Who is coming

9 Sto­ry Media rep­re­sents over 4,800 half hours of ani­mat­ed and live action pro­gram­ming for kids, seen on some of the most respect­ed chan­nels and plat­forms around the world.

9 Sto­ry Media rep­re­sents over 4,800 half hours of ani­mat­ed and live action pro­gram­ming for kids, seen on some of the most respect­ed chan­nels and plat­forms around the world.

APC Kids is the children’s enter­tain­ment arm of lead­ing co-pro­duc­tion and dis­tri­b­u­tion com­pa­ny APC Stu­dios. Head­ed by Lionel Mar­ty, the kids’ spe­cial­ist has a grow­ing port­fo­lio of high-pro­file children’s and fam­i­ly prop­er­ties includ­ing ani­mat­ed series Kid-E-Cats, Lit­tle Tiaras, DinoC­i­ty, Galac­tic Agency, Fox and Hare, Roger and Hel­lo Mae­stro.. APC Kids also hous­es its own pro­duc­tion com­pa­ny Zephyr Animation.

Asmod­ee Enter­tain­ment is the divi­sion of lead­ing inter­na­tion­al games pub­lish­er and dis­trib­u­tor Asmod­ee respon­si­ble for bring­ing the company’s diverse port­fo­lio of brands into all cat­e­gories across enter­tain­ment and media.

Asmod­ee Enter­tain­ment man­ages rights for world renowned board games IP’s such as : ​“Catan”, ​“Tick­et to Ride”, ​“Dob­ble/Spot-it”, ​“Dix­it”, ​“Arkham Hor­ror”, ​“Leg­ends of the 5 Rings”…

BBC Children’s com­mis­sions and acquires pro­grammes for chil­dren aged 0 – 12 from pro­duc­tion com­pa­nies both in the UK and inter­na­tion­al­ly. For more infor­ma­tion about what we do and what we’re look­ing for, please vis­it our website.

BBC Children’s com­mis­sions and acquires pro­grammes for chil­dren aged 0 – 12 from pro­duc­tion com­pa­nies both in the UK and inter­na­tion­al­ly. For more infor­ma­tion about what we do and what we’re look­ing for, please vis­it our website.

BBC Children’s com­mis­sions and acquires pro­grammes for chil­dren aged 0 – 12 from pro­duc­tion com­pa­nies both in the UK and inter­na­tion­al­ly. For more infor­ma­tion about what we do and what we’re look­ing for, please vis­it our website.

Found­ed in the 2005, and now part of the Fan­dan­go Group, Bec­co­Gial­lo pub­lish­es non-fic­tion comics, Graph­ic Nov­els, comics for chil­dren and illus­trat­ed books.

CANAL+ Group is a leader in pre­mi­um and the­mat­ic tele­vi­sion chan­nels, as well as in the dis­tri­b­u­tion of Pay Tele­vi­sion ser­vices. In France, it is also a major play­er in free-to-air tele­vi­sion with 3 nation­al chan­nels, and its relat­ed adver­tis­ing arm. Out­side of France, CANAL+ Group has record­ed strong growth with a sig­nif­i­cant pres­ence in Europe, Africa and Asia (Viet­nam & Myan­mar). In total, CANAL+ Group has more than 20 mil­lion sub­scribers world­wide, includ­ing more than 8 mil­lion in main­land France.

The CNC par­tic­i­pates in the devel­op­ment of the ani­ma­tion indus­try through sev­er­al sup­port sys­tems.
These aim to:
• rein­force French cre­ativ­i­ty by pro­vid­ing sup­port for scriptwrit­ing and devel­op­ment for audio­vi­su­al and film projects,
• sup­port French ani­ma­tion pro­duc­ers through selec­tive and auto­mat­ic fund­ing sys­tems for TV series, short films and fea­tures,
• con­tribute to the pro­mo­tion of French ani­ma­tion in the inter­na­tion­al mar­ket through pro­mo­tion and dis­tri­b­u­tion fund systems.

The CNC par­tic­i­pates in the devel­op­ment of the ani­ma­tion indus­try through sev­er­al sup­port systems.These aim to:• rein­force French cre­ativ­i­ty by pro­vid­ing sup­port for scriptwrit­ing and devel­op­ment for audio­vi­su­al and film projects,• sup­port French ani­ma­tion pro­duc­ers through selec­tive and auto­mat­ic fund­ing sys­tems for TV series, short films and fea­tures,• con­tribute to the pro­mo­tion of French ani­ma­tion in the inter­na­tion­al mar­ket through pro­mo­tion and dis­tri­b­u­tion fund systems.

