Who is coming

22D Music Group is an inde­pen­dent music pub­lish­er, expert in the man­age­ment of music rights with a spe­cial focus on audio­vi­su­al indus­tries with a world­wide cov­er­age. With branch­es in Paris, Madrid, Lon­don, Berlin and New York, 22D’s cre­ative activ­i­ties include music super­vi­sion and assis­tance with all steps relat­ed to the pro­duc­tion of musi­cal con­tent for audio­vi­su­al projects, from find­ing a com­pos­er to releas­ing a sound­track album, via the 22D label.

Actezéro est une agence française qui accom­pa­gne les stu­dios de jeu vidéo à créer, dévelop­per et pro­duire du con­tenu narratif.

Aero­films start­ed as a joint project of two biggest art­house cin­e­mas in Prague in 2006. Since then, Aero­films has brought more than 200 care­ful­ly curat­ed films to Czech cin­e­mas. Since 2013, Aero­films has also oper­at­ed the Aerovod VOD platform.

Found­ed in 1999, Ago­ra Films is one of the last dis­tri­b­u­tion com­pa­nies based in French-speak­ing Switzer­land. It dis­trib­utes 12 to 15 films a year, main­ly art­house and euro­pean films.

Ani­mat­ed films dis­trib­uted : KER­I­TY, LA MAI­SON DES COMPTES — UNE VIE DE CHAT — LE TABLEAU — LE JOUR DES CORNEILLES — LOULOU, L’IN­CROY­ABLE SECRET — TANTE HIL­DA — PHAN­TOM BOY — TOUT EN HAUT DU MONDE — LOUISE EN HIV­ER — LE VOY­AGE DU PRINCE — CALAMITY

CANAL+ pre-pur­chas­es 5 or 6 ani­mat­ed fea­tures a year, which are made in french and (co)produced by France.

Car­ole Bara­ton, Yohann Comte, Pierre Mazars found­ed Cha­rades in Jan­u­ary 2017, fol­low­ing suc­cess­ful tenures as respec­tive­ly head and VPs of Inter­na­tion­al Sales at Wild Bunch, Gau­mont and Stu­dio Canal, with the finan­cial back­ing of Con­stan­tin Briest.

Cha­rades is based in Paris, but has a glob­al reach; it brings a fresh per­spec­tive and wealth of expe­ri­ence in inter­na­tion­al sales, pack­ag­ing, copro­duc­tion and distribution.

Car­ole Bara­ton, Yohann Comte and Pierre Mazars found­ed Cha­rades in Jan­u­ary 2017, fol­low­ing suc­cess­ful tenures as head and VPs of Inter­na­tion­al Sales at Wild Bunch, Gau­mont and Stu­dio­Canal, respec­tive­ly. A dynam­ic sales and co-pro­duc­tion com­pa­ny based in Paris with a glob­al reach, Cha­rades offers a fresh per­spec­tive and wealth of expe­ri­ence in inter­na­tion­al sales, pack­ag­ing and dis­tri­b­u­tion. Their cat­a­logue includes an eclec­tic and pres­ti­gious ani­ma­tion movies such as ​“The Queen’s Cor­gi”, ​“I Lost My Body” and acad­e­my-award nom­i­nat­ed ​“Mirai”.

