nal Filmver­leih has a wide-spread inter­est in style and size of release.

The film dis­tri­b­u­tion com­pa­ny Art­cam was found­ed in 2000 by Artemio Ben­ki, French pro­duc­er and direc­tor, who lived, worked and cre­at­ed in Prague since the ear­ly 90s. Since its begin­nings, Artcam’s aim was to bring coura­geous, inno­v­a­tive and provoca­tive films that broad­en the hori­zons of Czech dis­tri­b­u­tion. Thus Art­cam has released here films of art­house icons such as Jim Jar­musch, David Lynch, Michael Haneke, Lars von Tri­er, Arnaud Desplechin, Chan-wook Park, Claire Denis or Pablo Larraín.

We finance, pro­duce, co-pro­duce and dis­trib­ute chil­dren’s and fam­i­ly pro­grammes, par­tic­u­lar­ly ani­mat­ed series and fea­tures, in all for­mats and for all forms of dis­tri­b­u­tion (tele­vi­sion, film and dig­i­tal). We are based in Ger­many and we own pro­duc­tion com­pa­nies and ani­ma­tion stu­dios in Bel­gium and in the US. We are build­ing fur­ther pro­duc­tion and dis­tri­b­u­tion capac­i­ties and we pur­sue strate­gic invest­ments in pro­grams and exist­ing companies.

Auvergne-Rhône-Alpes Ciné­ma is the region­al film fund in Auvergne-Rhône-Alpes for fea­ture films. The aver­age invest­ment per film is 300,000€. A sig­nif­i­cant part of the ani­ma­tion must be done in Auvergne-Rhône-Alpes and a French pro­duc­er has to be involved in the project. Ani­mat­ed films sup­port­ed: ​“The Sum­mit of Gods”, ​“Azur & Asmar”, ​“Even Mice Belong in Heav­en”, ​“A Cat in Paris”, ​“The Day of the Crows”, ​“Aunt Hil­da!”, ​“Yel­low­bird”, ​“Phan­tom Boy“ and ​“My Life as a Courgette”.

BAC Films spe­cialis­es in devel­op­ing, financ­ing, pro­duc­ing and releas­ing cut­ting-edge inde­pen­dent films for the French mar­ket and beyond. Since its cre­ation in 1986, BAC Films has main­tained itself as one of the lead­ing Euro­pean dis­trib­u­tors and inter­na­tion­al deal­ers for inde­pen­dent films with over 550 films released, among which 10 Palmes d’Or.

Found­ed by expe­ri­enced film dis­tri­b­u­tion spe­cial­ists Şte­fan Bradea and Mon­i­ca Felea, Bad Uni­corn is an ambi­tious auteur film dis­tri­b­u­tion com­pa­ny, also pro­vid­ing com­plete pro­gram­ming, mar­ket­ing and pub­lic­i­ty ser­vices to Roman­ian fea­tures. The first dis­trib­uted film was the Berli­nale Gold­en Bear win­ner ​“On Body and Soul”, fol­lowed by acclaimed titles such as ​“The Guilty”, ​“Cor­pus Christi”, ​“Anoth­er Round”, ​“The Big Hit”, ​“Belle” and ​“One Piece Film Red”. Upcom­ing releas­es: ​“Close” and ​“After­sun”.

Bandai Nam­co Europe is a lead­ing glob­al pub­lish­er and devel­op­er of enter­tain­ment con­tent for all major video game con­soles and PC. We pro­duce intel­lec­tu­al prop­er­ty for a glob­al audi­ence and build our rep­u­ta­tion with fran­chis­es such as ​“Lit­tle Night­mares”, ​“Park Beyond” and the upcom­ing ​“Unknown 9”. Bandai Nam­co Europe is also known for cre­at­ing and pub­lish­ing many of the toy & enter­tain­ment industry’s top fran­chis­es, includ­ing ​“Pac-Man”, ​“Tam­agotchi”, ​“Gun­dam”, ​“Tekken”, ​“Dark Souls” and ​“Elden Ring”.

What makes the pulse race? What wakes pas­sion and enthu­si­asm? Which film just stays in your head despite the world and all oth­er films? What touch­es us in a way that makes us want to show it to as many peo­ple as pos­si­ble? Ban­tam Film choos­es its films care­ful­ly and smoth­ers them with love, pas­sion and care. We love ani­ma­tion and espe­cial­ly those fea­tures made for grown-ups. Like ​“Blind Wil­low”, ​“Sleep­ing Woman” by Pierre Földes, which we will release in March 2023.

Found­ed in the 2005, and now part of the Fan­dan­go Group, Bec­co­Gial­lo pub­lish­es non-fic­tion comics, graph­ic nov­els, comics for chil­dren and illus­trat­ed books.

Ben­shi is the first SVoD plat­form ded­i­cat­ed to chil­dren from 2 to 11-years-old. We offer more than 200 films (shorts, fea­ture films, pro­grams and a few series). We are only avail­able in France for now.

Ben­shi is the first SVOD plat­form ded­i­cat­ed to chil­dren from 2 to 11 years old. We offer more than 200 films (shorts, fea­ture films, pro­grams and a few series). We are only avail­able in France for now.

Cre­at­ed in May 2019, Best Friend For­ev­er is a Brus­sels-based com­pa­ny focused on bring­ing to the inter­na­tion­al mar­ket care­ful­ly select­ed art-house films. Our mis­sion is to accom­pa­ny bril­liant pro­duc­ers and direc­tors into bring­ing their projects to real­i­ty through inter­na­tion­al sales, devel­op­ment financ­ing, legal or finan­cial con­sult­ing. BFF is a sis­ter com­pa­ny of Indie Sales.

Cre­at­ed in May 2019, Best Friend For­ev­er is a Brus­sels based com­pa­ny focused on bring­ing to the inter­na­tion­al mar­ket care­ful­ly select­ed art-house films. Our mis­sion is to accom­pa­ny bril­liant pro­duc­ers and direc­tors into bring­ing their projects to real­i­ty through inter­na­tion­al sales, devel­op­ment financ­ing, legal or finan­cial con­sult­ing. BFF is a sis­ter com­pa­ny of Indie Sales.

Beta Film’s bou­tique label Beta Kids & Fam­i­ly com­ple­ments its vast and diverse library of con­tent by address­ing younger tar­get groups. Long-last­ing coop­er­a­tions with estab­lished pre­mi­um pro­duc­ers and chan­nels guar­an­tee a broad range of high-qual­i­ty fic­tion­al, ani­mat­ed and real­i­ty con­tent. Beta Kids & Fam­i­ly has been able to build up inter­na­tion­al brands like ​“Skam”, ​“Anne With an E”, ​“Cap­tain Nova”, and ​“All-Round Cham­pi­on”, ready-mades and for­mats alike.

Found­ed in 1983, BIM Dis­tribuzione is a leader dis­tri­b­u­tion com­pa­ny in the Ital­ian scenery with more than 400 movies released.

Found­ed in 1983, BIM Dis­tribuzione is a leader dis­tri­b­u­tion com­pa­ny in the Ital­ian scenery with more than 400 movies released.

Blitz has been present on the mar­ket over 30 years - since 1992 - and is a part of the Blitz Group with sub­sidiaries in almost all coun­tries in the for­mer Yugoslav region (Blitz Slove­nia, Blitz Bosnia-Herze­gov­ina, Blitz Ser­bia – Ser­bia and Mon­tene­gro). Pri­ma­ry busi­ness ori­en­ta­tion of Blitz is film, video home enter­tain­ment, pro­duc­tion, dis­tri­b­u­tion and pub­lic dis­play of audio­vi­su­al works. Today, Blitz is the lead­ing film dis­trib­u­tor and con­tent provider in the region of for­mer Yugoslavia.

Broad­vi­sion Rights is an investor in ani­mat­ed TV series & fea­ture films, with a port­fo­lio of USD. 19.5 mil­lion span­ning pre­mi­um Euro­pean pro­duc­tions such as ​“Mia & Me” movie, ​“Mia & Me” TV and ​“100% Wolf” TV. Studio56 Ani­ma­tion is the 2021 Tel­ly Gold win­ner in ani­ma­tion, with 250 full-time artists and expe­ri­ence across 36 pro­duc­tions includ­ing the #1 shows of Ger­many (“Mia”), Italy (“Sis­si”), Australia(“100% Wolf”), France (“Hei­di”) and USA (“Jun­gle Book”). Recent movie cred­its include ​“Mia & Me” and ​“Vic The Viking”.

CANAL+ Group is a leader in pre­mi­um and the­mat­ic tele­vi­sion chan­nels, as well as in the dis­tri­b­u­tion of pay tele­vi­sion ser­vices. In France, it is also a major play­er in free-to-air tele­vi­sion with 3 nation­al chan­nels, and its relat­ed adver­tis­ing arm. Out­side of France, CANAL+ Group has record­ed strong growth with a sig­nif­i­cant pres­ence in Europe, Africa and Asia. In total, CANAL+ Group has more than 20 mil­lion sub­scribers world­wide, includ­ing more than 8 mil­lion in main­land France.

CANAL+ Group is a leader in pre­mi­um and the­mat­ic tele­vi­sion chan­nels, as well as in the dis­tri­b­u­tion of pay tele­vi­sion ser­vices. In France, it is also a major play­er in free-to-air tele­vi­sion with 3 nation­al chan­nels, and its relat­ed adver­tis­ing arm. Out­side of France, CANAL+ Group has record­ed strong growth with a sig­nif­i­cant pres­ence in Europe, Africa and Asia. In total, CANAL+ Group has more than 20 mil­lion sub­scribers world­wide, includ­ing more than 8 mil­lion in main­land France.

CANAL+ Group is a leader in pre­mi­um and the­mat­ic tele­vi­sion chan­nels, as well as in the dis­tri­b­u­tion of pay tele­vi­sion ser­vices. In France, it is also a major play­er in free-to-air tele­vi­sion with 3 nation­al chan­nels, and its relat­ed adver­tis­ing arm. Out­side of France, CANAL+ Group has record­ed strong growth with a sig­nif­i­cant pres­ence in Europe, Africa and Asia. In total, CANAL+ Group has more than 20 mil­lion sub­scribers world­wide, includ­ing more than 8 mil­lion in main­land France.