CGWire pro­vides a col­lab­o­ra­tion solu­tion to help ani­ma­tion stu­dios deal with the com­plex­i­ty of their pro­duc­tions. Our offer includes pro­duc­tion track­ing and review sys­tems to allow all stake­hold­ers of the pro­duc­tion to inter­act effi­cient­ly. We already work with award-win­ning stu­dios such as Fost, Miyu, TNZPV, Malilart, Blender, Aka­mi, and many more.

Found­ed in 2005, Cyber Group Stu­dios is a lead­ing mul­ti-award-win­ning inter­na­tion­al pro­duc­er and dis­trib­u­tor of ani­mat­ed pro­grams for an audi­ence rang­ing from kids to young adults. The com­pa­ny is based in France, Unit­ed States, UK, Italy, and Singapore.

Found­ed in 2005, Cyber Group Stu­dios is a lead­ing mul­ti-award-win­ning inter­na­tion­al pro­duc­er and dis­trib­u­tor of ani­mat­ed pro­grams for an audi­ence rang­ing from kids to young adults. The com­pa­ny is based in France, Unit­ed States, UK, Italy, and Singapore.

DigixArt est le stu­dio der­rière le suc­cès Road 96, jeu nar­ratif où l’ex­péri­ence est dif­férente pour chaque joueur. Le jeu a raflé 5 Pégas­es lors de la dernière cérémonie.

Le stu­dio a égale­ment réal­isé avec Aard­man Ani­ma­tions le jeu 11 – 11 Mem­o­ries Retold, un jeu sen­si­ble et artis­tique sur la pre­mière guerre mondiale.

DR Sales is the sales depart­ment of the Dan­ish Broad­cast­ing Cor­po­ra­tion. We are the lead­ing Nordic dis­trib­u­tor of high-qual­i­ty sto­ry­telling tar­get­ing all ages. With com­mit­ment and heart, we rep­re­sent award-win­ning doc­u­men­taries, dra­ma series, and chil­dren & youth content.We offer a unique and rock-sol­id dis­tri­b­u­tion win­dow to our pub­lic broad­cast col­leagues around the world as well as an estab­lished col­lab­o­ra­tion with major net­works, stream­ing plat­forms, film fes­ti­vals, and impact partners.

Edel Kids is the children’s home enter­tain­ment brand for the Edel label group. It is one of the most impor­tant reper­toire com­pa­nies in the child seg­ment and is among the strongest sup­pli­ers in GAS.
Its audio and DVD releas­es on top­ics like ​“The Lit­tle Prince”, ​“Bar­bie”, ​“Drag­ons”, ​“Yakari”, ​“Mira­colous” and ​“Mia and me” have entrenched the label of count­less chil­dren. Since 2010 the label has owned the rights to the ani­mat­ed TV series and cin­e­ma films of ​“Pett­son and Findus”.

Edi­tions Milan is a French pub­lish­ing house and press group owned by Bayard Presse since 2004. 8^th largest pub­lish­er in the chil­dren’s pub­lish­ing mar­ket (GFK 2014), 300 new titles per year (includ­ing new edi­tions), 2000 active titles 2 mil­lion copies sold per year (GFK 2014) and 16 mil­lion € in turnover (2014).

Edi­tions Milan is a French pub­lish­ing house and press group owned by Bayard Presse since 2004. 8^th largest pub­lish­er in the chil­dren’s pub­lish­ing mar­ket (GFK 2014), 300 new titles per year (includ­ing new edi­tions), 2000 active titles 2 mil­lion copies sold per year (GFK 2014) and 16 mil­lion € in turnover (2014).

El Reino Infan­til (The Children’s King­dom Nurs­ery Rhymes) is the first Span­ish cross-plat­form world­wide for kids & fam­i­lies with +160 mil­lion sub­scribers on YouTube with 6 Dia­mond but­tons. We are well-known for our TV Shows such as Zenon the Farmer, Bichikids, Zoo Songs, Blu Fam­i­ly, and Paco the Sailor. We cre­ate and dis­trib­ute con­tent for chil­dren, not only by devel­op­ing pio­neer­ing dig­i­tal expe­ri­ences in the mar­ket but also by nar­row­ing down the dis­tance between online & offline worlds.

Enter­tain­ment One is a tal­ent-dri­ven inde­pen­dent stu­dio that spe­cial­izes in the devel­op­ment, acqui­si­tion, pro­duc­tion, financ­ing, dis­tri­b­u­tion and sales of enter­tain­ment con­tent. As part of glob­al play and enter­tain­ment com­pa­ny Has­bro (NAS­DAQ: HAS), eOne’s exper­tise spans across film and tele­vi­sion pro­duc­tion and sales; pro­duc­tion, dis­tri­b­u­tion and brand man­age­ment of kids and fam­i­ly prop­er­ties; dig­i­tal con­tent; and immer­sive and live entertainment.

