Buy­ers

9 Sto­ry Media rep­re­sents over 4,800 half hours of ani­mat­ed and live-action pro­gram­ming for kids, seen on some of the most respect­ed chan­nels and plat­forms around the world.

9 Sto­ry Media rep­re­sents over 4,800 half hours of ani­mat­ed and live-action pro­gram­ming for kids, seen on some of the most respect­ed chan­nels and plat­forms around the world.

Aard­man is a dis­trib­u­tor and award-win­ning pro­duc­er of films, series, com­mer­cials, games and inter­ac­tive enter­tain­ment for domes­tic and inter­na­tion­al mar­kets. Its pro­duc­tions are glob­al in appeal and bril­liant­ly char­ac­terised and full of charm reflect­ing the unique tal­ent, ener­gy and com­mit­ment of the Aard­man team. In 2018, Aard­man became an employ­ee-owned organ­i­sa­tion, to ensure it remains inde­pen­dent and secur­ing the cre­ative lega­cy and cul­ture of the com­pa­ny for years to come.

ALCA, the Nou­velle-Aquitaine Region cul­tur­al agency, pro­vides a wide range of back­ing ser­vices for cin­e­ma and TV indus­tries. It sup­ports cre­ation and pro­duc­tion, notably through a 7M€ film fund (which reach­es 11M€ with local gov­ern­ments), active at every step of the cre­ation process (scriptwrit­ing, devel­op­ment, pro­duc­tion) and opened to inter­na­tion­al co-pro­duc­tion. Nou­velle-Aquitaine is the biggest region in France and hosts an impor­tant ani­ma­tion clus­ter, Mage­lis, based in Angoulême.

AMC Net­works Inter­na­tion­al – Cen­tral and North­ern Europe (AMC­NI – CNE). The cur­rent CNE port­fo­lio includes tele­vi­sion chan­nels in a broad vari­ety of gen­res, includ­ing kids, film & series, info­tain­ment and sports. AMC­NI – CNE owns and oper­ates numer­ous region­al brands, among them flag­ship chan­nels Min­i­max and Jim­Jam ded­i­cat­ed to children.

Ani­ma­tion Asso­ciates is the offi­cial chan­nel part­ner for Toon Boom Ani­ma­tion and rep­re­sent Toon Boom in Ire­land and in the Unit­ed King­dom. As well as busi­ness devel­op­ment for Toon Boom, Ani­ma­tion Asso­ciates also organ­is­es and runs train­ing, indus­try events, ani­ma­tion pro­duc­tion and con­sul­tan­cy for all forms of ani­ma­tion production.

APC Kids is the chil­dren’s enter­tain­ment arm of lead­ing pro­duc­tion and dis­tri­b­u­tion com­pa­ny APC Stu­dios. Head­ed by Lionel Mar­ty, the kids’ spe­cial­ist has a grow­ing port­fo­lio of high-pro­file chil­dren’s and fam­i­ly prop­er­ties includ­ing ani­mat­ed series ​“Jade Armor”, ​“Isado­ra Moon”, ​“DinoC­i­ty”, ​“Galac­tic Agency”, ​“Fox and Hare”, ​“Hel­lo Mae­stro” and live-action series ​“Tin­ka”. APC Kids also hous­es its own pro­duc­tion com­pa­ny Zephyr. APC Kids was cho­sen ​‘Investor/​Distributor of the Year’ at Car­toon Trib­utes 2023.

Argo is a major Czech pub­lish­er, renowned for its vast list of lit­er­ary fic­tion, non-fic­tion and poet­ry, as well as trade and mass mar­ket fic­tion. Since 1992, books from Argo have won extra­or­di­nary acclaim, includ­ing numer­ous Czech and inter­na­tion­al awards. Our abil­i­ty to com­bine lit­er­ary excel­lence with com­mer­cial suc­cess brings us to the fore of the Czech Republic’s pub­lish­ing market.

Dub­bing and audio post-pro­duc­tion stu­dio for TV and film ani­ma­tion studios.

The Aus­tri­an Broad­cast­ing Cor­po­ra­tion (ORF) children’s pro­gramme pro­vides its young audi­ence with a good bal­ance of sto­ry-dri­ven com­e­dy fea­tur­ing strong char­ac­ters and inno­v­a­tive, curios­i­ty-arous­ing pro­duc­tions with a wit­ty, com­ic streak. We gen­er­al­ly broad­cast ani­mat­ed long-run­ning half-hour series as well as live-action series and place strong empha­sis on scripts along­side out­stand­ing visu­als, val­ue-added con­tent and no vio­lence. Since Jan­u­ary 2024, we have a new online chan­nel - ORFKids.

AVROTROS is an inde­pen­dent and pub­lic broad­cast­er that is social­ly involved and aims to enrich and con­nect Dutch view­ers and lis­ten­ers. AVROTROS pro­duces high-qual­i­ty and inno­v­a­tive pro­grams that reach out to a poten­tial­ly broad audience.

B7 Media is a UK indie pro­duc­er (radio, tele­vi­sion and film) and pub­lish­er (audio­books, com­ic books) telling sto­ries across mul­ti­ple con­tent forms and work­ing with much-loved IP, includ­ing ​“Dan Dare”, Ray Brad­bury’s ​“The Mar­t­ian Chron­i­cles” and Isaac Asi­mov’s ​“I, Robot”. Under its new B7 Comics imprint titles include sci-fi thriller ​“Pil­grim”; graph­ic nov­el ​“Han­cock: The Lad Him­self” chart­ing the rise and fall of leg­endary com­ic, Tony Han­cock, and a new com­e­dy-hor­ror ​“The Furnace”.

BAD­JE is a sound post-pro­duc­tion group cre­at­ed in 2007, with 10 record­ing and mix­ing audi­to­ri­ums (5.1 and Atmos), sev­er­al image edit­ing and colour-grad­ing rooms and a PAD lab. Its areas of activ­i­ty: doc­u­men­taries, adver­tis­ing, audio books, series and ani­mat­ed films.

A glob­al leader in the children’s enter­tain­ment indus­try, Ban­i­jay Kids & Fam­i­ly is the ded­i­cat­ed pro­duc­tion, dis­tri­b­u­tion and sales divi­sion for children’s pro­gram­ming at Ban­i­jay. With a diverse cat­a­logue of con­tent, Ban­i­jay Kids & Fam­i­ly part­ners with lead­ing broad­cast­ers and plat­forms glob­al­ly and pro­duces a wide range of ani­ma­tion and live-action series, dig­i­tal con­tent and enter­tain­ment for­mats for kids and fam­i­lies worldwide.

Ben­shi is the first SVoD plat­form ded­i­cat­ed to chil­dren from 2 to 11-years-old. We offer more than 200 films (shorts, fea­ture films, pro­grams and a few series). We are only avail­able in France for now.

Ben­shi is the first SVoD plat­form ded­i­cat­ed to chil­dren from 2 to 11-years-old. We offer more than 200 films (shorts, fea­ture films, pro­grams and a few series). We are only avail­able in France for now.

Brain­food Pub­lish­ing Group has been oper­at­ing in Greece for over two decades, with the pri­ma­ry objec­tive of pub­lish­ing books and mag­a­zines, as well as engag­ing in both retail and whole­sale dis­tri­b­u­tion of print­ed mate­ri­als. The com­pa­ny’s founders, from as ear­ly as the 1990s, envi­sioned a pio­neer­ing and inno­v­a­tive tra­jec­to­ry. They have con­sis­tent­ly demon­strat­ed bold­ness and have become syn­ony­mous with the estab­lish­ment of pop cul­ture with­in Greece, explor­ing ​‘dark’ lit­er­ary themes, music, lit­er­a­ture, comics and graph­ic nov­els. Cur­rent­ly, Brain­food Pub­lish­ing Group owns five suc­cess­ful pub­li­ca­tion brands: Oxy, Four­fouri, Archive, Texni tis Zois and Flo­ral, and pub­lish­es approx­i­mate­ly 150 books annu­al­ly. Fur­ther­more, the com­pa­ny main­tains a robust net­work of over 800 B2B clients and enjoys wide­spread dis­tri­b­u­tion through­out Greece and Cyprus, facil­i­tat­ed by both major retail­ers and inde­pen­dent book­stores. Our esteemed authors include notable fig­ures such as Bret Eas­t­on Ellis, Neil Gaiman, Adri­an McK­in­ty, Franz Kaf­ka, among many others.