CANAL+ Group is a leader in pre­mi­um and the­mat­ic tele­vi­sion chan­nels, as well as in the dis­tri­b­u­tion of pay tele­vi­sion ser­vices. In France, it is also a major play­er in free-to-air tele­vi­sion with 3 nation­al chan­nels, and its relat­ed adver­tis­ing arm. Out­side of France, CANAL+ Group has record­ed strong growth with a sig­nif­i­cant pres­ence in Europe, Africa and Asia. In total, CANAL+ Group has more than 20 mil­lion sub­scribers world­wide, includ­ing more than 8 mil­lion in main­land France.

The CNC par­tic­i­pates in the devel­op­ment of the ani­ma­tion indus­try through sev­er­al sup­port sys­tems. These aim to:

• rein­force French cre­ativ­i­ty by pro­vid­ing sup­port for scriptwrit­ing and devel­op­ment for audio­vi­su­al and film projects;

• sup­port French ani­ma­tion pro­duc­ers through selec­tive and auto­mat­ic fund­ing sys­tems for TV series, short films and features;

• con­tribute to the pro­mo­tion of French ani­ma­tion in the inter­na­tion­al mar­ket through pro­mo­tion and dis­tri­b­u­tion fund systems.

Car­ole Bara­ton, Yohann Comte and Pierre Mazars found­ed Cha­rades in Jan­u­ary 2017, fol­low­ing suc­cess­ful tenures as head and VPs of Inter­na­tion­al Sales at Wild Bunch, Gau­mont and Stu­dio­Canal, respec­tive­ly. Cha­rades offers a fresh per­spec­tive and wealth of expe­ri­ence in inter­na­tion­al sales, pack­ag­ing and dis­tri­b­u­tion. Their cat­a­logue includes an eclec­tic and pres­ti­gious ani­ma­tion movies such as ​“The Queen’s Cor­gi”, ​“I Lost My Body” and Acad­e­my-award nom­i­nat­ed ​“Mirai”.

Car­ole Bara­ton, Yohann Comte and Pierre Mazars found­ed Cha­rades in Jan­u­ary 2017, fol­low­ing suc­cess­ful tenures as head and VPs of inter­na­tion­al sales at Wild Bunch, Gau­mont and Stu­dio­Canal, respec­tive­ly. Cha­rades offers a fresh per­spec­tive and wealth of expe­ri­ence in inter­na­tion­al sales, pack­ag­ing and dis­tri­b­u­tion. Their cat­a­logue includes an eclec­tic and pres­ti­gious ani­ma­tion movies such as ​“The Queen’s Cor­gi”, ​“I Lost My Body” and Acad­e­my award-nom­i­nat­ed ​“Mirai”.

Ciclic is the Cen­tre-Val de Loire region­al agency for cin­e­ma, audio­vi­su­al, book and dig­i­tal cul­ture. We offer a cul­tur­al pub­lic ser­vice which results from the col­lab­o­ra­tion between the Cen­tre-Val de Loire Region and the French gov­ern­ment. The mis­sions it car­ries out and the actions it devel­ops are based on coop­er­a­tion, research, inno­va­tion, sup­port for pro­fes­sion­als and audi­ences, spa­tial plan­ning and cul­tur­al economy.

CINE+, part of French CANAL+ group, is a bunch of 6 pay TV chan­nels with SVoD ser­vice, each spe­cialised in a movie genre. In 2020, CINE+ pre-pur­chased 15M€ in 129 French fea­ture films, of which the fol­low­ing ani­ma­tions: 1st Pay TV win­dows ​“Chick­en for Lin­da!” and ​“Blind Wil­low, Sleep­ing Woman”, and 2nd pay: ​“Chick­en­hare”, ​“Tales of the Hedge­hog”, ​“Mars Express”, ​“Three Tales”. In addi­tion, the fam­i­ly chan­nel CINE+ Famiz devotes 15% sched­ule for ani­mat­ed films, tar­get­ing chil­dren and families.

Cin­e­ma Del­i­catessen is a dis­trib­u­tor of doc­u­men­taries for the Dutch cin­e­ma mar­ket. Recent titles include ​“Col­lec­tive”, ​“The Mole Agent”, ​“I am not Your Negro”, ​“Kedi”, IDFA-win­ners ​“A Strange Love Affair with Ego” and ​“Now Some­thing is Slow­ly Chang­ing”, and con­tem­po­rary clas­sics such as Joshua Oppen­heimer’s ​“The Act of Killing”, ​“The Look of Silence” and Sergei Loznit­sa’s ​“Maid­an and the Event”. Next to its reg­u­lar releas­es each year, Cin­e­ma Del­i­catessen dis­trib­utes The Best of IDFA on tour around the Netherlands.

Cin­e­ma Mon­do (est. 1990) is the lead­ing art-house and world cin­e­ma dis­trib­u­tor in Fin­land. We release about 15 titles the­atri­cal­ly per year, and oper­ate in all win­dows. Cin­e­ma Mon­do is nor­mal­ly 5th- 6th biggest the­atri­cal dis­trib­u­tor in Fin­land. Recent releas­es: ​“Sound of Met­al”, ​“Ammonite”, ​“Demon Slay­er”, ​“Deux” and ​“Truf­fle Hunters”. Releas­es spring 2022: ​“Farha­di: A Hero”, ​“Hoso­da: Belle”, ​“Kawase: True Moth­ers”, ​“Panahi: Hit The Road”. Our ani­ma­tion crown jew­els: Stu­dio Ghi­b­li productions.

One of the two lead­ing French finan­cial insti­tu­tions only ded­i­cat­ed to mak­ing loans to cash­flow films and TV pro­grammes pro­duc­tion expen­di­ture. Grants on an annu­al basis around € 0,7bln loans to French and non French pro­duc­ers, a team of 30 pro­fes­sion­als spe­cialised in film financ­ing in Europe and oth­er anglo sax­on coun­tries (Cana­da, Unit­ed States and Australia).A 50 year track record and a reli­able com­pa­ny with strong share­hold­ers : BNP Paribas .

Cre­at­ed in 1973, Cofiloisirs is a spe­cialised lend­ing insti­tu­tion ded­i­cat­ed to the film and TV indus­try which deals with a loan vol­ume close to 500M€ on this day.

HRT is a pub­lic broad­cast­er estab­lished as radio sta­tion on 1926 and TV sta­tion on 1956. Now it has 4 ter­res­tri­al TV chan­nels and 8 radio sta­tions and one satel­lite chan­nel most­ly for Croats liv­ing abroad.

Crunchy­roll is an Amer­i­can sub­scrip­tion video on-demand over-the-top stream­ing ser­vice owned by Sony Group Cor­po­ra­tion through a joint ven­ture between Sony Pic­tures and Sony Music Enter­tain­ment Japan’s Ani­plex. The ser­vice pri­mar­i­ly dis­trib­utes films and tele­vi­sion series pro­duced by East Asian media, includ­ing Japan­ese anime.

The sev­en tele­vi­sion chan­nels of the Czech Tele­vi­sion meet the objec­tives of the pub­lic ser­vice by inform­ing and con­sis­tent­ly cre­at­ing and broad­cast­ing orig­i­nal pro­grammes for all age groups in the Czech Repub­lic. Cul­ti­vat­ing and draw­ing on its more than six­ty years of expe­ri­ence, the Czech Tele­vi­sion pro­duces pro­grammes of superb qual­i­ty and a rich vari­ety of gen­res. ČT Déčko is a kids chan­nel for chil­dren aged between 4 and 12 offer­ing a vari­ety of orig­i­nal and for­eign content.

Diaphana is an inde­pen­dent French pro­duc­tion and dis­tri­b­u­tion com­pa­ny, found­ed in 1989 by Michel Saint Jean. In term of ani­ma­tion, we released movies such as THE BLACK PHARAOH, THE SAV­AGE AND THE PRINCESS by Michel Ocelot, LONG­WAY NORTH by Remi Chayé, WOL­FY, THE INCRED­I­BLE SECRET by Gre­goire Solotar­eff, MARY AND THE WITCH by Hiro­masa Yonebayashi , PHAN­TOM BOY by Alain Gag­nol and Jean-Loup Feli­ci­oli, PERSE­PO­LIS by Mar­jan Satrapi, AZUR & ASMAR by Michel Ocelot, BELLEVILLE RDV by Syl­vain Chomet.

Diaphana is an inde­pen­dent French pro­duc­tion and dis­tri­b­u­tion com­pa­ny, found­ed in 1989 by Michel Saint Jean. In term of ani­ma­tion, we released movies such as ​“The Black Pharaoh, the Sav­age and the Princess” by Michel Ocelot, ​“Long­way North” by Remi Chayé, ​“Wol­fy, the Incred­i­ble Secret” by Gre­goire Solotar­eff, ​“Mary and the Witch” by Hiro­masa Yonebayashi , ​“Phan­tom Boy” by Alain Gag­nol and Jean-Loup Feli­ci­oli, ​“Perse­po­lis” by Mar­jan Satrapi, ​“Azur & Asmar” by Michel Ocelot, ​“Belleville Ren­dez-Vous” by Syl­vain Chomet.

Dupuis - Média Par­tic­i­pa­tions is the lead­ing inde­pen­dent media & fam­i­ly enter­tain­ment group in Europe. Our 85 sub­sidiaries and 1,400+ employ­ees give birth to icon­ic titles and prod­ucts across all cre­ative indus­tries, going from pub­lish­ing to audio­vi­su­al, video games, con­sumer prod­ucts and themed entertainment.

Elle Dri­ver is an inter­na­tion­al sales and acqui­si­tions com­pa­ny based in Paris, com­mit­ted to rep­re­sent and grow with the world’s most cre­ative ris­ing tal­ents, from well estab­lished to first-film and art-house direc­tors. Across a broad spec­trum of bud­gets and con­tent, our slate empha­sis­es a diver­si­ty of films each with a unique uni­verse and sen­si­bil­i­ty. Our ambi­tion is to pro­mote world­wide an activist, dif­fer­ent – some­times risky – cin­e­ma, through an orig­i­nal, demand­ing and alter­na­tive line-up.