Enter­tain­ment One is a tal­ent-dri­ven inde­pen­dent stu­dio that spe­cial­izes in the devel­op­ment, acqui­si­tion, pro­duc­tion, financ­ing, dis­tri­b­u­tion and sales of enter­tain­ment con­tent. As part of glob­al play and enter­tain­ment com­pa­ny Has­bro (NAS­DAQ: HAS), eOne’s exper­tise spans across film and tele­vi­sion pro­duc­tion and sales; pro­duc­tion, dis­tri­b­u­tion and brand man­age­ment of kids and fam­i­ly prop­er­ties; dig­i­tal con­tent; and immer­sive and live entertainment.

The mis­sion of ICEX is to pro­mote the inter­na­tion­al­iza­tion of Span­ish com­pa­nies and to encour­age for­eign invest­ments in Spain.

The mis­sion of ICEX is to pro­mote the inter­na­tion­al­iza­tion of Span­ish com­pa­nies and to encour­age for­eign invest­ments in Spain.

The mis­sion of ICEX is to pro­mote the inter­na­tion­al­iza­tion of Span­ish com­pa­nies and to encour­age for­eign invest­ments in Spain.

ERR is a pub­lic broad­cast­er with 3 TV chan­nels and 5 radio sta­tions + 2 VOD plat­forms — Jupiter and Las­teekraan. On its sec­ondary chan­nel ETV2, week­ly morn­ings and evenings are ded­i­cat­ed to kids con­tent, air­ing both ani­ma­tion and live-action series, and chil­dren films, alto­geth­er over 650 hours of pro­gram­ming per year. We keep an eye on qual­i­ty pro­grams for both pre-school and kids, episodes from 2′ to 30′. Lat­est titles: Go Jet­ters, Zouk, My Knight and Me, Galac­tic Agency, The Ranch and Simon.

The FFF Bay­ern is one of Germany’s lead­ing region­al fund­ing organ­i­sa­tions. With its annu­al bud­get of approx. 40 mil­lion EUR, finan­cial report can be request­ed at each stage of the pro­duc­tion process. This also applies to the pro­duc­tion of qual­i­ty children’s pro­gram­ming. Among the ani­mat­ed TV-pro­duc­tions which have been co-financed by the FFF Bay­ern late­ly are ​“The Lit­tle Knight Trenk” by ndf/​blue eyes Fic­tion, ​“Lieselotte” by Wun­der­W­erk and ​“Mus­ke­teers” by Cali­gari Film.

As part of its pol­i­cy of inno­va­tion and diver­si­fi­ca­tion, France Télévi­sions co-pro­duces one-off ani­mat­ed films for chil­dren and fam­i­lies. These spe­cials imag­i­na­tive­ly designed and with par­tic­u­lar atten­tion paid to the writ­ing are main­ly come­dies. France Télévi­sions also par­tic­i­pates in fea­ture film pro­duc­tion via its sub­sidiaries France 2 and France 3 Cinéma.

As part of its pol­i­cy of inno­va­tion and diver­si­fi­ca­tion, France Télévi­sions co-pro­duces one-off ani­mat­ed films for chil­dren and fam­i­lies. These spe­cials imag­i­na­tive­ly designed and with par­tic­u­lar atten­tion paid to the writ­ing are main­ly come­dies. France Télévi­sions also par­tic­i­pates in fea­ture film pro­duc­tion via its sub­sidiaries France 2 and France 3 Cinéma.

francetv dis­tri­b­u­tion works with pro­duc­ers and licen­sors to max­imise pro­grammes across all media plat­forms encom­pass­ing video, VoD and music pub­lish­ing, mer­chan­dis­ing, mag­a­zine and book pub­lish­ing, plus French and inter­na­tion­al dis­tri­b­u­tion and fund-rais­ing. Since Jan­u­ary 2017, francetv dis­tri­b­u­tion has gone hand in hand with dis­trib­ut­ing films abroad. As a major play­er on the dis­tri­b­u­tion of rights in France and in for­eign mar­kets, this new activ­i­ty is added to its savoir faire.

francetv dis­tri­b­u­tion works with pro­duc­ers and licen­sors to max­imise pro­grammes across all media plat­forms encom­pass­ing video, VoD and music pub­lish­ing, mer­chan­dis­ing, mag­a­zine and book pub­lish­ing, plus French and inter­na­tion­al dis­tri­b­u­tion and fund-rais­ing. Since Jan­u­ary 2017, francetv dis­tri­b­u­tion has gone hand in hand with dis­trib­ut­ing films abroad. As a major play­er on the dis­tri­b­u­tion of rights in France and in for­eign mar­kets, this new activ­i­ty is added to its savoir faire.