Broad­vi­sion Rights is an investor in ani­mat­ed TV series and fea­ture films, with a port­fo­lio of 19,5M$ span­ning pre­mi­um Euro­pean pro­duc­tions such as ​“Mia and Me” (the movie), ​“Mia and Me” (TV series) and ​“100% Wolf” (TV series).

Studio56 Ani­ma­tion is the 2021 Tel­ly Gold Win­ner in ani­ma­tion, with 250 full-time artists and expe­ri­ence across 44 pro­duc­tions includ­ing the #1 Shows of Ger­many (“Mia”), Italy (“Sis­si”), Aus­tralia (“100% Wolf”), France (“Hei­di”) and USA (“Jun­gle Book”). Recent movie cred­its include ​“Mia & Me” and ​“Vic the Viking”.

CANAL+ is a leader dis­trib­u­tor and pub­lish­er of the­mat­ic tele­vi­sion chan­nels and ser­vices. Out­side of France, CANAL+ Group has record­ed strong growth with a sig­nif­i­cant pres­ence in Europe, Africa and Asia. In total, more than 25 mil­lion sub­scribers world­wide, includ­ing more than 9 mil­lion in main­land France. The Kids Depart­ment is han­dling a pre­mi­um channel/​service, CANAL+Kids, aim­ing to the 3-12-year-old chil­dren, and 2 more channels/​service, Piwi+, for the 3-6-year-old, and tele­TOON+, for the 6-10-year-old.

CANAL+ is a leader dis­trib­u­tor and pub­lish­er of the­mat­ic tele­vi­sion chan­nels and ser­vices. Out­side of France, CANAL+ Group has record­ed strong growth with a sig­nif­i­cant pres­ence in Europe, Africa and Asia. In total, more than 25 mil­lion sub­scribers world­wide, includ­ing more than 9 mil­lion in main­land France. The Kids Depart­ment is han­dling a pre­mi­um channel/​service, CANAL+kids, aim­ing to the 3-12-year-old chil­dren, and 2 more channels/​service, Piwi+, for the 3-6-year-old, and tele­TOON+, for the 6-10-year-old.

CANAL+ is a leader dis­trib­u­tor and pub­lish­er of the­mat­ic tele­vi­sion chan­nels and ser­vices. Out­side of France, CANAL+ Group has record­ed strong growth with a sig­nif­i­cant pres­ence in Europe, Africa and Asia. In total, more than 25 mil­lion sub­scribers world­wide, includ­ing more than 9 mil­lion in main­land France. The Kids Depart­ment is han­dling a pre­mi­um channel/​service, CANAL+kids, aim­ing to the 3-12-year-old chil­dren, and 2 more channels/​service, Piwi+, for the 3-6-year-old, and tele­TOON+, for the 6-10-year-old.

The CNC par­tic­i­pates in the devel­op­ment of the ani­ma­tion indus­try through sev­er­al sup­port sys­tems. These aim to:

• rein­force French cre­ativ­i­ty by pro­vid­ing sup­port for scriptwrit­ing and devel­op­ment for audio­vi­su­al and film projects;

• sup­port French ani­ma­tion pro­duc­ers through selec­tive and auto­mat­ic fund­ing sys­tems for TV series, short films and features;

• con­tribute to the pro­mo­tion of French ani­ma­tion in the inter­na­tion­al mar­ket through pro­mo­tion and dis­tri­b­u­tion fund systems.

The CNC par­tic­i­pates in the devel­op­ment of the ani­ma­tion indus­try through sev­er­al sup­port sys­tems. These aim to:

• rein­force French cre­ativ­i­ty by pro­vid­ing sup­port for scriptwrit­ing and devel­op­ment for audio­vi­su­al and film projects;

• sup­port French ani­ma­tion pro­duc­ers through selec­tive and auto­mat­ic fund­ing sys­tems for TV series, short films and features;

• con­tribute to the pro­mo­tion of French ani­ma­tion in the inter­na­tion­al mar­ket through pro­mo­tion and dis­tri­b­u­tion fund systems.

The CNC par­tic­i­pates in the devel­op­ment of the ani­ma­tion indus­try through sev­er­al sup­port sys­tems. These aim to:

• rein­force French cre­ativ­i­ty by pro­vid­ing sup­port for scriptwrit­ing and devel­op­ment for audio­vi­su­al and film projects;

• sup­port French ani­ma­tion pro­duc­ers through selec­tive and auto­mat­ic fund­ing sys­tems for TV series, short films and features;

• con­tribute to the pro­mo­tion of French ani­ma­tion in the inter­na­tion­al mar­ket through pro­mo­tion and dis­tri­b­u­tion fund systems.

The CNC par­tic­i­pates in the devel­op­ment of the ani­ma­tion indus­try through sev­er­al sup­port sys­tems. These aim to:

• rein­force French cre­ativ­i­ty by pro­vid­ing sup­port for scriptwrit­ing and devel­op­ment for audio­vi­su­al and film projects;

• sup­port French ani­ma­tion pro­duc­ers through selec­tive and auto­mat­ic fund­ing sys­tems for TV series, short films and features;

• con­tribute to the pro­mo­tion of French ani­ma­tion in the inter­na­tion­al mar­ket through pro­mo­tion and dis­tri­b­u­tion fund systems.

The CNC par­tic­i­pates in the devel­op­ment of the ani­ma­tion indus­try through sev­er­al sup­port sys­tems. These aim to:

• rein­force French cre­ativ­i­ty by pro­vid­ing sup­port for scriptwrit­ing and devel­op­ment for audio­vi­su­al and film projects;

• sup­port French ani­ma­tion pro­duc­ers through selec­tive and auto­mat­ic fund­ing sys­tems for TV series, short films and features;

• con­tribute to the pro­mo­tion of French ani­ma­tion in the inter­na­tion­al mar­ket through pro­mo­tion and dis­tri­b­u­tion fund systems.

The CNC par­tic­i­pates in the devel­op­ment of the ani­ma­tion indus­try through sev­er­al sup­port sys­tems. These aim to:

• rein­force French cre­ativ­i­ty by pro­vid­ing sup­port for scriptwrit­ing and devel­op­ment for audio­vi­su­al and film projects;

• sup­port French ani­ma­tion pro­duc­ers through selec­tive and auto­mat­ic fund­ing sys­tems for TV series, short films and features;

• con­tribute to the pro­mo­tion of French ani­ma­tion in the inter­na­tion­al mar­ket through pro­mo­tion and dis­tri­b­u­tion fund systems.

The CNC par­tic­i­pates in the devel­op­ment of the ani­ma­tion indus­try through sev­er­al sup­port sys­tems. These aim to:

• rein­force French cre­ativ­i­ty by pro­vid­ing sup­port for scriptwrit­ing and devel­op­ment for audio­vi­su­al and film projects;

• sup­port French ani­ma­tion pro­duc­ers through selec­tive and auto­mat­ic fund­ing sys­tems for TV series, short films and features;

• con­tribute to the pro­mo­tion of French ani­ma­tion in the inter­na­tion­al mar­ket through pro­mo­tion and dis­tri­b­u­tion fund systems.

One of the two lead­ing French finan­cial insti­tu­tions only ded­i­cat­ed to mak­ing loans to cash flow films and TV pro­grammes pro­duc­tion expen­di­ture. Grants on an annu­al basis around €0,7 bil­lion loans to French and non-French pro­duc­ers, a team of 30 pro­fes­sion­als spe­cialised in film financ­ing in Europe and oth­er Anglo-Sax­on coun­tries (Cana­da, Unit­ed States and Aus­tralia). A 50 year track record and a reli­able com­pa­ny with strong share­hold­ers: BNP Paribas .