Cin­e­ma Man­age­ment Group (CMG) is one of the lead­ing inter­na­tion­al sales com­pa­nies, head­ed by Exec­u­tive Pro­duc­er Edward Noelt­ner. Recent suc­cess­es include ​“Lov­ing Vin­cent” gross­ing over US$ 42 mil­lion world­wide; Metacube’s ​“Salma’s Big Wish” (+1,3 mil­lion admis­sions in Mex­i­co); and Annecy Con­trechamp Award-win­ner ​“Away”. Just com­plet­ed is ​“Ain­bo: Spir­it of the Ama­zon” pre-sold to over 30 inter­na­tion­al dis­trib­u­tors with the­atri­cal releas­es through­out 2021. In post-pro­duc­tion is South African-based Trig­ger­fish Stu­dios’ ​“Seal Team” with VIP voic­es J.K. Sim­mons, Dolph Lund­gren, Patrick War­bur­ton, and Kris­ten Schaal for release sec­ond half of 2021. CMG’s slate also includes Katu­ni and A‑Film’s ​“Pan­da Bear in Africa”; ​“Kayara”, a Tunche Film – Toonz Ani­ma­tion Spain co-pro­duc­tion set in the Incan Empire; the Gul­lane Films and Sym­bio­sis Tech­nolo­gies co-pro­duc­tion ​“Noah’s Ark”, and Oscar Wilde’s clas­sic tale ​“The Can­ter­ville Ghost” with Stephen Fry, a Mel­moth Films – Toonz Media Group co-pro­duc­tion. Since 2005, CMG licensed ani­mat­ed fea­tures have grossed over US 400 mil­lion$ at the world­wide box-office.

Cul­ture Con­nect is an Agency spe­cial­ized in bring­ing Japan­ese IP for glob­al mar­ket, glob­al ani­ma­tion con­tent dis­tri­b­u­tion for Japan­ese mar­ket, and coor­di­nate Japan and over­seas ani­ma­tion co-pro­duc­tion. Regard­ing Japan­ese IP, Cul­ture Con­nect works on some select­ed beau­ti­ful projects. For glob­al ani­ma­tion con­tent dis­tri­b­u­tion in Japan­ese mar­ket and/​or co-pro­duc­tion with Japan, Cul­ture Con­nect bridges to Major Japan­ese broad­cast­ers, Aggre­ga­tors, Japan­ese Ani­ma­tion Stu­dios, and top toy companies.

The sev­en tele­vi­sion chan­nels of the Czech Tele­vi­sion meet the objec­tives of the pub­lic ser­vice by inform­ing and by con­sis­tent­ly cre­at­ing and broad­cast­ing orig­i­nal pro­grammes for all age groups in the Czech Repub­lic. Cul­ti­vat­ing and draw­ing on its more than six­ty years of expe­ri­ence, the Czech TV pro­duces pro­grammes of superb qual­i­ty and in a rich vari­ety of gen­res. CT:D is kids´channel for chil­dren aged between 4 and 12 offer­ing a vari­ety of orig­i­nal and for­eign content.

Europa Dis­tri­b­u­tion is the asso­ci­a­tion of inde­pen­dent film pub­lish­ers and dis­trib­u­tors, cre­at­ed in 2006. With about 115 lead­ing inde­pen­dent dis­trib­u­tors rep­re­sent­ing 30 coun­tries in Europe and beyond, it acts as a net­work, a think tank and serves as the voice of the sec­tor. The network’s aim is to strength­en the exchange and col­lab­o­ra­tion process between its mem­bers, to improve their skills and the cura­tion, pro­mo­tion and dis­tri­b­u­tion of inde­pen­dent films, includ­ing animation.

Europa Dis­tri­b­u­tion is the asso­ci­a­tion of inde­pen­dent film pub­lish­ers and dis­trib­u­tors, cre­at­ed in 2006. With about 115 lead­ing inde­pen­dent dis­trib­u­tors rep­re­sent­ing 30 coun­tries in Europe and beyond, it acts as a net­work, a think tank and serves as the voice of the sec­tor. The network’s aim is to strength­en the exchange and col­lab­o­ra­tion process between its mem­bers, to improve their skills and the cura­tion, pro­mo­tion and dis­tri­b­u­tion of inde­pen­dent films, includ­ing animation.

Exi­in is an indie game com­pa­ny based in Brus­sels, Strong from its diver­si­ty our team loves telling com­pelling sto­ries with amaz­ing ani­ma­tions and appar­ent light­heart­ed tones but deep meaning.

We’re expe­ri­enced at releas­ing games on phys­i­cal sup­ports and dig­i­tal, man­ag­ing a project over a mil­lion euros and pro­duc­ing hours of voiced cutscenes. We cur­rent­ly devel­op our new IP and at the same time we’re also want to increase our reach into the ani­ma­tion industry.