Gal­li­mard and Denoël were found­ed in the begin­ning of the XXth cen­tu­ry, and pub­lished some of the most renowned French authors, in diverse lit­er­ary gen­res. Futur­opo­lis, cre­at­ed in 1974, is ded­i­cat­ed to comics and graph­ic nov­els: it pub­lish­es about 40 books a year and has now more than 500 titles in its cat­a­logue. Gal­li­mard Jeunesse is ded­i­cat­ed to children’s lit­er­a­ture, it was cre­at­ed in 1972 and now counts a cat­a­logue of 12.000 titles, among which are Trotro and PJ Masks.

GO‑N Pro­duc­tions is an inter­na­tion­al Ani­ma­tion Pro­duc­er and Dis­trib­u­tor based in Paris, France. GO‑N is ful­ly ded­i­cat­ed to the cre­ation and exploita­tion of high qual­i­ty ani­ma­tion for kids world­wide. The com­pa­ny has nur­tured a world-class pool of cre­ative direc­tors and artists with­in its own stu­dio. GO‑N boasts an exten­sive net­work of Inter­na­tion­al con­tacts and the capac­i­ty to part­ner, co-pro­duce, devel­op and pro­duce with the most rep­utable com­pa­nies worldwide.

Video game com­pa­ny in Toulouse.

Hes­sis­ch­er Rund­funk is part of ARD, the main Ger­man pub­lic broad­cast­er. HR is pro­duc­ing inhouse, but also copro­duc­ing and licens­ing pro­grams with nation­al and inter­na­tion­al partners.

Cre­at­ing and curat­ing con­tent for over 20 years, Hop! Media Group is syn­onyms with high qual­i­ty and thrilling con­tent, good nur­tur­ing val­ues and a safe envi­ron­ment, and is instru­men­tal in build­ing and main­tain­ing lead­ing pre-school brands in the ter­ri­to­ry. We apply a metic­u­lous screen­ing and eval­u­a­tion process and cher­ry pick con­tent to ensure it match­es our chan­nels’ unique DNA, echoes chil­dren’s inner world and reflects their every­day rou­tines, chal­lenges and experiences.

KissKiss­BankBank is Europe’s lead­ing crowd­fund­ing plat­form ded­i­cat­ed to inter­na­tion­al, inno­v­a­tive & cre­ative projects.KissKissBankBank allows cre­ators to gen­er­ate funds via pub­lic par­tic­i­pa­tion in order to finance the projects they believe in, with a tool that allows them to main­tain 100% intel­lec­tu­al prop­er­ty rights.

With +11 mil­lion € already col­lect­ed for 2,050 movies (short and fea­ture-length films): KissKiss­BankBank is an opti­mism generator!

Lat­vian Tele­vi­sion, LTV is the state-owned pub­lic ser­vice tele­vi­sion com­pa­ny in Latvia.

LTV oper­ates two chan­nels, LTV1 in Lat­vian and the LTV7.

The Lithuan­ian pub­lic broad­cast­er, Lithuan­ian Radio and Tele­vi­sion (LRT), is the media group that is owned by the pub­lic who is inter­est­ed to strength­en their chil­dren and youth programmes.

Macad­e­mia is a world leader in edu­ca­tion­al enter­tain­ment ded­i­cat­ed to devel­op­ing the skills kids need in the 21^st Cen­tu­ry. We reach chil­dren in their foun­da­tion­al years when we know we can have the biggest impact. Our con­tent is curat­ed around four cat­e­gories: STEM, Social Emo­tion­al Learn­ing, Cre­ativ­i­ty and Crit­i­cal Think­ing. Our flag­ship prod­uct, ​“Da Vin­ci”, is a glob­al stream­ing plat­form and edu­ca­tion­al app ser­vic­ing 60M kids & fam­i­lies with video con­tent, learn­ing resources in 22 languages.

Medi­a­toon Dis­tri­b­u­tion suc­cess­ful­ly man­ages and mar­kets icon­ic shows world­wide. Thanks to its in-house stu­dios, third-par­ty pro­duc­ers and oth­er major ani­mé part­ners, Mediatoon’s cat­a­logue con­sists of over 4,000 hours worth of enter­tain­ment. This includes icon­ic series such as Garfield, Sam­Sam, Tintin, Trotro, Code Lyoko and Naru­to, all of which con­tin­ue to cement Mediatoon’s posi­tion as one of Europe’s lead­ing Kids and Fam­i­ly IP man­agers and ani­ma­tion distributors.