Found­ed in 2005, Cyber Group Stu­dios is a lead­ing mul­ti-award-win­ning inter­na­tion­al pro­duc­er and dis­trib­u­tor of ani­mat­ed pro­grams for an audi­ence rang­ing from kids to young adults. The com­pa­ny is based in France, Unit­ed States, UK, Italy and Singapore.

The sev­en tele­vi­sion chan­nels of the Czech Tele­vi­sion meet the objec­tives of the pub­lic ser­vice by inform­ing and con­sis­tent­ly cre­at­ing and broad­cast­ing orig­i­nal pro­grammes for all age groups in the Czech Repub­lic. Cul­ti­vat­ing and draw­ing on its more than six­ty years of expe­ri­ence, Czech TV pro­duces pro­grammes of superb qual­i­ty and a rich vari­ety of gen­res. ​‘ČT Déčko’ is a kids´channel for chil­dren aged between 4 and 12 offer­ing a vari­ety of orig­i­nal and for­eign content.

Decen­tralised depart­ment of the Min­istry of Cul­ture in Occ­i­tanie, the Region­al Direc­torate of Cul­tur­al Affairs (DRAC) per­forms its duties under the author­i­ty of the pre­fect of the region and imple­ments cul­tur­al poli­cies adopt­ed by the gov­ern­ment. It pro­vides finan­cial sup­port, advice, exper­tise and con­trol for cul­tur­al part­ners and local author­i­ties in all busi­ness sec­tors of the Min­istry of Culture.

Decen­tralised depart­ment of the Min­istry of Cul­ture in Occ­i­tanie, the Region­al Direc­torate of Cul­tur­al Affairs (DRAC) per­forms its duties under the author­i­ty of the pre­fect of the region and imple­ments cul­tur­al poli­cies adopt­ed by the gov­ern­ment. It pro­vides finan­cial sup­port, advice, exper­tise and con­trol for cul­tur­al part­ners and local author­i­ties in all busi­ness sec­tors of the Min­istry of Culture.

Decen­tralised depart­ment of the Min­istry of Cul­ture in Occ­i­tanie, the Region­al Direc­torate of Cul­tur­al Affairs (DRAC) per­forms its duties under the author­i­ty of the pre­fect of the region and imple­ments cul­tur­al poli­cies adopt­ed by the gov­ern­ment. It pro­vides finan­cial sup­port, advice, exper­tise and con­trol for cul­tur­al part­ners and local author­i­ties in all busi­ness sec­tors of the Min­istry of Culture.

Decen­tralised depart­ment of the Min­istry of Cul­ture in Occ­i­tanie, the Region­al Direc­torate of Cul­tur­al Affairs (DRAC) per­forms its duties under the author­i­ty of the pre­fect of the region and imple­ments cul­tur­al poli­cies adopt­ed by the gov­ern­ment. It pro­vides finan­cial sup­port, advice, exper­tise and con­trol for cul­tur­al part­ners and local author­i­ties in all busi­ness sec­tors of the Min­istry of Culture.

Decen­tralised depart­ment of the Min­istry of Cul­ture in Occ­i­tanie, the Region­al Direc­torate of Cul­tur­al Affairs (DRAC) per­forms its duties under the author­i­ty of the pre­fect of the region and imple­ments cul­tur­al poli­cies adopt­ed by the gov­ern­ment. It pro­vides finan­cial sup­port, advice, exper­tise and con­trol for cul­tur­al part­ners and local author­i­ties in all busi­ness sec­tors of the Min­istry of Culture.

Edel Kids is the children’s home enter­tain­ment brand for the Edel label group. It is one of the most impor­tant reper­toire com­pa­nies in the child seg­ment and is among the strongest sup­pli­ers in GAS. Its audio and DVD releas­es on top­ics like ​“The Lit­tle Prince”, ​“Bar­bie”, ​“Drag­ons”, ​“Yakari”, ​“Mirac­u­lous” and ​“Mia and Me” have entrenched the label of count­less chil­dren. Since 2010, the label has owned the rights to the ani­mat­ed TV series and cin­e­ma films of ​“Pett­son and Findus”.

In our pub­lish­ing house, the book is under­stood and devel­oped as a world of expe­ri­ence. Art­ful illus­tra­tions and texts are door open­ers and com­pan­ions. They invite, move and touch - and dis­solve age bound­aries. In our dig­i­tal worlds, peo­ple can dis­cov­er new worlds of cul­ture and ideas at any time and from any place. Edi­tion 5Haus is more than a pub­lish­er. Here the work of art book becomes an inno­v­a­tive venue. Here knowl­edge becomes an expe­ri­ence. That is our vision.

We pub­lish kids’ and young adults’ com­ic books with Amer­i­can et French artists very close to the ani­ma­tion indus­try! The com­pa­ny is young (6 years) but we have already pub­lished artists like Mol­ly Knox Ostertag (“The Witch Boy”, writer for Dis­ney: ​“The Owl House”), ND Steven­son (“Lum­ber­janes”, pro­duc­er of ​“She-Ra” for Net­flix) and French artists like Camille Letouzé (sto­ry­board­er of ​“Arcane” on Net­flix), Jonathan Gar­nier (“Shep­herdess War­riors”), Sourya (“Tal­li, Daugh­ter of the Moon”), Valentin Seiche…

Edi­zioni EL is a pub­lish­ing house spe­cialised in books for chil­dren pub­lish­ing 200 new titles every year with a cat­a­logue of 1,200 avail­able titles. It man­ages three imprints: Edi­zioni EL, Ein­au­di Ragazzi & Emme Edi­zioni. Its pro­duc­tion ranges from cloth books and fic­tion for young adults to fic­tion­al series and pic­ture books of strong visu­al impact. In 2024, Edi­zioni EL cel­e­brates 50 years. For half a cen­tu­ry, Edi­zioni EL has brought the mag­ic of sto­ries into the lives of children.

El Reino Infan­til is the #1 Span­ish-lan­guage kids net­work world­wide, with 200 mil­lion sub­scribers and +160 mil­lion dai­ly views in 9 lan­guages. We cre­ate and dis­trib­ute con­tent for chil­dren not only by devel­op­ing pio­neer­ing dig­i­tal expe­ri­ences in the mar­ket but also by nar­row­ing down the dis­tance between the online and the off-line worlds in a dig­i­tal world. We are well-known for our ani­mat­ed TV series for kids, such as ​“Zenon the Farmer”, ​“Bichikids”, ​“Zoo Songs” & ​“Blu Fam­i­ly”, among others.

The Euro­pean Broad­cast­ing Union (EBU) is the world’s lead­ing alliance of pub­lic ser­vice media (PSM). We have 112 mem­ber organ­i­sa­tions in 56 coun­tries and have an addi­tion­al 31 Asso­ciates in Asia, Africa, Aus­trala­sia and the Amer­i­c­as. Our Mem­bers oper­ate near­ly 2,000 tele­vi­sion, radio and online chan­nels and ser­vices, and offer a wealth of con­tent across oth­er platforms.

Dis­trib­u­tor of glob­al high-qual­i­ty orig­i­nal tele­vi­sion pro­gram­ming in dra­ma, kids and family.

Film Com­mis­sion Tori­no Piemonte (FCTP) is a non-prof­it foun­da­tion, estab­lished and finan­cial­ly sup­port­ed by Regione Piemonte and Tori­no city coun­cil. Active since Sep­tem­ber 2000, Film Com­mis­sion Tori­no Piemonte aims to pro­mote the Pied­mont region and its cap­i­tal city Tori­no as a pre­em­i­nent loca­tion and work­ing site for film, tele­vi­sion and audio­vi­su­al pro­duc­tions, attract­ing to the area Ital­ian and for­eign pro­duc­tions and sup­port­ing the local film and tele­vi­sion industry.