EFI is a nation­al foun­da­tion financed main­ly by the Min­istry of Cul­ture and divid­ed in 3 depart­ments: pro­duc­tion, mar­ket­ing and her­itage. EFI is also respon­si­ble of an incen­tive sup­port scheme, Film Esto­nia, for pro­duc­tion com­pa­nies to receive a cash rebate of up to 30% on local pro­duc­tion spend. The main incen­tive of the EFI is to remain approach­able to all film­mak­ers, make Eston­ian film the pride of Eston­ian cul­ture and more com­pet­i­tive on the inter­na­tion­al arena.

Eurim­ages is the cul­tur­al sup­port fund of the Coun­cil of Europe. Estab­lished in 1989, it cur­rent­ly num­bers 38 of the 46 mem­ber states of the Stras­bourg-based organ­i­sa­tion, plus Cana­da. Eurim­ages pro­motes inde­pen­dent film­mak­ing by pro­vid­ing finan­cial sup­port to fea­ture-length films, ani­ma­tion and doc­u­men­tary films. In doing so, it encour­ages co-oper­a­tion between pro­fes­sion­als estab­lished in dif­fer­ent coun­tries. Eurim­ages has a total annu­al bud­get of approx­i­mate­ly 27.5M€.

Eurim­ages is the cul­tur­al sup­port fund of the Coun­cil of Europe. Estab­lished in 1989, it cur­rent­ly num­bers 38 of the 46 mem­ber states of the Stras­bourg-based organ­i­sa­tion, plus Cana­da. Eurim­ages pro­motes inde­pen­dent film­mak­ing by pro­vid­ing finan­cial sup­port to fea­ture-length films, ani­ma­tion and doc­u­men­tary films. In doing so, it encour­ages co-oper­a­tion between pro­fes­sion­als estab­lished in dif­fer­ent coun­tries. Eurim­ages has a total annu­al bud­get of approx­i­mate­ly 27.5M€.

Eurim­ages is the cul­tur­al sup­port fund of the Coun­cil of Europe. Estab­lished in 1989, it cur­rent­ly num­bers 38 of the 46 mem­ber states of the Stras­bourg-based organ­i­sa­tion, plus Cana­da. Eurim­ages pro­motes inde­pen­dent film­mak­ing by pro­vid­ing finan­cial sup­port to fea­ture-length films, ani­ma­tion and doc­u­men­tary films. In doing so, it encour­ages co-oper­a­tion between pro­fes­sion­als estab­lished in dif­fer­ent coun­tries. Eurim­ages has a total annu­al bud­get of approx­i­mate­ly 27.5M€.

Feel­go­od Enter­tain­ment is a Greek Dis­tri­b­u­tion Com­pa­ny based in Athens and estab­lished in 2010. Feel­go­od Enter­tain­ment is the rep­re­sen­ta­tive in Greece of two major stu­dios Disney/​Fox and Sony and is a spe­cial­ist in the dis­tri­b­u­tion of ani­ma­tion films. In par­al­lel , Feel­go­od acquires and dis­trib­utes many inde­pen­dent and for­eign lan­guage films and through the years has dis­trib­uted the works of famous direc­tors such as Ken Loach, Gior­gos Lan­thi­mos, Ruben Ostlung, Nan­ni Moret­ti and many others.

Ffilm Cym­ru Wales is the devel­op­ment agency for Welsh film. We are ded­i­cat­ed to advanc­ing and sus­tain­ing a strong film indus­try for Wales; one that we can all be proud to call our own. We do this by pro­vid­ing fund­ing and train­ing to emerg­ing and estab­lished Welsh film­mak­ers, offer­ing excit­ing cin­e­mat­ic expe­ri­ences to audi­ences across Wales, engag­ing peo­ple of all ages and abil­i­ties in cre­ative learn­ing and devel­op­ing new skills and career paths through a range of train­ing programmes.

FILM CON­STEL­LA­TION is an inte­grat­ed pro­duc­tion, finance and sales com­pa­ny head­quar­tered in Lon­don and Paris. The com­pa­ny builds on a track record for grow­ing award-win­ning film­mak­er brands work­ing with new and estab­lished tal­ent, fos­ter­ing strong pro­duc­er ties across both sides of the Atlantic. Since incep­tion, the com­pa­ny has pack­aged, pro­duced and sold over 50 com­mer­cial­ly and crit­i­cal­ly acclaimed films, pre­mier­ing at A class fes­ti­vals includ­ing Cannes, Venice, Toron­to, Sun­dance and Berlin.

Fil­mar­ti is one of the major inde­pen­dent dis­trib­u­tor for pre­mi­um ani­ma­tion con­tents for the­atri­cal and VoD releas­es. Some of our ani­ma­tion titles include, ​“The Nut Job 2”, ​“Norm of the North” sequels, ​“Yakari”, ​“Around the World”, ​“Ooops!”, ​“Ain­bo”, ​“Dream­builders” and many more. We have a cre­ative, dynam­ic and inno­v­a­tive team who seeks to bring the audi­ence togeth­er with the most qual­i­fied prod­ucts of the ani­ma­tion world.

Found­ed in 1972 as a co-oper­a­tive, Film­coopi Zürich has been one of the most influ­en­tial inde­pen­dent dis­tri­b­u­tion com­pa­nies in Switzer­land. Hav­ing start­ed with main­ly Swiss doc­u­men­taries and fic­tion, it devel­oped into a dis­trib­u­tor of inter­na­tion­al­ly acclaimed art­house films. Over the last 20 years, it has estab­lished long-term rela­tions with var­i­ous promi­nent direc­tors such as Theo Angelopou­los, Jim Jar­musch, Aki Kau­ris­mä­ki, Dani Levy, Ken Loach, Michael Haneke, François Ozon and much others

The FFF Bay­ern has an annu­al bud­get of 30-40M€, finan­cial sup­port can be request­ed at each stage of the pro­duc­tion process. This also applies to the pro­duc­tion of qual­i­ty fam­i­ly movies. Among the ani­mat­ed pro­duc­tions which have been co-financed by the FFF Bay­ern late­ly are ​“Hei­di”, ​“Maya the Bee” and ​“Vic the Viking and the Mag­ic Sword“ by Stu­dio 100 Media, ​“Moon­bound” by Lit­tle Dream Enter­tain­ment as well as ​“Trenk, the Lit­tle Knight” by NDF/​blue eyes Fiction.

Filmin is a VoD plat­form based in Spain focused on inde­pen­dent and art-house cin­e­ma. Cre­at­ed in 2007 by Juan Car­los Tous, Jaume Ripoll and José Anto­nio de Luna, Filmin offers more than 10,000 fea­ture films and tele­vi­sion series plus 1,100 short films, the largest VoD cat­a­logue of any Euro­pean com­pa­ny. It is also one of the found­ing asso­ciates of EuroVoD, the first Euro­pean asso­ci­a­tion for online cinema.

We are a pro­duc­tion and dis­tri­b­u­tion com­pa­ny focus­ing on ani­ma­tion. We pro­duce both series and fea­tures and we dis­trib­ute only a few hand­picked Euro­pean ani­ma­tion annu­al­ly. Last titles we have had in the­atri­cal dis­tri­b­u­tions are: ​“Lotte and the Lost Drag­ons” (Estonia/​Latvia), ​“Ploey” (Iceland/​Belgium) and ​“Ter­net Nin­ja” (Den­mark).

The Flan­ders Audio­vi­su­al Fund (VAF) is a pub­lic fund­ing body that sup­ports audio­vi­su­al and games pro­duc­tion in, and inter­na­tion­al co-pro­duc­tions with Flan­ders (Bel­gium). The VAF sup­ports films, series and games, from idea to expe­ri­ence and a part of the fund’s annu­al bud­get is allo­cat­ed for pro­fes­sion­al training.

Folkets Bio is an art-house dis­trib­u­tor in Swe­den that have been in busi­ness since 1973. With­in the art-house and inde­pen­dent scene, we look for films in all gen­res, for all ages, and also to find and stim­u­late new tal­ent. Every year, we release around 25 fea­ture films and 15-20 short films the­atri­cal­ly. Our lat­est ani­ma­tion releas­es are ​“Lat­te Igel and the Mag­ic Water­stone”, ​“Shooom’s Odyssey”, ​“Wolfwalk­ers” and ​“The Breadwinner”.

France Télévi­sions is the first com­mis­sion­er of ani­ma­tion in Europe with more than 15 ani­mat­ed series and 3 ani­mat­ed movies pro­duced every year with French inde­pen­dent stu­dios. Pre-school­ers, kids, tweens, young adults and fam­i­lies can enjoy a wide vari­ety of ani­mat­ed shows from clas­sics to new uni­vers­es or new­com­ers. France Télévi­sions offers 6,600 hours of chil­dren and youth pro­grams on lin­ear France Télévi­sions chan­nels, the plat­form kids Okoo and the plat­form France​.tv Slash for young adults.

France Télévi­sions is the first com­mis­sion­er of ani­ma­tion in Europe with more than 15 ani­mat­ed series and 3 ani­mat­ed movies pro­duced every year with French inde­pen­dent stu­dios. Pre-school­ers, kids, tweens, young adults and fam­i­lies can enjoy a wide vari­ety of ani­mat­ed shows from clas­sics to new uni­vers­es or new­com­ers. France Télévi­sions offers 6,600 hours of chil­dren and youth pro­grams on lin­ear France Télévi­sions chan­nels, the plat­form kids Okoo and the plat­form France​.tv Slash for young adults.

France Télévi­sions is the first com­mis­sion­er of ani­ma­tion in Europe with more than 15 ani­mat­ed series and 3 ani­mat­ed movies pro­duced every year with French inde­pen­dent stu­dios. Pre-school­ers, kids, tweens, young adults and fam­i­lies can enjoy a wide vari­ety of ani­mat­ed shows from clas­sics to new uni­vers­es or new­com­ers. France Télévi­sions offers 6,600 hours of chil­dren and youth pro­grams on lin­ear France Télévi­sions chan­nels, the plat­form kids Okoo and the plat­form France​.tv Slash for young adults.