Medi­a­toon Dis­tri­b­u­tion suc­cess­ful­ly man­ages and mar­kets icon­ic shows world­wide. Thanks to its in-house stu­dios, third-par­ty pro­duc­ers and oth­er major ani­mé part­ners, Mediatoon’s cat­a­logue con­sists of over 4,000 hours worth of enter­tain­ment. This includes icon­ic series such as Garfield, Sam­Sam, Tintin, Trotro, Code Lyoko and Naru­to, all of which con­tin­ue to cement Mediatoon’s posi­tion as one of Europe’s lead­ing Kids and Fam­i­ly IP man­agers and ani­ma­tion distributors.

Medi­a­toon Audio­vi­su­al Rights rep­re­sents the audio­vi­su­al rights for all pub­lish­ers of the Media-Par­tic­i­pa­tions Group and few oth­ers. With his­tor­i­cal graph­ic nov­els pub­lish­ers such as Dar­gaud, Dupuis, Le Lom­bard… and tra­di­tion­al lit­er­ary pow­er­hous­es like Le Seuil/​La Mar­tinière, as well as inde­pen­dent pub­lish­ers, it is more than 100 000 nov­els and 4.000 comics IPs wait­ing for you to be adaptated.

Milk­shake! is the #1 com­mer­cial children’s mul­ti­plat­form pre-school brand, ded­i­cat­ed to pro­duc­ing the best in British ani­ma­tion, live-action and short-form pro­gram­ming. Milk­shake! cel­e­brates kids and their fam­i­lies and enter­tains and delights them with relat­able and engag­ing British enter­tain­ment and adven­tur­ous sto­ries for pre-school­ers to enjoy every day as they learn about the world around them, whilst always hav­ing fun and bring­ing the Milk­shake! sun­shine into their homes.

Formed in 1998, the com­pa­ny has a diverse cat­a­logue of ani­ma­tion, rang­ing from hit preschool series, sold world­wide, to Oscar-winnng short ani­ma­tion. We like to get involved ear­ly and build pro­grammes into brands, sell­ing to all broad­cast­ers and plat­forms workd­wide and mak­ing licens­ing, mer­chan­dis­ing and pub­lish­ing deals. We were award­ed the Car­toon Trib­ute Award for Investor of the Year 2012

Motion Pic­tures is an ani­ma­tion pro­duc­tion and dis­tri­b­u­tion com­pa­ny, with more than 20 years of expe­ri­ence, and with an ever atten­tive look at new and ground­break­ing projects that gen­er­ate pas­sion and desire in us. We trust cre­ators and there­fore we approach authors if we per­ceive the essence of a project with growth force. We have also adapt­ed edi­to­r­i­al for­mats for tele­vi­sion, in asso­ci­a­tion with oth­er cre­ators and in devel­op­ment, mak­ing a pre­vi­ous suc­cess anoth­er, if not greater, on par.

Edi­tions Nathan, pub­lish­er of chil­dren’s books for 130 years.

A fam­i­ly busi­ness that has become one of the ref­er­ence hous­es of the Edi­tis Group, Edi­tions Nathan offers a very large range of books: books for tod­dlers, from birth to first steps, chil­dren’s pic­ture books and tales, non fic­tion titles and lit­er­a­ture in all its forms in paper­back or large-for­mat nov­els, from ear­ly read­ers to teenagers and young adults.

The Nether­lands Film Fund sup­ports film pro­duc­tion and film relat­ed activ­i­ties. The Fund offers selec­tive sup­port schemes on pro­duc­tion & dis­tri­b­u­tion for minor­i­ty co-pro­duc­tions and runs the incen­tive, offer­ing up to 35% cash rebate on pro­duc­tion costs spent in Netherlands.

NDR is the pub­lic broad­cast­er in north­ern Ger­many belong­ing to ARD. NDR is licens­ing and copro­duc­ing ani­ma­tion pro­gram for ​“KiKA” and for ​“Das Erste”. NDR is look­ing for non-vio­lent series for chil­dren between 5 – 7 and 8 – 12 years old (3’-5’, 12´, 15´, 25´ series) and also fea­ture films. The pro­grams should be fresh, unique, fun­ny and orig­i­nal in terms of con­tent and design. We need com­pelling sto­ries with strong char­ac­ters that appeal to both boys and girls.