Flins y Pinícu­las was cre­ate in 2000, as an inde­pen­dent movie dis­tri­b­u­tion com­pa­ny for every movie we think that it has something.

We do cinema/​DVD/​platforms and all broad­cast media dis­tri­b­u­tion for fam­i­ly and ani­ma­tion movies.

As part of its pol­i­cy of inno­va­tion and diver­si­fi­ca­tion, France Télévi­sions co-pro­duces one-off ani­mat­ed films for chil­dren and fam­i­lies. These spe­cials imag­i­na­tive­ly designed and with par­tic­u­lar atten­tion paid to the writ­ing are main­ly come­dies. France Télévi­sions also par­tic­i­pates in fea­ture film pro­duc­tion via its sub­sidiaries France 2 and France 3 Cinéma.

As part of its pol­i­cy of inno­va­tion and diver­si­fi­ca­tion, France Télévi­sions co-pro­duces one-off ani­mat­ed films for chil­dren and fam­i­lies. These spe­cials imag­i­na­tive­ly designed and with par­tic­u­lar atten­tion paid to the writ­ing are main­ly come­dies. France Télévi­sions also par­tic­i­pates in fea­ture film pro­duc­tion via its sub­sidiaries France 2 and France 3 Cinéma.

The dis­tri­b­u­tion com­pa­ny was found­ed in Sep­tem­ber 1997 by Marc Bon­ny and is Hildegarde’s prop­er­ty (Regi­nal de Guille­bon) since 2018. With a main goal, releas­ing long and short movies on French ter­ri­to­ry: the­atri­cal, video/​DVD and TV rights. 

Pol­i­cy : High qual­i­ty films, main­ly for young audi­ence (ani­ma­tion or fic­tion). Gebe­ka Films has also devel­oped a co-pro­duc­tion activ­i­ty with Princes et princess­es (M. Ocelot) in the 1^st place, and late­ly with well-award­ed My Life As a Zuc­chi­ni (C. Barras).

Haut et Court is an inde­pen­dent pro­duc­tion and dis­tri­b­u­tion com­pa­ny based in Paris, France.
Our line up usu­al­ly con­sists of 8 to 10 films per year, among which at least one ani­ma­tion film : we recent­ly released Wolfwalk­ers by Tomm Moore and Ross Stu­ar­tand are co pro­duc­ing Sauvages ! by Claude Barras.

I Won­der Pic­tures, with the the­atri­cal pres­ence, the online plat­form IWON​DER​FULL​.it and the IWON­DER­FULL Prime Video Chan­nel, dis­trib­utes some of the most com­pelling and excit­ing life sto­ries and ani­ma­tion mas­ter­pieces from all over the world, such as the win­ner of EFA 2018 and 33^rd Goya Awards ANOTH­ER DAY OF LIFE, LOUISE EN HIV­ER by Jean-François Laguion­ie, and the Oscar Nom­i­nat­ed FLEE by Jonas Poher Rasmussen.

Ill­mat­ic Film Group is a new­ly estab­lished pro­duc­tion com­pa­ny and sales agency based in Rome. Our focus is on high qual­i­ty films with broad inter­na­tion­al appeal.

Script con­sult­ing and film val­ue opti­mis­ing is the core busi­ness of Inter­na­tion­al Script & Sales. ISSC helps to cre­ate fea­ture films for inter­na­tion­al dis­tri­b­u­tion. In addi­tion to script, sales and mar­ket­ing ser­vices, ISSC aims to become a pro­duc­er-dis­trib­u­tor for qual­i­ty fea­ture and ani­ma­tion films with a strong human and emo­tion­al impact.