France TV Dis­tri­b­u­tion works with pro­duc­ers and licen­sors to max­imise pro­grammes across all media plat­forms encom­pass­ing video, VoD and music pub­lish­ing, mer­chan­dis­ing, mag­a­zine and book pub­lish­ing, plus French and inter­na­tion­al dis­tri­b­u­tion and fund-rais­ing. Since Jan­u­ary 2017, France TV Dis­tri­b­u­tion has gone hand in hand with dis­trib­ut­ing films abroad. As a major play­er on the dis­tri­b­u­tion of rights in France and in for­eign mar­kets, this new activ­i­ty is added to its know-how.

France TV Dis­tri­b­u­tion works with pro­duc­ers and licen­sors to max­imise pro­grammes across all media plat­forms encom­pass­ing video, VoD and music pub­lish­ing, mer­chan­dis­ing, mag­a­zine and book pub­lish­ing, plus French and inter­na­tion­al dis­tri­b­u­tion and fund-rais­ing. Since Jan­u­ary 2017, France TV Dis­tri­b­u­tion has gone hand in hand with dis­trib­ut­ing films abroad. As a major play­er on the dis­tri­b­u­tion of rights in France and in for­eign mar­kets, this new activ­i­ty is added to its know-how.

Freeal­ize is a Roman­ian com­pa­ny spe­cialised in film dis­tri­b­u­tion, con­sul­tan­cy for film mar­ket­ing and pub­lic­i­ty on set, found­ed 9 years ago by Ileana Cecanu.

Gal­li­mard and Denoël were found­ed in the begin­ning of the XXth cen­tu­ry and pub­lished some of the most renowned French authors, in diverse lit­er­ary gen­res. Futur­opo­lis, cre­at­ed in 1974, is ded­i­cat­ed to comics and graph­ic nov­els: it pub­lish­es about 40 books a year and has now more than 500 titles in its cat­a­logue. Gal­li­mard Jeunesse is ded­i­cat­ed to children’s lit­er­a­ture, it was cre­at­ed in 1972 and now counts a cat­a­logue of 12,000 titles, among which are ​“Trotro” and ​“PJ Masks”.

Gebe­ka Films is a dis­tri­b­u­tion com­pa­ny found­ed in 1997 by Marc Bon­ny and is Hildegarde’s prop­er­ty (Regi­nald de Guille­bon) since 2018. Our main goal: releas­ing long and short movies on French ter­ri­to­ry - the­atri­cal, video/​DVD and TV rights. Pol­i­cy: high-qual­i­ty films, main­ly for a young audi­ence (ani­ma­tion or fic­tion). Gebe­ka Films has also devel­oped a co-pro­duc­tion activ­i­ty with ​“Princes and Princess­es” (M. Ocelot) in the first place, and late­ly with well-award­ed ​“My Life As a Zuc­chi­ni” (C. Barras).

Gebe­ka Films is a dis­tri­b­u­tion com­pa­ny found­ed in 1997 by Marc Bon­ny and is Hildegarde’s prop­er­ty (Regi­nald de Guille­bon) since 2018. Our main goal: releas­ing long and short movies on French ter­ri­to­ry - the­atri­cal, video/​DVD and TV rights. Pol­i­cy: high-qual­i­ty films, main­ly for a young audi­ence (ani­ma­tion or fic­tion). Gebe­ka Films has also devel­oped a co-pro­duc­tion activ­i­ty with ​“Princes and Princess­es” (M. Ocelot) in the first place, and late­ly with well-award­ed ​“My Life As a Zuc­chi­ni” (C. Barras).

Gebe­ka Films is a dis­tri­b­u­tion com­pa­ny found­ed in 1997 by Marc Bon­ny and is Hildegarde’s prop­er­ty (Regi­nald de Guille­bon) since 2018. Our main goal: releas­ing long and short movies on French ter­ri­to­ry - the­atri­cal, video/​DVD and TV rights. Pol­i­cy: high-qual­i­ty films, main­ly for a young audi­ence (ani­ma­tion or fic­tion). Gebe­ka Films has also devel­oped a co-pro­duc­tion activ­i­ty with ​“Princes and Princess­es” (M. Ocelot) in the first place, and late­ly with well-award­ed ​“My Life As a Zuc­chi­ni” (C. Barras).

Ger­man Films is the nation­al infor­ma­tion and advi­so­ry cen­ter for the pro­mo­tion of Ger­man films world­wide. Ani­ma­tion Ger­many, as part of Ger­man Films, is the first per­son­al point of con­tact for inter­na­tion­al part­ners seek­ing infor­ma­tion about Ger­many as a busi­ness loca­tion regard­ing pro­duc­tion and tech­ni­cal ser­vices in the Ger­man ani­ma­tion mar­ket. Ani­ma­tion Ger­many con­nects, pre­pares rel­e­vant data, and pro­vides infor­ma­tion about eco­nom­ic facts of the industry.

GKIDS is a US-based pro­duc­er and dis­trib­u­tor enter­tain­ment spe­cial­is­ing in ani­ma­tion for both adults (most­ly) and fam­i­ly audi­ences. The com­pa­ny has scored twelve Acad­e­my Award nom­i­na­tions for Best Ani­mat­ed Fea­ture, for films from Europe, Japan, and South Amer­i­ca. GKIDS han­dles the films of Stu­dio Ghi­b­li and top Japan­ese direc­tors and stu­dios. We exec pro­duced Acad­e­my Award-nom­i­nat­ed ​“The Bread­win­ner” and ​“Wolfwalk­ers” and cur­rent­ly have a slate of ani­mat­ed projects in devel­op­ment and production.

GKIDS is a US-based inde­pen­dent dis­trib­u­tor and pro­duc­er of award-win­ning enter­tain­ment spe­cial­is­ing in fea­ture ani­ma­tion for both adult and fam­i­ly audi­ences. The com­pa­ny has scored twelve Acad­e­my Award nom­i­na­tions for Best Ani­mat­ed Fea­ture and served as exec­u­tive pro­duc­ers on the Acad­e­my Award-nom­i­nat­ed films ​“The Bread­win­ner” and ​“Wolfwalk­ers”. They cur­rent­ly have sev­er­al projects in development.

Glob­al Screen is the world sales unit of Tele­pool, a lead­ing enter­tain­ment com­pa­ny with more than 55 years of expe­ri­ence in licens­ing, dis­trib­ut­ing and co-pro­duc­ing film and tele­vi­sion. In June 2018, actor and pro­duc­er, Will Smith acquired Tele­pool, which has since become strate­gi­cal­ly aligned with Will and Jada Pin­kett Smith’s cross-plat­form media enter­prise, West­brook Inc.

Gre­ta Gar­bo Films is a dis­trib­u­tor and pro­duc­er oper­at­ing in Lithuania.

Spe­cial­ists in the audio­vi­su­al indus­try for over 20 years, Groupe Audi­to­ri­um Artis­tique offers mul­ti­lin­gual lip-sync dub­bing and voice-over for all types of pro­gram. Through our 3 spe­cial­ist units Audi’Art Dub, Audi’Art Sound and Audi’Art Lab, we han­dle every stage of the dub­bing process from qual­i­ty con­trol through to broad­cast mastering.

Haut et Court is a French inde­pen­dent pro­duc­tion and dis­tri­b­u­tion com­pa­ny. Our line-up usu­al­ly con­sists of eight to ten films per year, among which at least one ani­ma­tion film. We released ​“Wolfwalk­ers” by Tomm Moore and Ross Stew­art, ​“Flee” by Jonas Poher Ras­mussen and ​“Dou­nia and the Princess of Alep­po” was released on Feb­ru­ary 1st, 2023. We are co-pro­duc­ing ​“Sauvages!” by Claude Bar­ras and will dis­trib­ute also ​“Siroc­co” by Benoît Chieux, ​“Silex” by Jul, ​“Amelie” by Liane-Cho Han and Maïlys Vallade.

Haut et Court is a French inde­pen­dent pro­duc­tion and dis­tri­b­u­tion com­pa­ny. Our line-up usu­al­ly con­sists of eight to ten films per year, among which at least one ani­ma­tion film. We released ​“Wolfwalk­ers” by Tomm Moore and Ross Stew­art, ​“Flee” by Jonas Poher Ras­mussen and ​“Dou­nia and the Princess of Alep­po” was released on Feb­ru­ary 1st, 2023. We are co-pro­duc­ing ​“Sauvages!” by Claude Bar­ras and will dis­trib­ute also ​“Siroc­co” by Benoît Chieux, ​“Silex” by Jul, ​“Amelie” by Liane-Cho Han and Maïlys Vallade.

The mis­sion of ICEX is to pro­mote the inter­na­tion­al­i­sa­tion of Span­ish com­pa­nies and to encour­age for­eign invest­ments in Spain.

The mis­sion of ICEX is to pro­mote the inter­na­tion­al­i­sa­tion of Span­ish com­pa­nies and to encour­age for­eign invest­ments in Spain.

We offer high-qual­i­ty enter­tain­ment for chil­dren of all ages. Focus and pas­sion are the mag­ic ingre­di­ents to make sure our projects get the extra atten­tion they deserve. We work togeth­er with inde­pen­dent­ly oper­at­ing spe­cial­ists. In this way, we cre­ate the most opti­mal exploita­tion plan and reach for each spe­cif­ic film or series. Reli­able, acces­si­ble, aim­ing for opti­mum coop­er­a­tion with all our cus­tomers and con­tacts; that’s who we are!

Indie Sales is an inde­pen­dent inter­na­tion­al film sales com­pa­ny based in Paris. Our line-up includes A-list fes­ti­val ani­mat­ed films, such as ​“My Life as a Cour­gette” by Claude Bar­ras and ​“Anoth­er Day of Life” by Raoul de la Fuente & Damien Nenow, recent acquis­tions include ​“Richard the Stork 2”. Our films sell world­wide to all audi­ences. Best Friend For­ev­er, our sis­ter com­pa­ny in Brus­sels, also rep­re­sents ani­mat­ed films, includ­ing Anca Damien’s musi­cal ​“The Island” and Alé Abreu’s ​“Per­limps”.

Indie Sales is an inde­pen­dent inter­na­tion­al film sales com­pa­ny based in Paris. Our line-up includes A-list fes­ti­val ani­mat­ed films, such as ​“My Life as a Cour­gette” by Claude Bar­ras and ​“Anoth­er Day of Life” by Raoul de la Fuente & Damien Nenow, recent acquis­tions include ​“Richard the Stork 2”. Our films sell world­wide to all audi­ences. Best Friend For­ev­er, our sis­ter com­pa­ny in Brus­sels, also rep­re­sents ani­mat­ed films, includ­ing Anca Damien’s musi­cal ​“The Island” and Alé Abreu’s ​“Per­limps”.