NRK Super is a Nor­we­gian pub­lic TV broad­cast­er aimed at chil­dren 0 – 14 years old, run by Nor­we­gian Broad­cast­ing Cor­po­ra­tion (NRK). NRK super is the largest and most suc­cess­ful children’s broad­cast­er in Nor­way both in terms of rat­ings and audi­ence sat­is­fac­tion. NRK Super includes a free VoD (FVoD) play­er, a lin­ear TV chan­nel, a dig­i­tal radio, var­i­ous apps and pres­ence on social media and YouTube. NRK Super offers a range of cre­ative mul­ti-genre con­tent annu­al­ly for its core audience.

NRK Super is a Nor­we­gian pub­lic TV broad­cast­er aimed at chil­dren 0 – 14 years old, run by Nor­we­gian Broad­cast­ing Cor­po­ra­tion (NRK). NRK super is the largest and most suc­cess­ful children’s broad­cast­er in Nor­way both in terms of rat­ings and audi­ence sat­is­fac­tion. NRK Super includes a free VoD (FVoD) play­er, a lin­ear TV chan­nel, a dig­i­tal radio, var­i­ous apps and pres­ence on social media and YouTube. NRK Super offers a range of cre­ative mul­ti-genre con­tent annu­al­ly for its core audience.

Plug In Dig­i­tal is one of the world’s largest inde­pen­dent video game dis­trib­u­tors and helps stu­dios and pub­lish­ers dis­trib­ute their games world­wide on PC, cloud, con­sole & mobile.

Plug In Dig­i­tal also runs two sep­a­rate pub­lish­ing labels: Dear Vil­lagers (The For­got­ten City, Scourge­Bringer, The Dun­geon of Naheul­beuk) and PID Games (Alba: a wildlife adven­ture, Ghost of a Tale, Paper Beast).

RTVS is Slo­vak pub­lic, nation­al, inde­pen­dent, infor­ma­tion­al, cul­tur­al and edu­ca­tion­al insti­tu­tion, that pro­vides its ser­vices in the area of radio and tele­vi­sion broad­cast on the ter­ri­to­ry of the Slo­vak Republic.

First It start­ed to broad­cast as Bratisla­va stu­dio in 1956 as a part of the Czechoslo­vak Tele­vi­sion (CST). Slo­vak Tele­vi­sion works as an inde­pen­dent insti­tu­tion since 1991. It now oper­ates on five chan­nels: Jed­not­ka, Dvo­j­ka, Tro­j­ka, :24 and Šport.

Tele­visión Españo­la is the nation­al state-owned pub­lic-ser­vice tele­vi­sion broad­cast­er in Spain.

The Occ­i­tanie Region aims to max­i­mize the cul­tur­al, edu­ca­tion­al and eco­nom­ic ben­e­fits of the cin­e­ma and audio­vi­su­al indus­try on its ter­ri­to­ry. The Occ­i­tanie Region sup­ports screen­writ­ers and pro­duc­ers with finan­cial aid for devel­op­ment and pro­duc­tion and pro­motes the audio­vi­su­al sec­tor, in par­tic­u­lar through the Occ­i­tanie Films agency, in order to strength­en poles of activ­i­ty reflect­ing its artis­tic and eco­nom­ic diversity.

The Occ­i­tanie Region aims to max­i­mize the cul­tur­al, edu­ca­tion­al and eco­nom­ic ben­e­fits of the cin­e­ma and audio­vi­su­al indus­try on its ter­ri­to­ry. The Occ­i­tanie Region sup­ports screen­writ­ers and pro­duc­ers with finan­cial aid for devel­op­ment and pro­duc­tion and pro­motes the audio­vi­su­al sec­tor, in par­tic­u­lar through the Occ­i­tanie Films agency, in order to strength­en poles of activ­i­ty reflect­ing its artis­tic and eco­nom­ic diversity.

RTBF co-pro­duces ani­mat­ed series and indi­vid­ual pro­grammes root­ed in Belgium’s art and lit­er­a­ture; it also pays par­tic­u­lar atten­tion to projects that stand out for their aes­thet­ic char­ac­ter. These pro­grammes must be pro­duced or co-pro­duced by inde­pen­dent Bel­gian com­pa­nies. In terms of acqui­si­tions, RTBF con­cen­trates on inno­v­a­tive con­tem­po­rary Euro­pean ani­mat­ed series for chil­dren aged 8 to 10. RTBF also intends to explore Euro­pean and inter­na­tion­al fic­tion aimed at 10 – 15 and at 15 – 18-year-olds.

Screen Flan­ders is your first stop for audio­vi­su­al activ­i­ties in the Flan­ders Region, pro­vid­ing finan­cial sup­port through its eco­nom­ic fund, infor­ma­tion and ser­vices via its Film Com­mis­sion. Via the Screen Flan­ders Eco­nom­ic Fund, Bel­gian (co-) pro­duc­ers can apply to receive up to 400,000€ refund­able advances by way of eco­nom­ic sup­port to cov­er their audio­vi­su­al expens­es in the Flan­ders Region.