YLE is the #1 mul­ti-plat­form des­ti­na­tion for Finnish kids. It trans­mits annu­al­ly over 1,200 hours of children’s con­tent for a 0-12-year-olds audi­ence on lin­ear TV, FVoD ser­vice YLE Areena and YLE’s add-free YouTube Chan­nels. I am look­ing for con­tent that rep­re­sents the diverse and mod­ern world which we live in. The con­cepts should be dri­ven social-emo­tion­al­ly and fea­ture aspi­ra­tional and relat­able char­ac­ters. Above all the con­tent should endorse the kids to enjoy life in a big and small ways.

France Télévi­sions is the first com­mis­sion­er of ani­ma­tion in Europe with more than 15 ani­mat­ed series and 3 ani­mat­ed movies pro­duced every year with French inde­pen­dent stu­dios. Pre-school­ers, kids, tweens, young adults and fam­i­lies can enjoy a wide vari­ety of ani­mat­ed shows from clas­sics to new uni­vers­es or new­com­ers. France Télévi­sions offers 6,600 hours of chil­dren and youth pro­grams on lin­ear France Télévi­sions chan­nels, the plat­form kids Okoo and the plat­form France​.tv Slash for young adults.

france tv dis­tri­b­u­tion works with pro­duc­ers and licen­sors to max­imise pro­grammes across all media plat­forms encom­pass­ing video, VoD and music pub­lish­ing, mer­chan­dis­ing, mag­a­zine and book pub­lish­ing, plus French and inter­na­tion­al dis­tri­b­u­tion and fund-rais­ing. Since Jan­u­ary 2017, france tv dis­tri­b­u­tion has gone hand in hand with dis­trib­ut­ing films abroad. As a major play­er on the dis­tri­b­u­tion of rights in France and in for­eign mar­kets, this new activ­i­ty is added to its know-how.

Found­ed in 1895, Gau­mont is the old­est film com­pa­ny in the world, with offices in Paris, Los Ange­les, Cologne, Lon­don, Berlin and Rome. In par­al­lel with the cin­e­mato­graph­ic devel­op­ment of its cat­a­logue, made up of more than 1,200 films, Gau­mont has been devel­op­ing, pro­duc­ing and dis­trib­ut­ing ani­mat­ed series for near­ly 15 years, in part­ner­ship with major Euro­pean and inter­na­tion­al play­ers in the sector.

Glance is the spe­cial­ist of inter­na­tion­al TV mar­kets and lead­ing provider of offi­cial TV rat­ings for over 7,000 chan­nels in more than 120 ter­ri­to­ries and insight analy­ses based on a glob­al exper­tise. Glance tracks the lat­est TV and online con­tents and trends in more than 50 ter­ri­to­ries. With more than 230 flag­ship clients, Glance is the mar­ket leader in TV and video mar­ket intelligence.

Hes­sis­ch­er Rund­funk is part of ARD, the main Ger­man pub­lic broad­cast­er. HR is pro­duc­ing in-house, but also co-pro­duc­ing and licens­ing pro­grams with nation­al and inter­na­tion­al partners.

IMPS is the offi­cial licen­sors of the lit­tle blue-skinned char­ac­ters, ​“The Smurfs”. Over the years, IMPS com­pa­ny under Bel­gian law belong­ing to rights hold­ers with the pur­pose of the (co-)audiovisual pro­duc­tion of the work of Peyo (“The Smurfs”, but also ​“Ben­ny Break­iron”, ​“Johan and Pee­wit” among others).

Just Right is spe­cialised in pic­ture books, mid­dle grade and YA fic­tion. We han­dle sub­sidiary rights for some of the most refined inde­pen­dent Ital­ian chil­dren’s pub­lish­ers. Among them: Camelozam­pa, win­ner of 2020 Europe BOP (Bologna Prize for the Best Chil­dren’s Pub­lish­er of the Year); Edi­zioni Cor­sare, award­ed with inter­na­tion­al prizes; IdeeStortePa­per, whose key­words are orig­i­nal­i­ty, cre­ativ­i­ty & utmost qual­i­ty. We also rep­re­sent some Ital­ian best-sell­ing chil­dren’ authors and illustrators.

Post-pro­duc­tion for video games. Media and enter­tain­ment: adap­ta­tion, dub­bing, mix­ing, sub­ti­tling, audiode­scrip­tion, sound design, orig­i­nal music & laboratory.

Kid­stream is a TV ser­vice for kids and their fam­i­lies like no oth­er. We launched in the US in 2017 and are avail­able there via Com­cast and Ama­zon Prime Video as well as oth­er dis­tri­b­u­tion part­ners. We are expand­ing cur­rent­ly to serve oth­er cus­tomers world­wide. We are a sub­scrip­tion based ser­vice with no com­mer­cials and focused on high-qual­i­ty con­tent for kids 2-9-years-old.

KiKA is the lead­ing children’s con­tent provider, oper­at­ed joint­ly by ARD & ZDF / Ger­many, pow­ered by MDR. KiKA cov­ers Ger­many and Ger­man-speak­ing Europe by cable, satel­lite & ter­res­tri­al means plus with its dig­i­tal offer­ings, like the KiKA-Play­er. KiKA is exclu­sive­ly ded­i­cat­ed to chil­dren, for pre-school­ers, kids from 6 to 9 years up and pre-teens, offer­ing lin­ear broad­casts 15 hours dai­ly from 6:00 to 21:00 plus its dig­i­tal non-lin­ear offer­ings 24/7 and is commercial-free.

KiKA is the lead­ing children’s con­tent provider, oper­at­ed joint­ly by ARD & ZDF / Ger­many, pow­ered by MDR. KiKA cov­ers Ger­many and Ger­man-speak­ing Europe by cable, satel­lite & ter­res­tri­al means plus with its dig­i­tal offer­ings, like the KiKA-Play­er. KiKA is exclu­sive­ly ded­i­cat­ed to chil­dren, for pre-school­ers, kids from 6 to 9 years up and pre-teens, offer­ing lin­ear broad­casts 15 hours dai­ly from 6:00 to 21:00 plus its dig­i­tal non-lin­ear offer­ings 24/7 and is commercial-free.

La Pastèque received its let­ters patent in July 1998, and its first pub­li­ca­tion, ​“Spout­nik 1”, was released in Decem­ber of that year. Set up by Frédéric Gau­thi­er and Mar­tin Brault, the pub­lish­ing house has pub­lished over 230 titles to date.

La Pastèque received its let­ters patent in July 1998, and its first pub­li­ca­tion, Spout­nik 1, was released in Decem­ber of that year. Set up by Frédéric Gau­thi­er and Mar­tin Brault, the pub­lish­ing house has pub­lished over 230 titles to date.

Les Fées Spé­ciales stu­dio applies its tech­no­log­i­cal and cre­ative exper­tise born from cin­e­ma to the field of video games. Our team is spe­cialised in 2D, 3D, VR, AR and devel­op­ment, and can step in at dif­fer­ent steps of the game devel­op­ment process: ani­ma­tion, artis­tic direc­tion, game play, devel­op­ment… We offer tai­lored solu­tions to ensure both the tech­no­log­i­cal fea­si­bil­i­ty and the esthet­ic vision need­ed for your projects.

Gul­li (M6 Group) is the No. 1 TV broad­cast­er for kids! It is the children’s favourite chan­nel and the one in which par­ents have the most con­fi­dence in. All day long, chil­dren find their favourite heroes in ani­mat­ed series based on com­e­dy or action, live action, cin­e­ma, games and doc­u­men­taries. More than just enter­tain­ment, Gul­li is a ref­er­en­tial, engaged and reas­sur­ing brand. Through its pro­grams, it offers ways of think­ing about tol­er­ance, open-mind­ed­ness and know­ing how to live together.

Madri­gall Group is a pub­lish­ing hold­ing com­pa­ny that includes, among oth­ers, Cast­er­man (found­ed in Bel­gium in 1777), Gal­li­mard Jeunesse (1972) and Sar­ba­cane (2003), each of them being ded­i­cat­ed to chil­dren books, com­ic books and nov­els for teens and young adults. The­ses hous­es pub­lished many books that have been adapt­ed, like ​“Toby Alone” and ​“PJ Masks” (Gal­li­mard Jeunesse), ​“Ernest and Celes­tine”, ​“Last­man” (Cast­er­man) or ​“Anna and Fro­ga” (Sar­ba­cane).