New com­pa­ny J&J Films focussing on art-house prod­uct and consulting/​sales for M&N Media Group in Hilversum

Jour2Fête was cre­at­ed in 2006 by Sarah Chazelle and Eti­enne Ollagnier. The com­pa­ny has released over 100 fic­tion and fea­ture-length doc­u­men­taries the­atri­cal­ly, then on DVD/​VoD/​TV/​SVoD in France and some of them inter­na­tion­al­ly. At the end of 2019, the com­pa­ny took over Doc&Film Inter­na­tion­al, to sig­nif­i­cant­ly enlarge cat­a­logue and inter­na­tion­al sales force. The new label The Par­ty Film Sales is han­dling, among oth­ers, ​“Josep” (EFA Best Ani­ma­tion 2021), ​‘The Tow­er”, and ​“The Neigh­bours of my Neigh­bours are Neigh­bours of mine” (post-pro­duc­tion).

Just4Kids is a dis­tri­b­u­tion com­pa­ny in the Benelux. And has dis­trib­uted hun­dreds of kids movies in the Nether­lands and Bel­gium on all dif­fer­ent platforms.

The last years ani­ma­tion is get­ting more impor­tant. We dis­trib­uted The Snow Queen, Cat­tle Hill, Ploey, Richard the stork, Check­ered Nin­ja and Ooops 2.

Just4Kids pro­duces also books, boardgames and cre­at­ed the Very Hun­gry cater­pil­lar theatershow.

Kid­jo is a kid­safe cer­ti­fied SVoD plat­form designed for chil­dren 2 to 7. Kid­jo was cre­at­ed by & for busy par­ents who want their kids to spend qual­i­ty screen time. 

Main fea­tures include a very intu­itive UI, +2500 videos (songs, tuto­ri­als, car­toons…), many parental con­trols & an ad-free environment.

Kino Świat has been no. 1 inde­pen­dent dis­trib­u­tor for the last 13 years, and the largest dis­trib­u­tor on the Pol­ish mar­ket for 4 years. Our main inter­est is: stu­dio-like, com­mer­cial, high-qual­i­ty fam­i­ly ani­ma­tion, stereo­scop­ic 3D ani­ma­tion. Recent releas­es: ​“Ain­bo: Spir­it of the Ama­zon”, ​“The Wish­mas Tree”, ​“Red Shoes & the 7 Dwarfs”, ​“The Lit­tle Prince”, ​“Play­mo­bil: the Movie”, ​“Minus­cule”, ​“Aster­ix: Secret of the Mag­ic Potion”, ​“White Fang”, ​“Charm­ing”, ​“Manou the Swift”, ​“Rock Dog”.

KMBO is a dis­tri­b­u­tion and pro­duc­tion com­pa­ny based in Paris (France). Our last releas­es in cin­e­ma are : 

- The Elfkins

- Star­dog and Turbocat

- Stinky dog

- Dream­builders

- Lat­te and the mag­ic waterstone

Le Parc Dis­tri­b­u­tion is the dis­tri­b­u­tion activ­i­ty of Les Grig­noux asbl, a cul­tur­al cen­ter locat­ed in the city cen­ter of Liège, in French speak­ing Bel­gium. Les Grig­noux owns four the­aters (three in Liège, one in Namur), two restau­rants and one café. As for the dis­tri­b­u­tion, we release around 12 films a year, main­ly ani­mat­ed films for tod­dlers and a young audi­ence. We recent­ly realesed Wolfwalk­ers, Grandir c’est chou­ette !, Le Noël de Petit Lièvre brun, La Baleine et l’Escar­gote, Calami­ty, etc.

Les Films du Préau is a French Dis­tri­b­u­tion com­pa­ny spe­cialised in kids audi­ence for more than 20 years. Fea­ture films, ani­ma­tion films, pro­grammes of shorts…, we want to pro­pose to young peo­ple high qual­i­ty films from Europe or all over the word.

Lion Forge strives to pub­lish comics for every­one to enjoy, regard­less of gen­der iden­ti­ty, eth­nic­i­ty, or cul­tur­al back­ground. Across mul­ti­ple imprints and for­mats that include licensed prop­er­ties like Dream­Works Voltron Leg­endary Defend­er, orig­i­nal works from top inde­pen­dent cre­ators, and the orig­i­nal and all-inclu­sive Cat­a­lyst Prime super­hero uni­verse, Lion Forge pub­lish­es some­thing for every lev­el of com­ic book fan, young and old. Lion Forge — Comics for Everyone.