Sup­port­ed by local Gov­ern­ment, Invest in Bor­deaux sup­ports com­pa­nies set­ting up, expand­ing and relo­cat­ing in the Bor­deaux Region. Our ser­vices include:

• Project analy­sis & strate­gic advice.

• Infor­ma­tion & eco­nom­ic data.

• Iden­ti­fi­ca­tion of prop­er­ty solutions.

• Reg­u­la­tions, tax­a­tion & assis­tance in find­ing financ­ing solutions.

• Sup­port for recruit­ment, train­ing ini­tia­tives & mobil­i­ty of employees.

• Busi­ness & local integration.

JEF loves youth film. JEF brings quirky, high-qual­i­ty youth films to cin­e­mas, schools and into peo­ple’s homes. But JEF is more than just film. JEF is a fes­ti­val. JEF is for and by young peo­ple, encour­ag­ing them to par­tic­i­pate in work­shops, to make their own films and to exper­i­ment with new media for­mats. JEF is the point of con­tact for every­one involved in youth, film and new media, at school and in leisure time.

Kino Świat has been no. 1 inde­pen­dent dis­trib­u­tor for the last 15 years. Our main inter­ests are: stu­dio-like, com­mer­cial, high-qual­i­ty fam­i­ly ani­ma­tion and stereo­scop­ic 3D ani­ma­tion. Recent releas­es: ​“Fire­heart”, ​“Ain­bo: Spir­it of the Ama­zon”, ​“Mar­maduke”, ​“The Wish­mas Tree”, ​“Norm of the North”, ​“Red Shoes & the 7 Dwarfs”, ​“The Lit­tle Prince”, ​“Play­mo­bil: the Movie”, ​“Minus­cule”, ​“Aster­ix: Secret of the Mag­ic Potion”, ​“White Fang”, ​“Charm­ing”, ​“Manou the Swift”, ​“Rock Dog” and others.

A Paris-based world sales and (co-)production enti­ty rep­re­sent­ing some of the most ambi­tious and inno­v­a­tive Euro­pean fea­ture films star­ring inter­na­tion­al tal­ents such as Leos Carax’s ​“Annette”, ​“Mus­tang”, ​“Spring Break­ers”, Cro­nen­berg’s ​“Cos­mopo­lis”, Amirpour’s ​“A Girl Walks Home Alone At Night” and ​“Buried”. Also Kinol­o­gy recent­ly pro­duced the $25M heist action lin­go ​“Over­drive”, Ter­ry Gilliam’s long-await­ed ​“The Man Who Killed Don Quixote”, and the Sony romance fan­ta­sy release ​“A Mer­maid in Paris”.

KissKiss­BankBank is Europe’s lead­ing crowd­fund­ing plat­form ded­i­cat­ed to inter­na­tion­al, inno­v­a­tive & cre­ative projects. KissKiss­BankBank allows cre­ators to gen­er­ate funds via pub­lic par­tic­i­pa­tion in order to finance the projects they believe in, with a tool that allows them to main­tain 100% intel­lec­tu­al prop­er­ty rights. With +11M€ already col­lect­ed for 2,050 movies (short and fea­ture-length films): KissKiss­BankBank is an opti­mism generator!

KMBO is a dis­tri­b­u­tion and pro­duc­tion com­pa­ny based in Paris. A sig­nif­i­cant part of our the­atri­cal releas­es are ded­i­cat­ed to ani­ma­tion fea­ture films. Our recent ani­ma­tion releas­es are the fol­low­ing ones: ​“The Amaz­ing Mau­rice”, ​“Moon­bound”, ​“Rab­bit Acad­e­my 2”, ​“White Snake” and ​“The Elfkins”.

KMBO is a dis­tri­b­u­tion and pro­duc­tion com­pa­ny based in Paris. A sig­nif­i­cant part of our the­atri­cal releas­es are ded­i­cat­ed to ani­ma­tion fea­ture films. Our recent ani­ma­tion releas­es are the fol­low­ing ones : ​“The Amaz­ing Mau­rice”, ​“Moon­bound”, ​“Rab­bit Acad­e­my 2”, ​“White Snake” and ​“The Elfkins”.

Cre­at­ed in 2003, Lati­do Films is one of Spain’s lead­ing sales com­pa­nies. Since 2006, Lati­do has also focused on ani­ma­tion movies, being behind the inter­na­tion­al suc­cess of ​“Selkirk”, ​”Birds of Par­adise”, ​”A Valiant Roost­er”, ​“Buñuel in the Labyrinth of the Tur­tles” and ​“Nahuel and The Mag­ic Book”. We are prepar­ing two great movies ​“Len and the Song of the Whales” and ​“Girl and Wolf”, the adap­ta­tion to screen of the famous com­ic book ​“Chi­ca y Lobo”.

Le Pacte, cre­at­ed in Decem­ber 2007, is an inde­pen­dent dis­tri­b­u­tion, inter­na­tion­al sales and video pub­lish­ing com­pa­ny that pro­motes an eclec­tic pro­gram of French and inter­na­tion­al films of all genres.

Le Parc Dis­tri­b­u­tion is the dis­tri­b­u­tion activ­i­ty of Les Grig­noux, a cul­tur­al cen­ter locat­ed in the city cen­ter of Liège, in French speak­ing Bel­gium. Les Grig­noux owns four the­aters (three in Liège, one in Namur), two restau­rants and one café. As for the dis­tri­b­u­tion, we release around 12 films a year, main­ly ani­mat­ed films for tod­dlers and a young audi­ence. We recent­ly released ​“Yuku and the flower of the Himalaya”, ​“My Father’s secret”, ​“The Cross­ing”, ​“The Ape Star”

Found­ed in 1962 by Bar­bet Schroed­er and Eric Rohmer, Les Films du Losange has always sup­port­ed film­mak­ers world­wide. As of July 2021, suc­ceed­ing Mar­garet Mene­goz, Charles Gillib­ert and Alex­is Dan­tec have tak­en over. With pas­sion, the com­pa­ny has grown and diver­si­fied from pro­duc­tion to dis­tri­b­u­tion and inter­na­tion­al sales. Our cat­a­logue com­pris­es over 150 films by pres­ti­gious direc­tors, such as Eric Rohmer, Michael Haneke, Mia Hansen-Løve, Bar­bet Schroed­er and Alain Guiraudie.

Found­ed in 1962 by Bar­bet Schroed­er and Eric Rohmer, Les Films du Losange has always sup­port­ed film­mak­ers world­wide. As of July 2021, suc­ceed­ing Mar­garet Mene­goz, Charles Gillib­ert and Alex­is Dan­tec have tak­en over. With pas­sion, the com­pa­ny has grown and diver­si­fied from pro­duc­tion to dis­tri­b­u­tion and inter­na­tion­al sales. Our cat­a­logue com­pris­es over 150 films by pres­ti­gious direc­tors, such as Eric Rohmer, Michael Haneke, Mia Hansen-Løve, Bar­bet Schroed­er and Alain Guiraudie.

Les Films du Préau is a French dis­tri­b­u­tion com­pa­ny spe­cialised in kids audi­ence for more than 20 years. We are look­ing for ani­ma­tion films, TV spe­cials… Our main goal is to pro­pose to young peo­ple high-qual­i­ty films from Europe or all over the word.

Lev­elK is han­dling inter­na­tion­al sales and aggregation.We are work­ing with edgy, orig­i­nal films that we can mar­ket world­wide and that will res­onate with inter­na­tion­al audiences.Our pro­file includes high qual­i­ty pro­duc­tions across all gen­res, work­ing with estab­lished and emerg­ing inter­na­tion­al tal­ents in both Eng­lish and for­eign lan­guage. Films must have strong fes­ti­val poten­tial, inter­na­tion­al mar­ketabil­i­ty and dig­i­tal pos­si­bil­i­ties as we work across all areas.

Loco Films is a Paris-based world sales and pro­duc­tion com­pa­ny cre­at­ed by Lau­rent Daniélou and Enrique Gon­za­lez Kuhn, cin­e­ma lovers and vet­er­ans in the Euro­pean film indus­try who are join­ing forces in order to find and reveal the finest of inde­pen­dent filmmaking.

Log­i­cal Pic­tures is a pro­duc­tion and invest­ment com­pa­ny. In just a few years, it made its mark as a major play­er of the Euro­pean con­tent indus­try. Log­i­cal Pic­tures’ slate presents more than 30 movies pro­duced or in pro­duc­tion, and a track record renowned in the indus­try (films at Cannes offi­cial com­pe­ti­tion, Sun­dance, Toronto…).

Luftkind’s mis­sion is to engage young audi­ences in cin­e­ma, art, and cul­ture by pro­vid­ing them with access to sto­ries that are both age-appro­pri­ate and chal­leng­ing through ani­mat­ed films - in all their diverse and cre­ative forms.

Gul­li (M6 Group) is the no. 1 TV broad­cast­er for kids! It is the children’s favourite chan­nel and the one in which par­ents have the most con­fi­dence in. All day long, chil­dren find their favourite heroes in ani­mat­ed series based on com­e­dy or action, live action, cin­e­ma, games and doc­u­men­taries. More than just enter­tain­ment, Gul­li is a ref­er­en­tial, engaged and reas­sur­ing brand. Through its pro­grams it offers ways of think­ing about tol­er­ance, open-mind­ed­ness and know­ing how to live together.

Media Resources Man­age­ment (MRM) is the first media con­sult­ing com­pa­ny in Ukraine pro­vid­ing com­pre­hen­sive ser­vices in media and cre­ative indus­tries since 2005. MRM’s goal is to devel­op a healthy AV busi­ness ecosys­tem in Ukraine and build sol­id bridges between cre­ative sec­tors of Ukraine and oth­er coun­tries world­wide. MRM’s select­ed projects: Kyiv Media Week, Media Busi­ness Reports, PITCH UA, #ucan­co­pro­duce, Ukrain­ian Con­tent Glob­al Coop­er­a­tion, Medi­a­Book and others.