Mash&Co - Emo­tion­al intel­li­gence & fun is an Ital­ian and French com­pa­ny that cre­ates edu­tain­ment dig­i­tal con­tent (video games, apps & car­toons) that empow­ers kids’ emo­tion­al and soft skills. At Mash&Co, we cre­ate and craft our IPs, delight­ing kids with empa­thy, inclu­sion, diver­si­ty, and eco-aware­ness narratives.

Medi­a­toon Dis­tri­b­u­tion suc­cess­ful­ly man­ages and mar­kets icon­ic shows world­wide. Thanks to its in-house stu­dios, third-par­ty pro­duc­ers and oth­er major ani­me part­ners, Mediatoon’s cat­a­logue con­sists of over 4,000 hours worth of enter­tain­ment. This includes icon­ic series such as ​“Garfield”, ​“Sam­Sam”, ​“Tintin”, ​“Trotro”, ​“Code Lyoko” and ​“Naru­to”, all of which con­tin­ue to cement Mediatoon’s posi­tion as one of Europe’s lead­ing Kids and Fam­i­ly IP man­agers and ani­ma­tion distributors.

Medi­a­toon Audio­vi­su­al Rights rep­re­sents the audio­vi­su­al rights for all pub­lish­ers of the Media-Par­tic­i­pa­tions Group and few oth­ers. With his­tor­i­cal graph­ic nov­els pub­lish­ers such as Dar­gaud, Dupuis, Le Lom­bard and tra­di­tion­al lit­er­ary pow­er­hous­es like Le Seuil/​La Mar­tinière, as well as inde­pen­dent pub­lish­ers, it is more than 100,000 nov­els and 4,000 comics IPs wait­ing for you to be adapted.

Medi­a­toon Audio­vi­su­al Rights rep­re­sents the audio­vi­su­al rights for all pub­lish­ers of the Média-Par­tic­i­pa­tions Group and few oth­ers. With his­tor­i­cal graph­ic nov­els pub­lish­ers such as Dar­gaud, Dupuis, Le Lom­bard and tra­di­tion­al lit­er­ary pow­er­hous­es like Le Seuil/​La Mar­tinière, as well as inde­pen­dent pub­lish­ers, it is more than 100,000 nov­els and 4,000 comics IPs wait­ing for you to be adapted.

Mon­dadori is the top Ital­ian pub­lish­er, lead­ing the mar­ket of trade books and school text­books mar­ket, where it oper­ates through the coun­try’s most pres­ti­gious pub­lish­ing hous­es and pub­lish­ing trade­marks, and one of the major play­ers in the retail seg­ment, thanks to a wide­spread net­work of book­stores across the coun­try. The Group holds a lead­er­ship posi­tion, through the trade­marks Mon­dadori, Ein­au­di, Piemme, Sper­ling & Kupfer, Frassinel­li, Riz­zoli, BUR, Fab­bri and Electa.

Formed in 1998, the com­pa­ny has a diverse cat­a­logue of ani­ma­tion, rang­ing from hit pre-school series, sold world­wide, to Oscar-winnng short ani­ma­tion. We like to get involved ear­ly and build pro­grammes into brands, sell­ing to all broad­cast­ers and plat­forms world­wide and mak­ing licens­ing, mer­chan­dis­ing and pub­lish­ing deals. We were award­ed the Car­toon Trib­ute Award for Investor of the Year 2012.

Edi­tions Nathan, pub­lish­er of chil­dren’s books for 130 years. A fam­i­ly busi­ness that has become one of the ref­er­ence hous­es of the Edi­tis Group, Edi­tions Nathan offers a very large range of books: books for tod­dlers, from birth to first steps, chil­dren’s pic­ture books and tales, non-fic­tion titles and Lit­er­a­ture in all its forms in paper­back or large-for­mat nov­els, from ear­ly read­ers to teenagers and young adults.

Net­flix is the world’s lead­ing stream­ing enter­tain­ment ser­vice with 221 mil­lion paid mem­ber­ships in over 190 coun­tries enjoy­ing TV series, doc­u­men­taries, fea­ture films and mobile games across a wide vari­ety of gen­res and lan­guages. Mem­bers can watch as much as they want, any­time, any­where, on any inter­net-con­nect­ed screen.

NDR is the pub­lic broad­cast­er in north­ern Ger­many belong­ing to ARD. NDR is licens­ing and co-pro­duc­ing ani­ma­tion pro­gram for ​“KiKA” and for ​“Das Erste”. NDR is look­ing for non-vio­lent series for chil­dren between 5-7 and 8-12-years-old (3′-5′, 12′, 15′, 25′ series) and also fea­ture films. The pro­grams should be fresh, unique, fun­ny and orig­i­nal in terms of con­tent and design. We need com­pelling sto­ries with strong char­ac­ters that appeal to both boys and girls.

NRK Super is a Nor­we­gian pub­lic TV broad­cast­er aimed at chil­dren 0-14-years-old, run by Nor­we­gian Broad­cast­ing Cor­po­ra­tion (NRK). NRK Super is the largest and most suc­cess­ful children’s broad­cast­er in Nor­way both in terms of rat­ings and audi­ence sat­is­fac­tion. NRK Super includes a free VoD (FVoD) play­er, a lin­ear TV chan­nel, a dig­i­tal radio, var­i­ous apps and pres­ence on social media and YouTube. NRK Super offers a range of cre­ative mul­ti-genre con­tent annu­al­ly for its core audience.

NRK Super is a Nor­we­gian pub­lic TV broad­cast­er aimed at chil­dren 0-14-years-old, run by Nor­we­gian Broad­cast­ing Cor­po­ra­tion (NRK). NRK Super is the largest and most suc­cess­ful children’s broad­cast­er in Nor­way both in terms of rat­ings and audi­ence sat­is­fac­tion. NRK Super includes a free VoD (FVoD) play­er, a lin­ear TV chan­nel, a dig­i­tal radio, var­i­ous apps and pres­ence on social media and YouTube. NRK Super offers a range of cre­ative mul­ti-genre con­tent annu­al­ly for its core audience.

Oblique (облик) means ​‘slant­ed’, ​‘bent’ in Latin lan­guages, and ​‘shape’, ​‘pat­tern’ in Slav­ic ones. There­fore, the defence and dis­sem­i­na­tion of the ​‘diver­gent form’, aes­thet­i­cal­ly and polit­i­cal­ly, was set as the cri­te­ri­on and moti­va­tion for the estab­lish­ment in Novem­ber 2019 of the homony­mous pub­lish­ing house (along with a book­store and art gallery)by Anas­ta­sia Deli­gian­ni, psy­chol­o­gist and visu­al artist, in Thes­sa­loni­ki, a city where such eccen­tric con­fig­u­ra­tions thrive always.

ODMe­dia pro­vides a one-stop solu­tion which makes sure your con­tent is in the right for­mat, in the right place, at the right time. We con­nect con­tent own­ers & plat­forms to deliv­er con­tent to view­ers on any screen around the world. We take care of all tech­ni­cal require­ments, which allows you to focus on your core activ­i­ties. We offer ser­vices cov­er­ing the entire con­tent life cycle; from cre­ation of a dig­i­tal cin­e­ma pack­age to tech­ni­cal deliv­ery to OTT plat­forms and broadcasters.

We cre­ate sim­ple or ani­mat­ed books for chil­dren, our activ­i­ty rang­ing from the very first idea up to man­u­fac­tur­ing. Our 15-years exper­tise in the world of pub­lish­ing allows us to antic­i­pate trends, to invent brand-new con­cepts and to work with a net­work of excep­tion­al tal­ents (authors, illus­tra­tors, paper engi­neers, singers & nar­ra­tors.) Our books are sold all over the word by a large range of pub­lish­ers. We are also help­ing to con­vert ani­ma­tion films sto­ries into books and vice versa.