Stu­dio Ham­burg Enter­pris­es (SHE) is part of Stu­dio Ham­burg Group, a sub­sidiary of NDR, which is a pub­lic radio and tele­vi­sion broad­cast­er and a mem­ber of the ARD con­sor­tium. SHE is one of the TOP sales & dis­tri­b­u­tion pow­er hous­es in GSE. SHE´s busi­ness cov­ers acquisition/​coproduction, inter­na­tion­al sales and dig­i­tal distribution/​home enter­tain­ment, focus­ing on con­tent for pub­lic broad­cast­ers and com­mer­cial license cat­a­logs. SHE holds a NDR ser­vice man­date for TV acqui­si­tion and licensing.

Superights is an inter­na­tion­al dis­tri­b­u­tion com­pa­ny propos­ing con­tent for kids and fam­i­ly. Through a cat­a­log of extreme­ly diverse gen­res, tar­gets and nation­al­i­ties, the com­pa­ny offers pre­mi­um pro­grammes and deals with the biggest inter­na­tion­al play­ers (chan­nels and plat­forms) through­out the world.

Superights is an inter­na­tion­al dis­tri­b­u­tion com­pa­ny propos­ing con­tent for kids and fam­i­ly. Through a cat­a­log of extreme­ly diverse gen­res, tar­gets and nation­al­i­ties, the com­pa­ny offers pre­mi­um pro­grammes and deals with the biggest inter­na­tion­al play­ers (chan­nels and plat­forms) through­out the world.

Tele­visió de Catalun­ya is the gen­er­al­ist pub­lic TV broad­cast­er of Cat­alo­nia. TV3 is com­mit­ted to offer­ing its view­ers a social­ly rel­e­vant, qual­i­ty pro­gram­ming, while sup­port­ing and pro­mot­ing Cata­lan cul­ture and lan­guage, as well as encour­ag­ing inno­va­tion and cre­ativ­i­ty. TVC pro­mot­ed from its out­set the suc­cess­ful ani­mat­ed series ​“The Triplets”. It has tak­en part since then in a vari­ety of pro­duc­tions with inter­na­tion­al impact: ​“Chico&Rita”, ​“Lucky&Fred”, ​“Saari”, ​“Ask Lara” or ​“Pump­kyn Reports”.

Look­ing for gen­der-neu­tral pro­grams with 4 – 10-year-old tar­get. For instance, in 2021/2022 TF1 has pre­miered: ​“Gus the Itsy Bit­sy Knight” (Tech­ni­col­or Ani­ma­tion Pro­duc­tions), ​“San­ti­a­go of the Seas” (Nick­elodeon), ​“Ghost­force” (Zag­toon), ​“Mirac­u­lous” sea­son 4 (Zag­toon / On Kids & Fam­i­ly), ​“Pff­fi­rats” (Cube Cre­ative Pro­duc­tions), ​“Robin Hood” sea­son 3 (On Kids & Fam­i­ly), ​“Paw Patrol” sea­son 8 (Nick­elodeon / Spin­mas­ter), ​“Super Wings” sea­son 6 (Fun­ny Flux/​Alpha Animation).

The sev­en tele­vi­sion chan­nels of the Czech Tele­vi­sion meet the objec­tives of the pub­lic ser­vice by inform­ing and con­sis­tent­ly cre­at­ing and broad­cast­ing orig­i­nal pro­grammes for all age groups in the Czech Repub­lic. Cul­ti­vat­ing and draw­ing on its more than six­ty years of expe­ri­ence, the Czech TV pro­duces pro­grammes of superb qual­i­ty and a rich vari­ety of gen­res. ​“ČT Déčko” is a kids´channel for chil­dren aged between 4 and 12 offer­ing a vari­ety of orig­i­nal and for­eign content.

The Media Pio­neers is a UK-Chi­na Media group, found­ed in 2013. TMP focus­es on dis­trib­ut­ing high-qual­i­ty kids con­tent and fea­ture films across all broad­cast­ing plat­forms world­wide. We have dis­trib­uted more than 30,000 min­utes of con­tent world­wide, includ­ing the launch of sev­er­al fea­tures in UK the­atres and the Chi­nese mar­ket. TMP co-pro­duces projects through our pro­duc­tion arm based in the UK which also pro­vides con­sult­ing ser­vices for pro­duc­tion com­pa­nies look­ing for inter­na­tion­al co-production.

VIP Brands is a comics and graph­ic nov­el rights agent and con­sul­tan­cy that also pro­vides trans­la­tion ser­vices. Our mis­sion is to help expand graph­ic nov­el horizons.