Media Solu­tions Part­ners is a film com­pa­ny focused on pro­duc­tion and distribution.

Media Solu­tions Part­ners is a film com­pa­ny focused on pro­duc­tion and distribution.

Medi­a­toon Audio­vi­su­al Rights rep­re­sents the audio­vi­su­al rights for all pub­lish­ers of the Media-Par­tic­i­pa­tions Group and few oth­ers. With his­tor­i­cal graph­ic nov­els pub­lish­ers such as Dar­gaud, Dupuis, Le Lom­bard… and tra­di­tion­al lit­er­ary pow­er­hous­es like Le Seuil/​La Mar­tinière, as well as inde­pen­dent pub­lish­ers, it is more than 100,000 nov­els and 4,000 comics IPs wait­ing for you to be adapted.

Mega­Com Film is the film dis­tri­b­u­tion com­pa­ny in Ser­bia and in the region. It has left a sig­nif­i­cant mark in the field of film dis­tri­b­u­tion dur­ing the last ten years as well as on the pro­duc­ers of film fes­ti­vals in Ser­bia, thus grow­ing to be a lead­ing film dis­trib­u­tor and a sole leader and rep­re­sen­ta­tive of the Ser­bian cap­i­tal and of the region in the cin­e­ma film dis­tri­b­u­tion segment.

Memen­to Inter­na­tion­al is a select sales com­pa­ny that tracks and rep­re­sents high-pro­file, direc­tor dri­ven inde­pen­dent films. We com­mit to only 8 projects a year and offer tailor–made syn­er­gies and busi­ness exper­tise through pro­duc­tion, financ­ing and inter­na­tion­al sales. We have recent­ly worked with renowned and award-win­ning film­mak­ers such as Asghar Farha­di, Luca Guadagni­no, Justin Kurzel, Joachim Tri­er, Lau­rent Can­tet, Jim Mick­le, Cate Short­land, Nuri Bilge Cey­lan and Kel­ly Reichardt.

Cre­at­ed in 2017, Miyu Dis­tri­b­u­tion was born from the part­ner­ship between Luce Gros­jean and her com­pa­ny, Seve Films, and Miyu Pro­duc­tions. Spe­cialised in inter­na­tion­al sales and dis­tri­b­u­tion of ani­ma­tion short films, Miyu Dis­tri­b­u­tion dis­trib­utes the grad­u­a­tion films of lead­ing ani­ma­tion school as well as films from inde­pen­dent pro­duc­tion structures.

Cre­at­ed in 2017, Miyu Dis­tri­b­u­tion was born from the part­ner­ship between Luce Gros­jean and her com­pa­ny, Seve Films, and Miyu Pro­duc­tions. Spe­cialised in inter­na­tion­al sales and dis­tri­b­u­tion of ani­ma­tion short films, Miyu Dis­tri­b­u­tion dis­trib­utes the grad­u­a­tion films of lead­ing ani­ma­tion school as well as films from inde­pen­dent pro­duc­tion structures.

Formed in 1998, the com­pa­ny has a diverse cat­a­logue of ani­ma­tion, rang­ing from hit pre-school series, sold world­wide, to Oscar-win­ning short ani­ma­tion. We like to get involved ear­ly and build pro­grammes into brands, sell­ing to all broad­cast­ers and plat­forms world­wide and mak­ing licens­ing, mer­chan­dis­ing and pub­lish­ing deals. We were award­ed the Car­toon Trib­ute Award for Investor of the Year 2012.

MOVRE­AL endors­es SPILINKS who pro­vides inno­v­a­tive ser­vices to Euro­pean TV ani­mat­ed series and long-fea­ture film pro­duc­ers. The main ser­vice is called SPI (Soft­ware Pro­duc­tion Inter­face). SPI is a pro­duc­tion track­ing and review­ing ser­vice which helps pro­duc­ers to fol­low their cre­ation process from ear­ly writ­ing to final edit­ing. SPI has been espe­cial­ly designed to allow pro­duc­ers to work seam­less­ly with sev­er­al stu­dios and part­ners from dif­fer­ent loca­tions all along the film pro­duc­tion process.

Lead­ing Hun­gar­i­an dis­trib­u­tor of com­pa­ny of art-house titles. Ani­ma­tion titles includ­ed ​“Belle”, ​“Mirai”, ​“The Boy and the Beast”, ​“Ear­ly Man”, ​“A Shaun the Sheep Movie: Far­maged­don”, ​“Red Tur­tle” and ​“The Tragedy of Man”.

New Cin­e­ma was found­ed in 1981 and was unit­ed into a firm in 1983. The company’s main focus is man­ag­ing cin­e­ma the­atres across Israel and dis­trib­ut­ing Euro­pean based art movies. The recent acts of the com­pa­ny are the dis­tri­b­u­tion of the ani­ma­tion ​“Even Mice Belong in Heav­en”. The com­pa­ny New Cin­e­ma is based in Tel Aviv.

New Hori­zons is a fes­ti­val organ­is­er and a dis­trib­u­tor. We run New Hori­zons IFF - art­house film fes­ti­val in Wro­claw - and Kids Kino IFF - fes­ti­val for young audi­ences in War­saw. As dis­trib­u­tor, we release about 20 titles per year - both art­house and fam­i­ly films. Regard­ing ani­ma­tions, we have in our cat­a­logue titles like ​“Belle”, ​“Even Mice Belong in Heav­en”, ​“Famous Bears Inva­sion over Sici­ly” or ​“Argonuts”.

Voyo is a SVOD plat­form brand oper­at­ed by ranked 1st com­mer­cial tele­vi­sions - Nova TV and Mark­iza TV, on the ter­ri­to­ry of Czech Repub­lic. and Slo­va­kia. In their Voyo apps view­ers can find pre­miere movies and docs, ever­green and well know cur­rent series, enter­tain­ment shows and final­ly vari­ety of ani­ma­tion brands. The plat­form grows rapid­ly and steadi­ly in state of con­stant search of pro­gram­ming as well as tech­ni­cal devel­op­ment and innovations.

O’Broth­er Dis­tri­b­u­tion is a film dis­tri­b­u­tion com­pa­ny active in the Benelux whose ambi­tion is to offer a dif­fer­ent range of qual­i­ty Bel­gian and for­eign films, while giv­ing itself the means to defend them with the nec­es­sary enthusiasm.

ODMe­dia pro­vides a one-stop solu­tion which makes sure your con­tent is in the right for­mat, in the right place, at the right time. We con­nect con­tent own­ers & plat­forms to deliv­er con­tent to view­ers on any screen around the world. We take care of all tech­ni­cal require­ments, which allows you to focus on your core activ­i­ties. We offer ser­vices cov­er­ing the entire con­tent life­cy­cle; from cre­ation of a dig­i­tal cin­e­ma pack­age to tech­ni­cal deliv­ery to OTT plat­forms and broadcasters.

Option Media is a full-ser­vice provider for all video & audio post-pro­duc­tion. We’re a leader in local­i­sa­tion of audio­vi­su­al con­tent for years. We pro­vide trans­la­tion, subs and dub­bing for (inter)national film dis­trib­u­tors, tele­vi­sion chan­nels & pro­duc­tion com­pa­nies. We can offer full PM. In order to achieve opti­mal dis­tri­b­u­tion, we can deliv­er your con­tent on all pos­si­ble phys­i­cal medi­ums and dig­i­tal for­mats. Eli­gi­ble for co-financ­ing by Screen Flan­ders, the Flan­ders Audio­vi­su­al Fund & Tax Shelter.

OCS is a french pay TV play­er. As such, OCS finances and buys around 1,000 movies a year includ­ing ani­ma­tion movies.

Born in 1989, Out­sider Dif­fu­sion was one of the first inde­pen­dent com­pa­nies to release Japan­ese ani­me in France. Over the years, Out­sider has devel­oped activ­i­ties in con­sult­ing, acqui­si­tion and book­ing of movie theatres.

Out­sider Films is a films dis­trib­u­tor cre­at­ed by three pro­fes­sion­als in the Por­tuguese mar­ket, based in Lis­bon. It oper­ates in the seg­ment of inde­pen­dent movies. Out­sider Films is now releas­ing 14 to 16 films per year with a spe­cial focus on ani­ma­tion. Last ani­mat­ed movies released in the last 4 years: ​“Lov­ing Vin­cent”, ​“Duck Duck Goose”, ​“Mirai”, ​“Mary & the Witch´s Flower”, ​“Bread­win­ner”, ​“Cats and Peach­topia”, ​“Ear­wig and the Witch” , ​“Check­ered Nin­ja 1” and ​“Lat­te and the Mag­ic Waterstone”.

Pay­com Mul­ti­me­dia is a mul­ti­me­dia dis­trib­u­tor found­ed in 1997. It was cre­at­ed with the goal of becom­ing one of the lead­ing com­pa­nies inside the mul­ti­me­dia mar­ket in Spain. Hav­ing its head­quar­ters in Cat­alo­nia, the com­pa­ny seeks to deliv­er both the newest mul­ti­me­dia con­tent and the old­est hits to the audi­ence, using the com­mu­ni­ca­tion plat­forms and chan­nels avail­able at the moment while always being com­mit­ted to pro­vide the best quality.

Periscoop Film is a Dutch dis­tri­b­u­tion com­pa­ny found­ed by the pro­duc­ers of Fu Works and Sub­ma­rine. We dis­trib­ute inter­na­tion­al doc­u­men­taries, ani­mat­ed fea­tures and genre bend­ing films that enrich and diver­si­fy the film land­scape of the Benelux.

Region­al cen­tre of excel­lence in charge of imple­ment­ing the film and audio­vi­su­al pol­i­cy of the Hauts-de-France region, Pic­tano­vo sup­ports the cre­ation and pro­duc­tion of over 200 works per year.

Pink Par­rot Media is an inter­na­tion­al sales com­pa­ny set up in 2018 by Marie-Claude Beauchamp and Tania Pin­to Da Cun­ha. We spe­cialise in ani­ma­tion and live-action fam­i­ly enter­tain­ment. The com­pa­ny is active in dis­tri­b­u­tion, acqui­si­tions, pack­ag­ing and financ­ing projects as well as co-pro­duc­tion oppor­tu­ni­ties. We want to give pro­duc­ers the best place for their projects, pro­mot­ed with pas­sion and always on a per­son­al basis. We can say we are a bou­tique in the fam­i­ly enter­tain­ment business.