Outfit7 is a dynam­ic force in mobile gam­ing, reach­ing a glob­al audi­ence of bil­lions with its award-win­ning games. Pow­ered by cre­ativ­i­ty and indus­try-lead­ing exper­tise, the company’s tal­ent­ed inter­na­tion­al team of over 400 peo­ple push­es the bound­aries of the pos­si­ble every day. Outfit7’s 20+ games have now been down­loaded world­wide over 23 bil­lion times and up to 470 mil­lion fans play with them every month. Its port­fo­lio also includes numer­ous chart-top­ping ani­mat­ed series.

Outfit7 is a dynam­ic force in mobile gam­ing, reach­ing a glob­al audi­ence of bil­lions with its award-win­ning games. Pow­ered by cre­ativ­i­ty and indus­try-lead­ing exper­tise, the company’s tal­ent­ed inter­na­tion­al team of over 400 peo­ple push­es the bound­aries of the pos­si­ble every day. Outfit7’s 20+ games have now been down­loaded world­wide over 23 bil­lion times and up to 470 mil­lion fans play with them every month. Its port­fo­lio also includes numer­ous chart-top­ping ani­mat­ed series.

Pase­ka is a lead­ing Czech pub­lish­er of fic­tion, children’s books, comics and his­to­ry. It was estab­lished as one of the first pri­vate Czech pub­lish­ing hous­es in late 1989. Since 2015, comics and graph­ic nov­els form a key part of its offer. Pase­ka is a Czech pub­lish­er of Kazu Kibuishi, Jeff Lemire, Luke Pear­son, Noelle Steven­son, Liv Strömquist, Mariko Tama­ki, Raina Tel­ge­meier, Craig Thomp­son or Tillie Walden. Pase­ka also pub­lish­es orig­i­nal Czech graph­ic novels.

PGS Enter­tain­ment is a French-Swiss pri­vate­ly owned invest­ment fam­i­ly group ded­i­cat­ed to the financ­ing and brand man­age­ment of inde­pen­dent pro­duc­ers chil­dren’s tele­vi­sion programming.

PVP DIS­TRI­B­U­TION, found­ed in 2024 and based in Que­bec, is an inter­na­tion­al dis­tri­b­u­tion com­pa­ny of doc­u­men­taries and children’s con­tent. Our curat­ed selec­tion of thought-pro­vok­ing doc­u­men­taries and engag­ing youth-focused pro­grams aims to inspire, edu­cate and enter­tain audi­ences world­wide. PVP DISTRIBUTION’s cat­a­logue con­sists of pro­grams pro­duced by PVP MEDIA, its affil­i­at­ed pro­duc­tion com­pa­ny, as well as those from oth­er renowned pro­duc­ers based in Cana­da and around the world.

RTP is the pub­lic ser­vice oper­a­tor of radio and tele­vi­sion in Por­tu­gal. It has a unique his­to­ry, built over decades and an irre­place­able her­itage. It is a ref­er­ence in Por­tuguese audio­vi­su­al and dis­tin­guished by the qual­i­ty and val­ue cre­ation of its diver­si­fied offer. In its pub­lic ser­vice mis­sion, it assumes rel­e­vance due to the qual­i­ty and diver­si­ty of the offer, on radio and tele­vi­sion, as well as in the con­tent it makes avail­able online. It is a ref­er­ence as a glob­al com­mu­ni­ca­tion platform.

RTÉ has 2 dis­tinct audi­ences that we cater for: RTÉjr (0-6) and RTÉ Kids (7-12). We feed a num­ber of plat­forms: RTÉjr is a ded­i­cat­ed lin­ear TV chan­nel and RTÉ Kids runs dai­ly on RTÉ 2 (Mon­day to Fri­day from 2-5pm). We are also try­ing to cre­ate a more 360° con­tent offer­ing in terms of our titles with ded­i­cat­ed pod­casts and a strong RTÉ YouTube pres­ence. In terms of our com­mis­sion­ing ani­ma­tion strat­e­gy, our main remit is to sup­port indige­nous Irish ani­ma­tion com­pa­nies to get their series to air.

Span­ish Radio and Tele­vi­sion Cor­po­ra­tion (RTVE) is Spain’s largest and most influ­en­tial mul­ti­me­dia group, as well a stan­dard for the Span­ish-speak­ing world. The RTVE is entrust­ed with the mis­sion of guar­an­tee­ing state-owned pub­lic radio and tele­vi­sion ser­vices, offer­ing objec­tive & plur­al infor­ma­tion, encour­ag­ing demo­c­ra­t­ic par­tic­i­pa­tion & debate, effec­tive­ly pro­mot­ing cul­ture, knowl­edge, child pro­tec­tion, gen­der equal­i­ty and social & ter­ri­to­r­i­al cohesion.

RAI Kids is a depart­ment of Radiotele­vi­sione Ital­iana (RAI), the Ital­ian pub­lic broad­cast­er, the lead­ing TV and Radio com­pa­ny in Italy. The offer for chil­dren and kids com­pre­hends two free TV Chan­nels, RAI Yoyo (pre-school and chil­dren) and RAI Gulp (kids). Their sched­ule is most­ly made of ani­ma­tion, live shows and kids dra­ma. Chil­dren con­tent is also dis­trib­uted on RAI Play, RAI’s free VoD ser­vice, and specif­i­cal­ly on RAI Play Yoyo, as well as on RAI Radio Kids. RAI Ragazzi is one of the main Euro­pean investors in the pro­duc­tion of ani­ma­tion and kids’ drama.

RAI Kids is a depart­ment of Radiotele­vi­sione Ital­iana (RAI), the Ital­ian pub­lic broad­cast­er, the lead­ing TV and radio com­pa­ny in Italy. The offer for chil­dren and kids com­pre­hends two free TV chan­nels, RAI Yoyo (pre-school and chil­dren) and RAI Gulp (kids). Their sched­ule is most­ly made of ani­ma­tion, live shows and kids dra­ma. Chil­dren con­tent is also dis­trib­uted on RAI Play, RAI’s free VoD ser­vice, and specif­i­cal­ly on RAI Play Yoyo, as well as on RAI Radio Kids. RAI is one of the main Euro­pean investors in the pro­duc­tion of ani­ma­tion and kids’ drama.

The Occ­i­tanie Region aims to strength­en the film indus­try and the cul­tur­al dynam­ics on its ter­ri­to­ry. The Region sup­ports film­mak­ers by pro­vid­ing finan­cial assis­tance for devel­op­ment and pro­duc­tion and offers sup­ports to film fes­ti­val and film mar­kets. This approach also includes a film edu­ca­tion pro­gram, as well as a sup­port to film her­itage through the Ciné­math­èque de Toulouse and the Jean Vigo Institute.

As the film and audio­vi­su­al agency for the Occ­i­tanie region, Occ­i­tanie films aims at strength­en­ing the film indus­try in Occ­i­tanie by pro­vid­ing ser­vices free of charge to pro­duc­ers and direc­tors shoot­ing in the region, organ­is­ing work­shops and talks for local film pro­fes­sion­als, sup­port­ing the dis­tri­b­u­tion of films pro­duced or direct­ed in the region and pro­mot­ing cul­tur­al and artis­tic edu­ca­tion, in con­junc­tion with its super­vi­so­ry bod­ies, the Occ­i­tanie Region, the DRAC Occ­i­tanie and the CNC.

As the film and audio­vi­su­al agency for the Occ­i­tanie region, Occ­i­tanie films aims at strength­en­ing the film indus­try in Occ­i­tanie by pro­vid­ing ser­vices free of charge to pro­duc­ers and direc­tors shoot­ing in the region, organ­is­ing work­shops and talks for local film pro­fes­sion­als, sup­port­ing the dis­tri­b­u­tion of films pro­duced or direct­ed in the region and pro­mot­ing cul­tur­al and artis­tic edu­ca­tion, in con­junc­tion with its super­vi­so­ry bod­ies, the Occ­i­tanie Region, the DRAC Occ­i­tanie and the CNC.