Luftkind’s mis­sion is to engage young audi­ences in

cin­e­ma, art, and cul­ture by pro­vid­ing them with access

to sto­ries that are both age-appro­pri­ate and challenging

through ani­mat­ed films – in all their diverse and creative

forms.

Cre­at­ed in 2001, Metaboli is a pio­neer in dig­i­tal dis­tri­b­u­tion, and is at the ori­gin of the first dema­te­ri­alised video game ser­vices in the world.

With Game​s​plan​et​.com, a site present in France, Ger­many, Eng­land and the Unit­ed States, Metaboli offers an expe­ri­enced and inde­pen­dent ser­vice for down­load­ing video games from the Internet.

The plat­form offers a very exten­sive cat­a­logue of PC games, result­ing from offi­cial agree­ments with the largest inter­na­tion­al stu­dios and publishers.

Fund­ing — net­work­ing — devel­op­ing! These terms essen­tial­ly sum up the core activ­i­ties of nord­me­dia. In its role as the cen­tral media fund­ing organ­i­sa­tion for Low­er Sax­ony and Bre­men, nord­me­dia has shaped the con­sol­i­da­tion and devel­op­ment of the media branch in both of these North Ger­man states since 2001. With regard to film and media fund­ing, this is struc­tured, organ­ised and super­vised accord­ing to cul­tur­al-eco­nom­ic criteria.

OCS is a french pay tv play­er. As such, OCS finance and buy arount 1000 movies a year includ­ing ani­ma­tion movies.

Born in 1989, Out­sider Dif­fu­sion was one of the first indépen­dant com­pa­nies to release japan­ese ani­mé in France. Over the years, Out­sider has devel­oped activ­i­ties in con­sult­ing, acqui­si­tion and book­ing of movie theaters.

Out­sider Films Ltd, is a films dis­trib­u­tor cre­at­ed by three long stand­ing pro­fes­sion­als in the Por­tuguese mar­ket, based in Lis­bon. It oper­ates in the seg­ment of inde­pen­dent movies. Out­sider Films is now releas­ing 14 to 16 films per year with a spe­cial focus on ani­ma­tion. Last ani­mat­ed movies released in the last 4 years. The Nut Job 2, Lov­ing Vin­cent, Duck Duck Goose, Mirai, Mary & the Witch´s Flower,Breadwinner, Cats and Peach­topia, Ear­wig & the Witch and Check­ered Nin­ja 1

Paul Thilt­ges Dis­tri­b­u­tions (PTD) is a Lux­em­bourg based film pro­duc­tion and world sales com­pa­ny found­ed in 1993 by Paul Thilt­ges and joint­ly run with Adrien Chef. Col­lab­o­rat­ing with a large range of inter­na­tion­al part­ners, the PTD team has built up a con­sid­er­able net­work, allow­ing it to ini­ti­ate projects or par­tic­i­pate in ven­tures on a world­wide scale as pro­duc­er, co-pro­duc­er or sales agent.

Poly­film is an Aus­tri­an based dis­tri­b­u­tion com­pa­ny, in the busi­ness since 1980s. Focused on art­house films, doc­umetarys and ani­ma­tion. The com­pa­ny also runs two art­house the­atres in Vien­na, the Film­casi­no and Filmhaus Kino.

The Nou­velle-Aquitaine Region, first cin­e­ma sup­port fund for ani­ma­tion films with more than 3 mil­lions € per year. Along with Mage­lis, the lead­ing Euro­pean image cen­ter with more than 16 schools spe­cial­iz­ing in ani­ma­tion, the Nou­velle-Aquitaine region iden­ti­fies and accom­pa­nies each year the new ani­ma­tion tal­ents. Proof are the 5 Césars award­ed the last 5 years.