Play­time is a Paris-based inter­na­tion­al sales com­pa­ny active since 1997, also active in pro­duc­tion of fea­ture films and series. Each year, Play­time launch­es approx­i­mate­ly 10 new films in the most pres­ti­gious fes­ti­vals. Play­time is known for the qual­i­ty of its artis­tic choic­es and world­wide suc­cess­es such as ​“Son of Saul”, ​“BPM”, ​“By the Grace of God” or the lat­est ​“Paris 13th Dis­trict”, includ­ing ani­ma­tion titles like ​“A Cat in Paris” or ​“The Black Pharaoh, the Sav­age and the Princess” by Michel Ocelot.

With some more than 180 spe­cialised com­pa­nies, includ­ing 40 ani­ma­tion-vfx and video game stu­dios, more than 250 car­toon authors, 15 col­leges of inter­na­tion­al renown and 1,800 stu­dents, Mage­lis has built a strong ecosys­tem ded­i­cat­ed to cre­ation and inno­va­tion in the sec­tors of the image and has estab­lished itself in a dom­i­nant posi­tion in the inter­na­tion­al environment.

With some more than 180 spe­cialised com­pa­nies, includ­ing 40 ani­ma­tion-vfx and video game stu­dios, more than 250 car­toon authors, 15 col­leges of inter­na­tion­al renown and 1,800 stu­dents, Mage­lis has built a strong ecosys­tem ded­i­cat­ed to cre­ation and inno­va­tion in the sec­tors of the image and has estab­lished itself in a dom­i­nant posi­tion in the inter­na­tion­al environment.

With some more than 180 spe­cialised com­pa­nies, includ­ing 40 ani­ma­tion-vfx and video game stu­dios, more than 250 car­toon authors, 15 col­leges of inter­na­tion­al renown and 1,800 stu­dents, Mage­lis has built a strong ecosys­tem ded­i­cat­ed to cre­ation and inno­va­tion in the sec­tors of the image and has estab­lished itself in a dom­i­nant posi­tion in the inter­na­tion­al environment.

Poly­film is an Aus­tri­an-based dis­tri­b­u­tion com­pa­ny, in the busi­ness since the 1980s. Focused on art-house films, doc­u­men­taries and ani­ma­tion. The com­pa­ny also runs two art-house the­atres in Vien­na, the Film­casi­no and Filmhaus Kino.

Cre­at­ed in 2016, Pri­mal Seed is a stu­dio made up of pas­sion­ate video game enthu­si­asts. We are a team of 7 peo­ple with all the skills required to make a game from scratch to release. When we don’t work on our own projects, we offer our exper­tise through some ser­vice pro­vid­ing (music, 3D art, con­cept art, illus­tra­tions, code, con­sult­ing, 2D/3D ani­ma­tion, etc.) You have an idea or need help on a project? Let’s talk about it!

Pro Films was estab­lished in 2005 as a dis­trib­u­tor of Euro­pean films for Bul­gar­ia. Since then, we had dis­trib­uted over a hun­dred films the­atri­cal­ly, most of them ani­ma­tion fea­tures. For the last 7 years, Pro Films is the lead­ing inde­pen­dent dis­trib­u­tor of ani­mat­ed fea­tures and TV series in Bulgaria.

Qwest Media is a pro­duc­tion & sales com­pa­ny based in Paris since 2006, we are cur­rent­ly devel­op­ing ani­ma­tions fea­tures with part­ners in France, USA, Ivory Coast, Nige­ria… We are also rep­re­sent­ing fea­tures in pro­duc­tion in Istan­bul ​“Juli­et & the King” (2D ani­ma­tion romance com­e­dy, deliv­ery in sum­mer 2024, pro­duced by Hoorash Stu­dio & 7Sky Ani­ma­tion). In pro­duc­tion: ​“Viana & the Leg­end of the Gold­en Hearts” (3D romance musi­cal pro­duced by Water­mel­on Pro­duc­tion, deliv­ery 2024, co-pro­duc­tion USA, Chi­na & Portugal).

Span­ish Radio and Tele­vi­sion Cor­po­ra­tion (RTVE) is Spain’s largest and most influ­en­tial mul­ti­me­dia group, as well as a stan­dard for the Span­ish-speak­ing world. The RTVE Corp. is entrust­ed with the mis­sion of guar­an­tee­ing state-owned pub­lic radio and tele­vi­sion ser­vices, offer­ing objec­tive & plur­al infor­ma­tion, encour­ag­ing demo­c­ra­t­ic par­tic­i­pa­tion & debate, effec­tive­ly pro­mot­ing cul­ture, knowl­edge, child pro­tec­tion, gen­der equal­i­ty and social & ter­ri­to­r­i­al cohesion.

Radiotele­vi­sione Ital­iana (RAI), the Ital­ian pub­lic broad­cast­er, is one of the main Euro­pean play­ers in the pro­duc­tion and co-pro­duc­tion of car­toons. Most of RAI’s ani­mat­ed series are pro­duced in col­lab­o­ra­tion with Ital­ian inde­pen­dent stu­dios and with Euro­pean part­ners. With 2 free-to-air chan­nels, RAI Yoyo for chil­dren and RAI Gulp for kids, and a grow­ing pres­ence in dig­i­tal plat­forms, RAI presents a wide vari­ety of qual­i­ty pro­grammes to chil­dren and families.

The Occ­i­tanie Region aims to strength­en the film indus­try and the cul­tur­al dynam­ics on its ter­ri­to­ry. The Region sup­ports film­mak­ers by pro­vid­ing finan­cial assis­tance for devel­op­ment and pro­duc­tion and offers sup­ports to film fes­ti­val and film mar­kets. This approach also includes a film edu­ca­tion pro­gram, as well as a sup­port to film her­itage through the Ciné­math­èque de Toulouse and the Jean Vigo Institute.

Rita&Luca Films is a chil­dren’s film dis­tri­b­u­tion com­pa­ny focused on inde­pen­dent Euro­pean movies, fea­ture films and shorts. Although we do the­atri­cal releas­es of our movies, our strength is the non-the­atri­cal and edu­ca­tion­al mar­ket. Our cat­a­logue is a guar­an­tee of qual­i­ty and artis­tic films with strong val­ues behind.

Rita&Luca Films is a chil­dren’s film dis­tri­b­u­tion com­pa­ny focused on inde­pen­dent Euro­pean movies, fea­ture films and shorts. Although we do the­atri­cal releas­es of our movies, our strength is the non-the­atri­cal and edu­ca­tion­al mar­ket. Our cat­a­logue is a guar­an­tee of qual­i­ty and artis­tic films with strong val­ues behind.

Rosebud.21 was found­ed in 2013 as a con­tin­u­a­tion of the 21-years-old Rose­bud, with a new share­hold­er struc­ture but with the same pas­sion for good films. Rosebud.21 trav­els the world on all the impor­tant film mar­kets aim­ing to acquire movies that stand out as wants to be estab­lished as a bou­tique art dis­tri­b­u­tion com­pa­ny with around 10 titles per year, avail­able The­atri­cal – DVD – TV.

RTBF co-pro­duces ani­mat­ed series and indi­vid­ual pro­grammes root­ed in Belgium’s art and lit­er­a­ture; it also pays par­tic­u­lar atten­tion to projects that stand out for their aes­thet­ic char­ac­ter. These pro­grammes must be pro­duced or co-pro­duced by inde­pen­dent Bel­gian com­pa­nies. In terms of acqui­si­tions, RTBF con­cen­trates on inno­v­a­tive con­tem­po­rary Euro­pean ani­mat­ed series for chil­dren aged 8 to 10. RTBF also intends to explore Euro­pean and inter­na­tion­al fic­tion aimed at 10-15 and at 15-18-year-olds.

SC Films Inter­na­tion­al was found­ed by Simon Crowe and financier Matthew Joynes in Lon­don in 2008. SC Films is a sales, finance and dis­tri­b­u­tion com­pa­ny spe­cial­is­ing in ani­ma­tion fea­tures includ­ing such titles as ​“Yel­low­bird aka Gus”, ​“Mon­key King”, ​“White Fang”, ​“Gnome Alone”, ​“Charm­ing” and ​“Pachama­ma”. Simon is cur­rent­ly pro­duc­ing ani­ma­tion fea­tures ​“Best Birth­day Ever”, ​“My Father’s Secrets” and ​“Drag­onkeep­er”. Cur­rent slate also includes live-action films, the award-win­ning ​“Gen­san Punch” and ​“On Fire”.

Screen Flan­ders is your first stop for audio­vi­su­al activ­i­ties in the Flan­ders Region, pro­vid­ing finan­cial sup­port through its eco­nom­ic fund, infor­ma­tion and ser­vices via its film com­mis­sion. Via the Screen Flan­ders eco­nom­ic fund, Bel­gian (co-)producers can apply to receive up to 400,000€ refund­able advances by way of eco­nom­ic sup­port to cov­er their audio­vi­su­al expens­es in the Flan­ders Region.

screen.brussels offers finan­cial sup­port to audio­vi­su­al pro­duc­tions which spend (part of) their bud­get with­in the Brus­sels-Cap­i­tal Region. Some of our last projects in ani­ma­tion: ​“Vale­mon”, ​“The Polar Bear King” (Vivi Films), ​“Sauvages” (Panique), ​“The Insep­a­ra­bles” (nWwave), ​“No Dogs or Ital­ians Allowed” (Lux Fugit Film), ​“Titi­na” (Vivi Films), ​“Siroc­co and the King­dom of the Winds” (Take Five), ​“Yuku and the Himalayan Flower” (Artemis, La Boite Prod)…

Selmer Media is a film dis­tri­b­u­tion com­pa­ny that dis­trib­utes fea­ture films to the Nordic mar­ket. The com­pa­ny invests in movie rights and releas­es films the­atri­cal­ly and via TV and VoD in col­lab­o­ra­tion with var­i­ous part­ners in the Nordic coun­tries. Selmer Media holds the right to a wide range of films, from art-house dra­mas to broad enter­tain­ment. Our foun­da­tion is our pas­sion for film and love of cin­e­ma, com­bined with a clear focus on run­ning a prof­itable and inter­na­tion­al­ly com­pet­i­tive company.