As the film and audio­vi­su­al agency for the Occ­i­tanie region, Occ­i­tanie films aims at strength­en­ing the film indus­try in Occ­i­tanie by pro­vid­ing ser­vices free of charge to pro­duc­ers and direc­tors shoot­ing in the region, organ­is­ing work­shops and talks for local film pro­fes­sion­als, sup­port­ing the dis­tri­b­u­tion of films pro­duced or direct­ed in the region and pro­mot­ing cul­tur­al and artis­tic edu­ca­tion, in con­junc­tion with its super­vi­so­ry bod­ies, the Occ­i­tanie Region, the DRAC Occ­i­tanie and the CNC.

The Occ­i­tanie Region aims to strength­en the film indus­try and the cul­tur­al dynam­ics on its ter­ri­to­ry. The Region sup­ports film­mak­ers by pro­vid­ing finan­cial assis­tance for devel­op­ment and pro­duc­tion and offers sup­ports to film fes­ti­val and film mar­kets. This approach also includes a film edu­ca­tion pro­gram, as well as a sup­port to film her­itage through the Ciné­math­èque de Toulouse and the Jean Vigo Institute.

The Provence-Alpes-Côte d’Azur Region has been sup­port­ing ani­ma­tion since 2010. We pro­vide sup­port for fea­ture films, short films and films or series for tele­vi­sion at the writ­ing, devel­op­ment and pro­duc­tion stages. Now with a bud­get of 1,4M€, the region­al sup­port fund for ani­ma­tion has financed more than 100 projects. Pro­duced in one of the 13 region­al stu­dios or by com­pa­nies that have cho­sen to set­tle in the region, these projects have cre­at­ed a dynam­ic ecosystem.

It pro­motes Roma and Lazio region’s resources for the audio­vi­su­al sec­tor, assists nation­al and inter­na­tion­al pro­duc­tions, offers loca­tion scout­ing sup­port. It sup­ports co-pro­duc­tion devel­op­ment and offers guid­ance on Lazio region’s funds. It is a mem­ber of the net­works IFC, EUFCN Film­ing Europe, AFCI and CineRegio.

RTBF co-pro­duces ani­mat­ed series and indi­vid­ual pro­grammes root­ed in Belgium’s art and Lit­er­a­ture; it also pays par­tic­u­lar atten­tion to projects that stand out for their aes­thet­ic char­ac­ter. These pro­grammes must be pro­duced or co-pro­duced by inde­pen­dent Bel­gian com­pa­nies. In terms of acqui­si­tions, RTBF con­cen­trates on inno­v­a­tive con­tem­po­rary Euro­pean ani­mat­ed series for chil­dren aged 8 to 10. RTBF also intends to explore Euro­pean and inter­na­tion­al fic­tion aimed at 10-15 and at 15-18-year-olds.

RTV Sloveni­ja is a non-prof­it organ­i­sa­tion of spe­cial cul­tur­al and nation­al impor­tance, per­form­ing its activ­i­ties in the field of radio and tele­vi­sion in accor­dance with the RTV Sloveni­ja Pub­lic Act. It pro­duces pro­grams for two nation­al TV chan­nels, two region­al TV chan­nels, two TV chan­nels for the nation­al com­mu­ni­ties, three nation­al radio chan­nels, two region­al radio pro­grams and radio pro­grams for for­eign citizens.

Screen Flan­ders is your first stop for audio­vi­su­al activ­i­ties in the Flan­ders Region, pro­vid­ing finan­cial sup­port through its eco­nom­ic fund, infor­ma­tion and ser­vices via its film com­mis­sion. Via the Screen Flan­ders eco­nom­ic fund, Bel­gian (co-)producers can apply to receive up to 400,000€ refund­able advances by way of eco­nom­ic sup­port to cov­er their audio­vi­su­al expens­es in the Flan­ders Region.

Six­teen South Rights is an inde­pen­dent dis­trib­u­tor which is part of the Six­teen South Group. It rep­re­sents all of the studio’s orig­i­nal IP – four mul­ti-award win­ning com­plet­ed titles and two new series cur­rent­ly in pro­duc­tion. As a bou­tique inde­pen­dent dis­trib­u­tor, we are com­plete­ly aligned with the ethos of the stu­dio that we were born from and the three pil­lars of pas­sion, heart and qual­i­ty under­pin every­thing that we do.

STVR is a Slo­vak pub­lic, nation­al, inde­pen­dent, infor­ma­tion­al, cul­tur­al and edu­ca­tion­al insti­tu­tion that pro­vides its ser­vices in the area of radio and tele­vi­sion broad­cast on the ter­ri­to­ry of the Slo­vak Repub­lic. First, it start­ed to broad­cast as Bratisla­va stu­dio in 1956 as a part of the Czechoslo­vak Tele­vi­sion (CST). Slo­vak Tele­vi­sion works as an inde­pen­dent insti­tu­tion since 1991. It now oper­ates on five chan­nels: Jed­not­ka, Dvo­j­ka, :24 and Šport.

STVR is Slo­vak pub­lic, nation­al, inde­pen­dent, infor­ma­tion­al, cul­tur­al and edu­ca­tion­al insti­tu­tion, that pro­vides its ser­vices in the area of radio and tele­vi­sion broad­cast on the ter­ri­to­ry of the Slo­vak Republic.First It start­ed to broad­cast as Bratisla­va stu­dio in 1956 as a part of the Czechoslo­vak Tele­vi­sion (CST). Slo­vak Tele­vi­sion works as an inde­pen­dent insti­tu­tion since 1991. It now oper­ates on five chan­nels: Jed­not­ka, Dvo­j­ka, :24 and Šport.

Stu­dio 100 Inter­na­tion­al is a lead­ing glob­al pro­duc­tion and dis­tri­b­u­tion com­pa­ny for high-qual­i­ty chil­dren’s and fam­i­ly movies and series. Based in Munich, the com­pa­ny rep­re­sents a port­fo­lio of well-known brands such as ​“Maya the Bee” and ​“Mia and Me”. Stu­dio 100 Inter­na­tion­al fur­ther engages in world­wide brand rights licens­ing and man­ages its own state-of-the-art pro­duc­tion stu­dio, Stu­dio Isar Ani­ma­tion. The com­pa­ny is a sub­sidiary of the Bel­gian Stu­dio 100 Group.

SWR is the region­al pub­lic broad­cast­er locat­ed in the south­west of Ger­many. As part of ARD, SWR pro­duces, co-pro­duces and licens­es chil­dren’s pro­grams and ani­ma­tion pro­grams main­ly for a use on KiKA, the pub­lic Ger­man children’s chan­nel of ARD and ZDF. We are look­ing for for­mats that inspire and empow­er chil­dren, age 5-12. We pre­fer cre­ative and humor­ous shows with an indi­vid­ual approach, strong visu­als and a pas­sion for the characters.

Super RTL is part of the RTL Media Group and the lead­ing con­tent provider for chil­dren’s enter­tain­ment in Ger­many. The com­pa­ny dis­trib­utes con­tent via var­i­ous chan­nels such as its own two lin­ear TV chan­nels and dig­i­tal plat­forms, e. g. apps, web­sites, radio, YouTube and SVoD. The umbrel­la brand TOG­GO bun­dles series, games and events for 2 to 13-year-olds, Super RTL mar­kets the lead­ing themes in the chil­dren’s seg­ment via its own licence agency.

Super RTL is part of the RTL Media Group and the lead­ing con­tent provider for chil­dren’s enter­tain­ment in Ger­many. The com­pa­ny dis­trib­utes con­tent via var­i­ous chan­nels such as its own two lin­ear TV chan­nels and dig­i­tal plat­forms, e. g. apps, web­sites, radio, YouTube and SVoD. The umbrel­la brand TOG­GO bun­dles series, games and events for 2 to 13-year-olds, Super RTL mar­kets the lead­ing themes in the chil­dren’s seg­ment via its own licence agency.