The Nou­velle-Aquitaine Region, first cin­e­ma sup­port fund for ani­ma­tion films with more than 3 mil­lions € per year. Along with Mage­lis, the lead­ing Euro­pean image cen­ter with more than 16 schools spe­cial­iz­ing in ani­ma­tion, the Nou­velle-Aquitaine region iden­ti­fies and accom­pa­nies each year the new ani­ma­tion tal­ents. Proof are the 5 Césars award­ed the last 5 years.

The Nou­velle-Aquitaine Region, first cin­e­ma sup­port fund for ani­ma­tion films with more than 3 mil­lions € per year. Along with Mage­lis, the lead­ing Euro­pean image cen­ter with more than 16 schools spe­cial­iz­ing in ani­ma­tion, the Nou­velle-Aquitaine region iden­ti­fies and accom­pa­nies each year the new ani­ma­tion tal­ents. Proof are the 5 Césars award­ed the last 5 years.

The Occ­i­tanie Region aims to max­i­mize the cul­tur­al, edu­ca­tion­al and eco­nom­ic ben­e­fits of the cin­e­ma and audio­vi­su­al indus­try on its ter­ri­to­ry. The Occ­i­tanie Region sup­ports screen­writ­ers and pro­duc­ers with finan­cial aid for devel­op­ment and pro­duc­tion and pro­motes the audio­vi­su­al sec­tor, in par­tic­u­lar through the Occ­i­tanie Films agency, in order to strength­en poles of activ­i­ty reflect­ing its artis­tic and eco­nom­ic diver­si­ty. This approach also includes rais­ing pub­lic aware­ness through a film edu­ca­tion and film con­ser­va­tion pro­gram with the sup­port of the Toulouse Ciné­math­èque and the Jean Vigo Institute.

The Provence-Alpes-Côte d’Azur Region has been sup­port­ing ani­ma­tion since 2010. We pro­vide grants for fea­ture films, short films and films or series for tele­vi­sion at the writ­ing, devel­op­ment and pro­duc­tion stages.

Now with a bud­get of one mil­lion euros, the region­al sup­port fund for ani­ma­tion has fund­ed 77 projects over the past 11 years.

Pro­duced in one of the 13 region­al stu­dios or by com­pa­nies that have cho­sen to set­tle in the region, these projects have cre­at­ed a dynam­ic ecosystem.

RTBF co-pro­duces ani­mat­ed series and indi­vid­ual pro­grammes root­ed in Belgium’s art and lit­er­a­ture; it also pays par­tic­u­lar atten­tion to projects that stand out for their aes­thet­ic char­ac­ter. These pro­grammes must be pro­duced or co-pro­duced by inde­pen­dent Bel­gian com­pa­nies. In terms of acqui­si­tions, RTBF con­cen­trates on inno­v­a­tive con­tem­po­rary Euro­pean ani­mat­ed series for chil­dren aged 8 to 10. RTBF also intends to explore Euro­pean and inter­na­tion­al fic­tion aimed at 10 – 15 and at 15 – 18-year-olds.

As the nation­al agency for the Irish film, tele­vi­sion dra­ma, ani­ma­tion and doc­u­men­tary indus­try, Screen Ire­land is the cre­ative part­ner to the sec­tor, invest­ing in tal­ent, cre­ativ­i­ty and enterprise.

Bor­deaux Games is a clus­ter ded­i­cat­ed to inde­pen­dent video games com­pa­nies from Bor­deaux and its area (South West of France).

• Strength­en net­work­ing and mutu­al­ize R&D efforts for mem­bers companies.

• Pro­mote Aquitaine’s stu­dios vis­i­bil­i­ty nation­al­ly and internationally.

• Com­ple­men­tary know-how inde­pen­dent stu­dios, edi­tors, ser­vices, mid­dle­wares and freelancers.

• Wide range of activ­i­ties consoles/​pc/​online/​mobile videogames.