As a top telecom­mu­ni­ca­tion com­pa­ny in Korea, SK Broad­band pro­vides broad­band inter­net, IPTV broad­cast­ing and VoD plat­form ser­vice (includ­ing mobile TV). We pro­ceed with invest­ment, acqui­si­tion, plan­ning and mar­ket­ing in ani­ma­tion. Our ani­ma­tion projects are ​“Poro­ro”, ​“Robo­car Poli”, ​“Vroomiz”, ​“Lar­va”, ​“Time Trav­el­er Luke”, ​“Botos Fam­i­ly” and ​“Mirac­u­lous Lady­bug”. As ICT con­ver­gence leader, SK Broad­band is mak­ing hap­pi­ness in com­mu­ni­ca­tion beyond the technology.

SND is the film dis­tri­b­u­tion sub­sidiary of the M6 Group, one of the lead­ing TV net­works in Europe. SND han­dles film dis­tri­b­u­tion, video pub­lish­ing, inter­na­tion­al sales and film pro­duc­tion. Ani­ma­tion high­lights include ​“Aster­ix, Land of the Gods”, ​“The Jun­gle Bunch”, ​“Aster­ix and the Secret of the Mag­ic Potion”, and recent­ly ​“The Extinct” and ​“Pil”.

SO Games is born from the merge of Angoulême Video Games and Bor­deaux Games, cre­at­ing the main gath­er­ing of the video game sec­tor in Nou­velle-Aquitaine. The asso­ci­a­tion gath­ers 1,000 full time jobs, 100M€ worth of busi­ness in 100 stu­dios. Among the famous mem­bers: Asobo Stu­dio, Ubisoft Bor­deaux, Shi­ro Games, Motion Twin, Nova-Box, Head­bang Club, Black Flag, La Poule Noire, Evil Empire, Game­s­plan­et, G4F and many more.

Sol­i­dan­im is a 3d ani­ma­tion stu­dio based in Angouleme and Bordeaux,we are movie pro­duc­er and ser­vices provider of motion cap­ture, vfx and 3D animation.The com­pa­ny is involved in dif­fer­nts mar­kets: TV projects, fea­ture films and games.Our last projects were : White­fang, ani­ma­tion movie pro­duced by Superprod,TaraDuncan, An ani­ma­tion tv serie of 52 episodes pro­duced by PrincessSAM

Spire Media is a Bei­jing-based pro­duc­tion and acqui­si­tion company.

Star Invest Films France is a the­atri­cal dis­tri­b­u­tion com­pa­ny found­ed in 2015.

Sto­ry­telling Media was found­ed in 2009 and is owned by Trond­heim Cin­e­ma as the only share­hold­er. Trond­heim Cin­e­ma is the third largest cin­e­ma chain in Nor­way. The company’s strat­e­gy is to acquire and dis­trib­ute high-qual­i­ty ani­ma­tion and art-house programming.

Stu­dio 100 Film is an inter­na­tion­al, inde­pen­dent sales agency for upmar­ket children’s and fam­i­ly movies. The Munich-based com­pa­ny is a sub­sidiary of Stu­dio 100 Media rep­re­sent­ing its own ani­ma­tion fea­ture films and, in addi­tion, it acts as a sales agency for select­ed third par­ty films. Stu­dio 100 Film’s focus is to rep­re­sent a well-cho­sen port­fo­lio of films inter­na­tion­al­ly with due attentiveness.

Stu­dio 100 Film is an inter­na­tion­al, inde­pen­dent sales agency for upmar­ket children’s and fam­i­ly movies. The Munich-based com­pa­ny is a sub­sidiary of Stu­dio 100 Media rep­re­sent­ing its own ani­ma­tion fea­ture films and, in addi­tion, it acts as a sales agency for select­ed third par­ty films. Stu­dio 100 Film’s focus is to rep­re­sent a well-cho­sen port­fo­lio of films inter­na­tion­al­ly with due attentiveness.

Stu­dio Ana­tole is a sound record­ing and post-pro­duc­tion studio.

Stu­dio Elon is a film acqui­si­tion and pro­duc­tion com­pa­ny in Korea. Stu­dio Elon is the new name of Com­pa­ny L. Stu­dio Elon gives our pri­or­i­ty efforts to spe­cialised con­tent: ani­ma­tion, genre and acquir­ing orig­i­nal IP con­tent. This year, we have also branched out to pro­duc­ing orig­i­nal content.

STU­DIO­CANAL is Europe’s leader in pro­duc­tion, dis­tri­b­u­tion and inter­na­tion­al sales of fea­ture films and TV series.

Music record­ing and post-pro­duc­tion stu­dios (rush pro­cess­ing, sound edit­ing rooms, pic­ture edit­ing rooms, mix­ing audi­to­ri­um, sound effects audi­to­ri­um, dub­bing and VFX).

Superights is an inter­na­tion­al dis­tri­b­u­tion com­pa­ny propos­ing con­tent for kids and fam­i­ly. Through a cat­a­logue of extreme­ly diverse gen­res, tar­gets and nation­al­i­ties, the com­pa­ny offers pre­mi­um pro­grammes and deals with the biggest inter­na­tion­al play­ers (chan­nels and plat­forms) through­out the world.

Tele­visió de Catalun­ya is the gen­er­al­ist pub­lic TV broad­cast­er of Cat­alo­nia. TV3 is com­mit­ted to offer its view­ers a social­ly rel­e­vant, qual­i­ty pro­gram­ming, while sup­port­ing and pro­mot­ing Cata­lan cul­ture and lan­guage, as well as encour­ag­ing inno­va­tion and cre­ativ­i­ty. TVC pro­mot­ed from its out­set the suc­cess­ful ani­mat­ed series ​“The Triplets”. It has tak­en part since then in a vari­ety of pro­duc­tions with inter­na­tion­al impact: ​“Chico&Rita”, ​“Lucky&Fred”, ​“Saari”, ​“Ask Lara” or ​“Pump­kyn Reports”.

Tele­visió de Catalun­ya is the gen­er­al­ist pub­lic TV broad­cast­er of Cat­alo­nia. TV3 is com­mit­ted to offer its view­ers a social­ly rel­e­vant, qual­i­ty pro­gram­ming, while sup­port­ing and pro­mot­ing Cata­lan cul­ture and lan­guage, as well as encour­ag­ing inno­va­tion and cre­ativ­i­ty. TVC pro­mot­ed from its out­set the suc­cess­ful ani­mat­ed series ​“The Triplets”. It has tak­en part since then in a vari­ety of pro­duc­tions with inter­na­tion­al impact: ​“Chico&Rita”, ​“Lucky&Fred”, ​“Saari”, ​“Ask Lara” or ​“Pump­kyn Reports”.

Telewiz­ja Pol­sat is the lead­ing pri­vate TV sta­tion, part of the media group Pol­sat Plus.

The Lennon-Ritchie agency rep­re­sents a select group of inter­na­tion­al writ­ers of lit­er­ary and com­mer­cial fic­tion, non-fic­tion and chil­dren’s lit­er­a­ture. We also sell inter­na­tion­al and film/​TV rights for pub­lish­ing hous­es includ­ing Pen­guin Ran­dom House (SA), Pan Macmil­lan (SA), Jonathan Ball Pub­lish­ing and Duck Creek Press (NZ). Our sis­ter agency, Torch­wood, is a lit­er­ary agency for film and tele­vi­sion rep­re­sent­ing screen­writ­ers and direc­tors worldwide.

The Play­mak­er Munich, for­mer­ly known as ARRI Media Inter­na­tion­al, was launched on May 1st 2021 with­in the moth­er com­pa­ny SL Group, which includes inter­na­tion­al sales, copro­duc­tion, rental, post-pro­duc­tion and VFX).The Play­mak­er Munich is a high­ly enthu­si­as­tic, open and deter­mined world sales and co-pro­duc­tion out­fit based in Ger­many. Our main focus is fam­i­ly enter­tain­ment and kids con­tent, which includes over the years fam­i­ly ani­ma­tion glob­al box-office hits such as ​“Ploey” and ​“The Ogglies”.

The Yel­low Affair is a world sales agent and exec­u­tive pro­duc­er for films & TV series from around the world. After 12 years, in today’s com­pli­cat­ed and volatile film mar­ket, The Yel­low Affair boasts a proven track record and has a grow­ing rep­u­ta­tion in areas of devel­op­ment, financ­ing, mar­ket­ing and sell­ing films and TV series of all types and gen­res. The Yel­low Affair is one of the most promi­nent inter­na­tion­al sales com­pa­nies based in Helsin­ki, New York and London.

Mari­na Díez (she/​they) is a Span­ish award-win­ning game design­er and film­mak­er based in Berlin and Lon­don. She’s the CEO at Three of Cups Games, an eth­i­cal and diverse games stu­dio based in Lon­don. Besides, she is a lead game design­er at Un Je Ne Sais Quoi Stu­dios, cur­rent­ly work­ing on the game ​“Dor­dogne”. Mari­na is also a prin­ci­pal game design­er at BTF Cologne on an unan­nounced project. She is involved in many com­mu­ni­ty ini­tia­tives and activism. Mari­na is also a reg­u­lar speak­er at games events such as GDC, EGX, PAX, A MAZE… Mari­na recent­ly start­ed com­ple­ment­ing her career in games with film­mak­ing, screen­ing her work at fes­ti­vals such as Toron­to Inter­na­tion­al Women Film Fes­ti­val, Inde­pen­dent Shorts Awards Los Ange­les, New Wave Short Film Fes­ti­val and Tokyo Inter­na­tion­al Short Film Fes­ti­val. Mari­na is a Forbes 30 Under 30 2021 hon­oree, a Game Dev Heroes 2020 win­ner, a for­mer BAF­TA Crew mem­ber, an IGDA Veloc­i­ty GDC 2019 recip­i­ent and a Women in Games Ambassador.

We cre­ate, trans­form, localise, dis­trib­ute and secure your con­tent since 1933. We spe­cialise in ani­ma­tion post-production.

Stop-motion ani­ma­tion stu­dio based in Angoulême. We pro­vide full ser­vice for all film or video games stop-motion project.