SVT is the pub­lic broad­cast­er in Swe­den and the kids chan­nel, SVT Barn, has a tar­get group of kids 2-12 years of age.

Team Enter­tain­ment is an inde­pen­dent com­pa­ny of brand man­age­ment and an active play­er in the nation­al and inter­na­tion­al TV dis­tri­b­u­tion and co-pro­duc­tions projects and pro­duc­tions for web, TV, licens­ing & mer­chan­dis­ing. The pur­pose of Team Enter­tain­ment is to offer the ser­vice of a ​‘spe­cialised team’: deliv­er­ing oper­a­tive answers to part­ners fos­ter­ing syn­er­gies and team actions. Our activ­i­ties are aimed at chil­dren, teenagers and adults pro­mot­ing projects ​‘ad hoc’.

Tele­visió de Catalun­ya is the gen­er­al­ist pub­lic TV broad­cast­er of Cat­alo­nia. TV3 is com­mit­ted to offer its view­ers a social­ly rel­e­vant, qual­i­ty pro­gram­ming, while sup­port­ing and pro­mot­ing Cata­lan cul­ture and lan­guage, as well as encour­ag­ing inno­va­tion and cre­ativ­i­ty. TVC pro­mot­ed from its out­set the suc­cess­ful ani­mat­ed series ​“The Triplets”. It has tak­en part since then in a vari­ety of pro­duc­tions with inter­na­tion­al impact: ​“Josep”, ​“Heav­ies Ten­dres”, ​“Saari”, ​“Ask Lara” or ​“Jas­mine & Jambo”.

TVP, pub­lic broad­cast­er of Poland, is the biggest tele­vi­sion in Poland and in East­ern Europe. The sta­tion port­fo­lio con­sists of two nation­wide chan­nels, 16 region­al chan­nels, satel­lite chan­nels – TV Polo­nia, TV Biełsat – as well as the­mat­ic chan­nels: TVP Info, TVP ABC, TVP Kul­tura, TVP His­to­ria, TVP Sport, TVP Seri­ale, TVP Rozry­wka, TVP Doku­ment, TVP Kobi­eta and own VoD plat­form. For many years, TVP has been suc­cess­ful­ly com­bin­ing its mis­sion of inform­ing, edu­cat­ing and pro­vid­ing entertainment.

Look­ing for gen­der-neu­tral pro­grams 4-10-year-old tar­get. In 2022/23, TF1 has pre­miered: ​“Pyja­mask Pow­er­heroes” (eONE, 52x12’), ​“Gus the Itsy Bit­sy Knight” (Tech­ni­col­or, 52x11’), ​“The Smurfs” sea­son 2 (Ellip­sanime & Peyo Pro­duc­tion, 52x11’), ​“Alice & Lewis” sea­son 2 (Blue Spir­it, 52x11’), ​“Mirac­u­lous” sea­son 5 (Zag­toon On Kids & Fam­i­ly, 26x22’), ​“Thomas & Friends” (Mat­tel Stu­dios, 52x11’), ​“Mighty Express” (Spin Mas­ter, 52x11’), ​“Paw Patrol” sea­son 9 (Nick­elodeon & Spin­mas­ter, 52x13’), ​“Super Wings” sea­son 7 (Fun­ny Flux/​Alpha, 38x11’ + 2x22’).

Tunué is among the lead­ing pub­lish­ing hous­es in Italy in its field, it pub­lish­es graph­ic nov­els for kids and grown-ups, illus­trat­ed books, essays and nov­els. Tunué pub­lish­es con­tem­po­rary inter­na­tion­al authors such as Paco Roca, Tony San­doval, David Rubín, Jérémie More­au, Gene Luen Yang and oth­ers, and it gives voice to some of the most inter­est­ing authors in Italy.

TV Markíza is the biggest full-for­mat pri­vate tele­vi­sion chan­nel which has been broad­cast­ing in Slo­va­kia since August 31, 1996. It broad­casts on its main chan­nel Markíza and niche chan­nels Doma, Daj­to & Kri­mi. TV Nova is the biggest com­mer­cial tele­vi­sion chan­nel in the Czech Repub­lic, launched in 1994. It oper­ates on its main chan­nel Nova and niche chan­nels Cin­e­ma, Action, Fun, Gold, Lady, Sport chan­nels and Nova Inter­na­tion­al. Nova and Markíza Group has a paid stream­ing ser­vice Voyo.

TV5MONDE is the world’s lead­ing chan­nel in French. It attracts an aver­age of near­ly 60 mil­lion view­ers each week. TV5MONDE is the offi­cial oper­a­tor of the Inter­na­tion­al Organ­i­sa­tion of La Fran­coph­o­nie (OIF). TV5MONDE aims to pro­mote French-speak­ing cul­ture and cre­ation in all its forms. Its speci­fici­ty: to dis­trib­ute works in French, whether Bel­gian, French, Que­bec or Cana­di­an or from the African con­ti­nent, to pro­mote them all over the world.

Unifrance is the organ­i­sa­tion respon­si­ble for pro­mot­ing French cin­e­ma and TV con­tent world­wide. Locat­ed in Paris, Unifrance employs around 50 staff mem­bers, as well as rep­re­sen­ta­tives based in the U.S., in Chi­na and, soon, in Japan. The organ­i­sa­tion cur­rent­ly brings togeth­er more than 1,000 French cin­e­ma and TV con­tent pro­fes­sion­als (pro­duc­ers, tal­ents, agents, sales com­pa­nies, etc.) work­ing togeth­er to pro­mote French films and TV pro­grammes among for­eign audi­ences, indus­try exec­u­tives and media.

Warn­er Bros. Dis­cov­ery is a lead­ing glob­al media and enter­tain­ment com­pa­ny that cre­ates and dis­trib­utes the world’s most dif­fer­en­ti­at­ed and com­plete port­fo­lio of con­tent and brands across tele­vi­sion, film and stream­ing. Avail­able in more than 220 coun­tries and ter­ri­to­ries and 50 lan­guages, Warn­er Bros. Dis­cov­ery inspires, informs and enter­tains audi­ences world­wide through its icon­ic brands and prod­ucts includ­ing: Dis­cov­ery Chan­nel, dis­cov­ery+, CNN, D, Eurosport, HBO…

The Brands depart­ment of WDR Medi­a­group is a licens­ing agency that rep­re­sents renowned brands of nation­al and inter­na­tion­al right hold­ers for suc­cess­ful brands. Through the assign­ment of mer­chan­dis­ing and pub­lish­ing rights, we estab­lish exten­sive prod­uct ranges on the mar­ket. In addi­tion to toys, sta­tionery, acces­sories, cloth­ing, house­hold tex­tiles and print prod­ucts, we realise attrac­tive coop­er­a­tive part­ner­ships in areas such as theatre/​stage and promotion.

West­deutsch­er Rund­funk (WDR) is a Ger­man pub­lic broad­cast­ing insti­tu­tion based in Cologne. We are the largest media organ­i­sa­tion in Ger­many and the sec­ond largest in Europe. WDR pro­duces approx­i­mate­ly a quar­ter of the nation­wide pro­gram­ming of ​‘Das Erste’ (Chan­nel 1), the coun­try’s pri­ma­ry and longest-run­ning Ger­man TV chan­nel. WDR also sup­plies con­tent for oth­er chan­nels such as the ARD/ZDF chil­dren’s broad­cast­er KiKA.

We trans­mit 6 hours of ani­ma­tion on week­end morn­ings and deliv­er 40% of KiKA’s (Germany’s Chil­dren Chan­nel) pro­gram­ming. Pos­si­ble for­mats: 26/​52x12’ or 26x26’/52x26’ series for 6-12-years-old and pre-school. There is a cer­tain flex­i­bil­i­ty regard­ing oth­er for­mats though. We are also look­ing for high-qual­i­ty ani­mat­ed fea­tures, for chil­dren from 3-13-years-old and par­ents. Endear­ing fea­tures (up to 85’) or spe­cials (up to 25’) for hol­i­days like Christ­mas or East­er with a strong emo­tion­al story.