One of the lead­ing inter­na­tion­al Sales Agent, Sola Media has since 2004 brought some of the most beloved chil­dren and fam­i­ly films to a glob­al mar­ket­place. The pas­sion­ate and expe­ri­enced team devote a lot of indi­vid­ual atten­tion to our films; devel­op­ing cus­tomised strate­gies and pre­sent­ing them promi­nent­ly at mar­kets and fes­ti­vals. Releas­es and mar­ket­ing strate­gies are coor­di­nat­ed on a pan-Euro­pean and glob­al lev­el. Since August 2020, Sola Media is apart of Koch Films, but remains independent.

Stu­dio 100 Film is an inter­na­tion­al, inde­pen­dent sales agency for upmar­ket children’s and fam­i­ly movies. The Munich-based com­pa­ny is sub­sidiary of Stu­dio 100 Media and dis­trib­utes Stu­dio 100 Media’s ani­ma­tion fea­ture films such as ​“Maya the Bee – First Flight”. Besides it acts as sales agency for select­ed third par­ty films. Stu­dio 100 Film’s focus is to rep­re­sent a well-cho­sen port­fo­lio of films inter­na­tion­al­ly with the due attentiveness

Telewiz­ja Pol­sat is the lead­ing pri­vate tv sta­tion, part of the media group Pol­sat Plus.

Tribes Media is not your aver­age stream­ing ser­vice. Tribes Media is a Dutch start­up spe­cial­ized in build­ing niche SVOD plat­forms. The com­pa­ny cur­rent­ly oper­ates three dif­fer­ent ser­vices: GLITCH, ded­i­cat­ed to adult ani­ma­tion; MYST, focused on mys­tery, hor­ror, and sus­pense; and SELEGO, addressed to art­house cin­e­ma lovers. All three plat­forms are curat­ed, edi­to­ri­al­ized and mul­ti­for­mat, offer­ing an inter­est­ing cat­a­log of films, series, shorts, pod­casts, and audiobooks.

Estab­lished in 1984, WBIm­ages is the offi­cial inter­na­tion­al pro­mo­tion agency for the audio-visu­al arts and indus­try of the Wal­loon-Brus­sels Community.WBImages is co-financed and co-man­aged by the Cen­tre du Ciné­ma et de l’Audiovisuel and Wal­lonie Brux­elles International.

Wild Bunch Inter­na­tion­al is a world-renowned inde­pen­dent film sales com­pa­ny. Char­ac­ter­ized by its diverse edi­to­r­i­al pol­i­cy, the com­pa­ny offers an inno­v­a­tive slate of films from all over the world — direc­tor-dri­ven, art-house, genre or com­mer­cial- which have won count­less awards and enjoyed box office suc­cess both inter­na­tion­al­ly and domes­ti­cal­ly (such as The Artist, March of the Pen­guins, City of God, Spir­it­ed away). The com­pa­ny is also renowned for dis­cov­er­ing new talents.

Yejil­im Enter­tain­ment spe­cial­izes in film buy­ing and dis­trib­ut­ing fam­i­ly films for Korea and Viet­nam. We are look­ing for good qual­i­ty of ani­ma­tion, fea­ture films award-win­ning fea­ture films. Yejil­im Enter­tain­ment is based in Seoul and is found­ed by Jack­ie Lim in 2006.

Zineuska­di is the pub­lic plat­form of the Basque audio­vi­su­al sec­tor, found­ed in 2011 with the aim of sup­port­ing the sec­tor via grants, advi­so­ry ser­vices and infor­ma­tion. In short, Zineuska­di works to sup­port strate­gi­cal­ly the Basque audio­vi­su­al sec­tor made up of pro­duc­ers, dis­trib­u­tors, and exhibitors; advice com­pa­nies so as to facil­i­tate their devel­op­ment and expan­sion in Spain, Europe and inter­na­tion­al­ly; defend diver­si­ty and the film and audio­vi­su­al her­itage, with spe­cial atten­tion to films pro­duced in the Basque Coun­try and Europe; pro­mote Basque an Euro­pean films edu­cat­ing and trans­mit­ting val­ues to young peo­ple; and pro­mote a diver­si­ty of cul­tur­al and qual­i­ty films.