Wal­lim­age aims to devel­op the audio­vi­su­al sec­tor in Wal­lo­nia. We invest in audio­vi­su­al works of Bel­gian or inter­na­tion­al ini­tia­tive (co-pro­duced in Bel­gium), name­ly: series, live-fea­ture films, doc­u­men­taries, ani­mat­ed series, fea­ture films and VR/AR projects. Wal­lim­age is also the main part­ner of the Inter­reg ALICE project (Ani­ma­tion League for Increased Coop­er­a­tion in Europe). Addi­tion­al­ly, Wal­lim­age Entre­pris­es invests in Wal­loon audio­vi­su­al com­pa­nies (film indus­try, gam­ing, Musictech…).

Estab­lished in 1984, WBIm­ages is the offi­cial inter­na­tion­al pro­mo­tion agency for the audio­vi­su­al arts and indus­try of the Wal­loon-Brus­sels Com­mu­ni­ty. WBIm­ages is co-financed and co-man­aged by the Cen­tre du Ciné­ma et de l’Audiovisuel and Wal­lonie Brux­elles International.

The Brands depart­ment of WDR Medi­a­group is a licens­ing agency that rep­re­sents renowned brands of nation­al and inter­na­tion­al right hold­ers for suc­cess­ful brands. Through the assign­ment of mer­chan­dis­ing and pub­lish­ing rights, we estab­lish exten­sive prod­uct ranges on the mar­ket. In addi­tion to toys, sta­tionery, acces­sories, cloth­ing, house­hold tex­tiles, and print prod­ucts, we real­ize attrac­tive coop­er­a­tive part­ner­ships in areas such as theater/​stage and promotion.

West­deutsch­er Rund­funk (WDR) is a Ger­man pub­lic broad­cast­ing insti­tu­tion based in Cologne. We are the largest media organ­i­sa­tion in Ger­many and the sec­ond largest in Europe. WDR pro­duces approx. a quar­ter of the nation­wide pro­gram­ming of ​“Das Erste” (Chan­nel 1), the country‘s pri­ma­ry and longest-run­ning Ger­man TV chan­nel. WDR also sup­plies con­tent for oth­er chan­nels such as the ARD/ZDF chil­dren’s broad­cast­er KiKA.

West­deutsch­er Rund­funk (WDR) is a Ger­man pub­lic broad­cast­ing insti­tu­tion based in Cologne. We are the largest media organ­i­sa­tion in Ger­many and the sec­ond largest in Europe. WDR pro­duces approx. a quar­ter of the nation­wide pro­gram­ming of ​“Das Erste” (Chan­nel 1), the country‘s pri­ma­ry and longest-run­ning Ger­man TV chan­nel. WDR also sup­plies con­tent for oth­er chan­nels such as the ARD/ZDF chil­dren’s broad­cast­er KiKA.

Wim Pel Pro­duc­tions is the biggest inde­pen­dent audio post-pro­duc­tion stu­dio in The Nether­lands. For more then 25 years we are spe­cial­iz­ing in dub­bing (movies, TV and games), voice overs (doc­u­men­taries, com­mer­cials and audio books) and audio post-pro­duc­tion (mix­ing, sound design and foley). Our team com­pris­es some of the best direc­tors, tech­ni­cians and trans­la­tors in the Audio-Visu­al industry.

We trans­mit about 8 hours of ani­ma­tion on week­end morn­ings in our children’s pro­gramme slots on ZDF and we are oblig­ed to deliv­er about 40% of KiKA’s (Germany’s Chil­dren Chan­nel) pro­gram­ming. Pos­si­ble for­mats: 26÷52×12’ or 26x26’/52x26’ series for 6 – 12-year-olds, and pre-school audi­ence. For hol­i­day pro­gram­ming we need 30’ spe­cials up to fea­ture length. Sto­ries should be well told, full of humor, fan­ta­sy and fea­tur­ing warm-heart­ed and inter­est­ing characters.

We trans­mit about 8 hours of ani­ma­tion on week­end morn­ings in our children’s pro­gramme slots on ZDF and we are oblig­ed to deliv­er about 40% of KiKA’s (Germany’s Chil­dren Chan­nel) pro­gram­ming. Pos­si­ble for­mats: 26÷52×12’ or 26x26’/52x26’ series for 6 – 12-year-olds, and pre-school audi­ence. For hol­i­day pro­gram­ming we need 30’ spe­cials up to fea­ture length. Sto­ries should be well told, full of humor, fan­ta­sy and fea­tur­ing warm-heart­ed and inter­est­ing characters.